Bizet - Les Pêcheurs de Perles (The Pearl Fishers) / Hendricks, Aler, Quilico, Capitole de Toulouse, Plasson

Georges Bizet (Composer), Michel Plasson (Conductor), Orchestre du Capitole de Toulouse (Orchestra), Barbara Hendricks (Performer), John Aler (Performer), Gino Quilico (Performer), Jean-Philippe Courtis (Performer), Choeurs du Capitole de Toulouse (Performer)

Product Details

• Performer: Barbara Hendricks, John Aler, Gino Quilico, Jean-Philippe Courtis, Choeurs du Capitole de Toulouse
• Orchestra: Orchestre du Capitole de Toulouse
• Conductor: Michel Plasson
• Composer: Georges Bizet
• Audio CD (April 10, 1990)
• SPARS Code: DDD
• Number of Discs: 2
• Label: EMI Classics
• ASIN: B000002RR7
• Average Customer Review: 4.7 out of 5 stars  See all reviews (14 customer reviews)
• Amazon.com Sales Rank: #65,936 in Music (See Bestsellers in Music)

Track Listings

Disc: 1

1. Les Pêcheurs de perles, opera in 3 acts: Prélude

2. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 1.: "Sur La Grève En Feu"

3. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 1.: "Amis, Interrompez Vos Danses..."

4. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 1.: "Demeure Parmi Nous, Nadir... Sur La Grève En Feu"

5. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 2.: "C'est Toi, Toi Qu'enfin Je Revois"

6. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 2.: "Au Fond Du Temple Saint"

7. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 3.: "Que Vois-Je?"

8. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 3.: "Sois La Bienvenue"

9. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 3.: "Seule Au Millieu De Nous... Brahma, Divin Brahma!"

10. Les Pêcheurs de perles, opera in 3 acts: Act 1. No. 4.: "A Cette Voix"

See all 15 tracks on this disc

Disc: 2

1. Les Pêcheurs de perles, opera in 3 acts: Act 2. No. 8.: "De Mon Amie Fleur Endormie"

2. Les Pêcheurs de perles, opera in 3 acts: Act 2. No. 9.: "Leïla! Leïla! Dieu Puissant"

3. Les Pêcheurs de perles, opera in 3 acts: Act 2. No. 10.: "Ah! Revenez À La Raison"

4. Les Pêcheurs de perles, opera in 3 acts: Act 3. Part 1. No. 11.: "L'Orage S'Est Calmé... O Nadir"

5. Les Pêcheurs de perles, opera in 3 acts: Act 3. Part 1. No. 12.: "O Ciel! Quel Trouble..."

6. Les Pêcheurs de perles, opera in 3 acts: Act 3. Part 1. No. 12.: "Je Frémis, Je Chancelle"

7. Les Pêcheurs de perles, opera in 3 acts: Act 3. Part 1. No. 12.: "Entends Au Loin Ce Bruit De Fête"

8. Les Pêcheurs de perles, opera in 3 acts: Act 3. Part 2. No. 13.: "Dès Que Le Soleil"

9. Les Pêcheurs de perles, opera in 3 acts: Act 3. Part 2. No. 14.: "Sombres Divinités...O Lumière Sainte"

10. Les Pêcheurs de perles, opera in 3 acts: Act 3. Part 2. No. 15.: "Le Jour Enfin Perce La Nue"

See all 11 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

110 of 111 people found the following review helpful:

5.0 out of 5 stars A clear first choice, September 19, 2000

By	"daniel0302" (New York, NY United States) - See all my reviews

This recording is a must have.

For many years after it's premiere. "The Pearl Fishers" held a place in the repertoire nearly as important as "Carmen", but its popularity dropped significantly during the course of the 20th century. A compelling case for the opera is made with this recording.

Barbara Hendricks, John Aler, and Gino Quilico are three of the most stylish, musical, and intelligent singers of their generation. They constitute an un-French cast proving to be (as each has done elsewhere) remarkable exponents of French style. They each contribute a beautiful, idiomatic performance that is truly glorious. Hendricks and Aler are just plain exquisite. Quilico is the best Zurga on record, and his dynamic performance keeps the dramatic balance on the baritone.

Michele Plasson leads a wonderful performance, capturing Bizet's atmospheric colors and dramatic contrasts with a skill hardly equaled on other recordings. He utilizes the orchestra and chorus to maximum effect throughout. The dramatic choral finale of the second act is magnificent and spine tingling; in lighter passages of the score when delicacy is called for, that is what is delivered.

Questions of performance edition, and what is and is not really Bizet, are points well covered elsewhere. However, I must praise the choice here to end the opera with the cathartic reprise of the melody from the Act 1 tenor / baritone duet. Sung by the tenor and soprano in the finale, it reinforces the conflicted friendship between the two men as the thematic and moral center if the opera.

Given the performances, conducting, and recorded sound superior to earlier releases, this recording is a clear first choice.

89 of 89 people found the following review helpful:

5.0 out of 5 stars The Best Ever, January 20, 2005

By	James Morris (Jackson Heights, NY United States) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

About 12 years ago, when I was first learning about opera, I relied heavily on the recommendations of a friend of mine, who I consider to be an expert. This friend is an opera devotee of the highest order; he has hundreds of opera recordings and attended his first Met performance in 1948 or so. He has been a lover of opera since his teens, and has committed many Italian librettos to memory. He had been trying to interest me in opera for years, but I was almost 40 when I finally decided that it was time I took the plunge. Naturally, I allowed him to suggest which recordings to acquire, which to steer clear of, and why.

When I shortly started asking, "What is this opera by Bizet called `the Pearl Fishers', he told me to "get the version with Micheau and Gedda - it's known as the best recording of it". So I ordered it, but in the meanwhile, I also acquired this 1988 version with Hendricks and Aler. When I mentioned it to my friend, he sniffed, "I don't know it, so I can't comment. But you can't go wrong with the Micheau / Gedda interpretation." I tried to tell him how much I liked the Hendricks / Aler recording, but he told me to wait until I'd heard the one he'd suggested.

Some weeks later I finally acquired the recommended classic recording, but, having grown accustomed to the Hendricks and Aler reading, I found the earlier version somewhat lacking. So I bought a new copy of what was now (and has remained to this day) my favorite opera recording, and mailed it to my old friend. I sat back to wait for his opinion.

I didn't wait long. He called me a few days later. "I congratulate you on your taste," he started. "I'm going to tell you something I never thought I'd say - this is not only far and away the best recording I've ever heard of this particular opera, it's one of the best opera recordings I've ever heard in my life!" He then proceeded to tell me how fresh, vibrant and unique he found this recording to be, and later told me that he listened to it every day for weeks, and recently told me he still hasn't grown tired of it.

So, anyone who is contemplating purchasing this glorious recording, I say go for it. My example proves that it will be loved by opera fans both old and new alike.

68 of 70 people found the following review helpful:

5.0 out of 5 stars Review of the Plasson Pearl Fisher EMI CD Set, June 12, 2001

By	Thomas R. Duncan (Brentwood, TN United States) - See all my reviews

This is one of the best recordings now available. The words and music are easy to follow if using the Kalmus vocal score (in French with literal English translation). The principals: soprano Hendricks, tenor Aler and baritone Quilico are superb and well balanced. The bass, Courtis, is more than adequate but not menacing. The chorus has the power and majesty expected.

This recording is an excellent purchase for the novice opera enthusiast, the opera aficionado, or for those who think they do not like opera. It should be in all public libraries.