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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Not Quite What I Expected, But Still Good, May 6, 2000
One of the below reviews was mine and I am updating it so it can include my user name.I had extremely high hopes for this one after the Fuzzy Sampler used two of the best tracks, and was a little disappointed. I never fail to be entranced, though, by the extraordinary "Voodoo Dreams/Voodoo." I don't know what it was about this one that grabbed me and made me love it so much, but it's great. This introduced me to the cool music of one of the forefathers of Lounge music and Father of Exotica, the great Les Baxter, whose fantastic tunes and dazzling orchestrations evocative of the American dream of exotic places far away continue to astound me. It's just a really great song. The tune is beautiful, deliciously played by tenor saxman Plas Johnson, who played every time Baxter needed a saxophone. The whole thing reminds me, better than anything I've ever heard, of the warm, inviting, "Gilligan's Island"-esque vision of old Polynesia, full of lush tropical greenery, native headhunters, and a little romance. It would be perfect for the theme song to a cheesy sixties-style adventure show. It never fails to excite. "Swamp Fire" is a fun song, along similar evocative lines of the above. It is one of the disc's best offerings, but is outdone by Martin Denny's superb cover of Lounge and Exotica classic "Quiet Village." "Village," written and originally done by Les Baxter (you can hear it on "The Exotic Moods of Les Baxter," a must-have!). Baxter, who actually founded Exotica, was somehow forgotten after Denny's cover of "Village" and Denny was now pegged for some reason as the first to do this. It's very unfair to legendary Baxter, who today is sadly little-known, but Denny created good music, too. "Village" is brilliant, and created a lot of noise in its time. Probably the most crystal-clear picture of Hawaii as people pictured it in the happy '50s is "Alika." You can just see it being played at a suburban backyard pool party! "Hana Mani" pulls this off, too. "Moon Mist" is an beautiful, mystical song (by Johnny Mercer and Duke Ellington--it sounds like something Johnny Hodges would play), performed by Charlie Barnet with a high female vocal reminiscent of a theremin (the things used to make the spaceship noises in '50s movies). Listen to the opening notes--they'll whisk you away! And of course, there's always "Bali Ha'i" from 'South Pacific.' Some of the tracks take some getting used to. "Caravan" starts slow but really swings when it gets going. There's some stuff from India with sitars and things. And then there's "Lust." To me, it was just musical screaming that, given time, becomes extraordinarily annoying. Yma Sumac's voice is amazing, yes, but I didn't enjoy any of her songs from this volume. Some will prefer her mambo things from volume two. Over time, as with other Ultra-Lounge volumes, I grew to like this one. If it doesn't please you, wait, then come back to it. As another reviewer said, it really does have the ability to almost take you away...
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