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28 of 29 people found the following review helpful:
5.0 out of 5 stars
Eat It Up!, February 27, 2002
One of the most talented groups of the eighties, FYC made only a few albums. This 1988 effort is a must, with highly original compositions similar in feeling to the great Arthur Lee and Love. Almost every song is great (although the first half is better), both for listening or dancing, particularly "She Drives Me Crazy," "Good Thing," "I'm Not the Man I Used to Be," and "Tell Me What." The emotional vocals, tight playing, and R&B/reggae beat make these completely infectious. Roland Gift has the restrained vocal passion of a Sam Cooke. Andy Cox's plucking guitar notes, superbly comped by David Steele on keyboards and some great percussive sounds, adds a unique sound to Gift's emotional vocal on "I'm Not the Man I Used To Be." On the best songs, the production is richly textured yet sparse (e.g. Al Green). For example, Steele adds some keyboard accents on "I'm Not Satisfied" then pulls off a cooking organ solo. The song, like much of the album, is imbued with R & B, reggae, funky church sounds, and James Brown passion."Tell Me Why" is a more mellow ska, with some nice 50's style harmonies. Track 6, "Don't Look Back," somewhat misses... it lacks the soulful hooks of the other songs but has an early 60's vocal sound and breaks into a good power guitar solo for about 10 seconds at the 2-minute mark). Overall, it's strangely likeable, as if Arthur Lee did country/Western. "It's OK (It's Alright)" breaks into a great chorus despite it's somewhat cloying disco groove. Still, the tight work and rhythm section are impeccable and elevate the song...and again, this is great dance music! "Don't Let It Get You Down" has some annoying sound-effects over a great Prince-like falsetto by Gift. There's also a fine trumpet sound that gets into a good groove. Track 9 has a deep churchy sound (due largely to the organ), a great guitar twangling hook. Like many of their songs, it has the deep feeling of a prayer, and the yearning emotion of the best Rhythm and blues. Excellent vocals, but, towards the end of the song the overly dramatic horns and the singing veer towards self-parody (but I can imagine Elvis doing something fun with this). The last song has more strumming guitar and a big drum sound on the beat: It's a little like Talking Heads in its approach and sound, and has a taste of funk guitar. The album fades just a bit after it's initial blast, but this is not enough to dampen my enthusiasm. Not many groups can match FYC for musical and emotional power, originality, and synthesis of R &B and reggae. It's probably one of the top 25 albums of the 1980's. Very highly recommended!
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