The King And I: From The Soundtrack Of The Motion Picture (1993 Film) [Soundtrack]

Marni Nixon, Yul Brynner, Rodgers & Hammerstein, The King And I (Related Recordings), Rita Moreno

Product Details

• Audio CD
• Number of Discs: 1
• Label: Angel
• ASIN: B000002SO0
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars See all reviews (41 customer reviews)
• Amazon.com Sales Rank: #128,334 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com essential recording
Compared with the Broadway cast recording, the 1956 soundtrack to the film version of The King and I wins hands down. Yul Brynner is the king (literally and figuratively) in both formats (how could anyone else own such a role?), but the movie's score has better sonics, Brynner's voice is stronger, and the tunes are more memorable (thanks to Alfred Newman's conducting and Ken Darby's scoring) than on any of the various cast recordings. Marni Nixon sings the role of Anna (played onscreen by Deborah Kerr), Brynner delivers his hallmark performance, and the best-loved tunes--"Hello, Young Lovers," "Getting to Know You," and "I Whistle a Happy Tune" are the versions we'll always remember. A classic. --James Hendrickson

Customer Reviews

Most Helpful Customer Reviews

18 of 19 people found the following review helpful:

3.0 out of 5 stars THE KING AND I SOUNDTRACK A TOP NOTCH PERFORMANCE!, March 26, 2001

By	"hcampo" (Culver City, Ca.) - See all my reviews

This review is from: The King and I (1956 Film Soundtrack) (Audio CD)

This so-called expanded CD of THE KING AND I is not nearly as good as it could have been mainly because the source used for this CD is plagued with Foley effects and dialogue which don't make much sense separated from the visual elements of the film and actually detract from the musical enjoyment of this great score.

The original discrete stereophonic "music and vocal only" separation soundtracks for the KING AND I (also CAROUSEL, OKLAHOMA and SOUTH PACIFIC) are in the 20th. Century Fox studio vaults and could have been made available to the producers for these re-masterings if anyone had cared enough to ask. In fact, the deluxe laserdisc of THE KING AND I contained a CD of about 76 minutes including the complete vocal score and Alfred Newman's excellent underscoring, all completely free of extraneous sound effects and dialogue. Why weren't these tracks used for this CD release? These performances are important enough to use the best and cleanest sound source in existence and I don't think it is childish to comment on this omission. These original tracks should have been used exclusively for the expanded versions of these albums. The end result would have much more musically pleasing. As a long time audiophile myself I don't think this is asking too much and other Amazon reviewers of musical soundtracks in which the producer of this CD, Didier C. Deutsch, was involved have commented on the sound effect and dialogue snippets that marred the expanded versions of WEST SIDE STORY and MY FAIR LADY.

I can't imagine any intelligent person who would want these intrusions on a music only recording if an alternate source without them were readily available.

This recording of THE KING AND I as well as the film soundtracks of CAROUSEL and OKLAHOMA are musically the finest recorded performances of Rodgers and Hammerstein's musicals. These recordings deserve and could have gotten a far better sonic presentation than the producers and EMI-Angel gave them. I certainly don't expect everyone to agree with my personal observations concerning these releases. That is what this forum is all about, after all and from a musical standpoint I cannot recommend these soundtracks more highly. I just wish the producers had been more careful in their execution of these releases.

9 of 10 people found the following review helpful:

5.0 out of 5 stars a superlative re-issue, November 20, 2002

By	Byron Kolln (the corner where Broadway meets Hollywood) - See all my reviews (TOP 50 REVIEWER)

This review is from: The King and I (1956 Film Soundtrack) (Audio CD)

This new remastering job for the film soundtrack of THE KING AND I is long-overdue, but has been well worth the wait. Angel Broadway have outdone themselves.

The CD features all the musical numbers (including those cut from the film), some of the background incidental music as well as some of the dance music. But the highlight is the complete music for "The Small House of Uncle Thomas" ballet is included (oh happy day).

This score (like many of the R&H movie-versions) features a lot of dubbed voices. Deborah Kerr's was dubbed by popular Hollywood ghost-singer Marni Nixon (who would go on to dub for her again the following year in 'An Affair to Remember'). Carlos Rivas (who played Lun-Tha), had voice double Reuben Fuentes, and Rita Moreno's (who played the tragic Tuptim) voice was dubbed by Leona Gordon (despite that on many occasions Moreno has insisted that it is her own voice).

Terry Saunders remains a revelation as Lady Thiang, singing a heartfelt "Something Wonderful", and Yul Brynner, direct from the Broadway run, shows a new maturity of voice compared to the original Broadway cast-album.

The original session tapes have been cleaned up for this recording (there is a small amount of hiss and click, but with cast recordings this is quite normal), and the extensive liner notes are a fascinating read.

Highly recommended.

6 of 6 people found the following review helpful:

5.0 out of 5 stars A fine King and I soundtrack reissue, February 9, 2007

By	Yi-Peng (Singapore) - See all my reviews

This review is from: The King and I (1956 Film Soundtrack) (Audio CD)

Of the three recent EMI-Angel R&H film soundtrack reissues, I find that this reissue of the King & I soundtrack is the best-executed. The King and I shows a new maturing of the R&H element and this superb 1956 film adaptation more than certainly does it justice. The superb soundtrack presented here includes the complete score, along with some of Alfred Newman's underscoring, and boasts splendid performances by Marni Nixon and Yul Brynner. And of course the orchestra is sumptuous and properly lush, enveloping us in sweltering renditions of some of Rodgers' most heartfelt melodies.

I won't reiterate the critic-proof performances here. Other reviewers have covered them elsewhere. Nixon as a voice-dubber is in her element as Anna, and portrays her characterfully. Brynner is in his element as the King, as firm, commanding and authoritative as we've always known him to be. This performance shows him at his best, ripe, fresh and mature. Leona Gordon and Reuben Fuentes shine as the star-crossed lovers Tuptim and Lun Tha, bringing a melancholic quality to their brief numbers. It's really a treat to hear their renditions of the omitted songs My Lord and Master and I Have Dreamed. Rita Moreno as the real Tuptim acquits herself well when narrating the Uncle Tom's Cabin ballet sequence, presented for the first time on an official soundtrack recording. It's good to also hear Terry Saunders as Lady Thiang, in a heartfelt, humane and imploring rendition of Something Wonderful, and she is the icing on the cake of this superb soundtrack recording.

This EMI-Angel R&H soundtrack offers an extra benefit in addition to the extra musical sequences. Unlike the companion CDs of Oklahoma and Carousel, it presents the extra material from the original unmixed studio vault masters, except for the Prayer to Buddha and the Uncle Tom's Cabin ballet. This means that this reissue is blessedly free of the extraneous sound effects that plague the Oklahoma and Carousel CDs. I know that the sound effects and little snippets of dialogue drown out the music, but at least these reissues are a start in presenting comprehensive R&H soundtracks worthy of their films. What a pity that none of these R&H soundtrack reissues aren't 2-CD sets, otherwise we would have been able to hear the underscore.

In short, this is a superb presentation of a fine R&H film soundtrack.