Most Helpful Customer Reviews
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Brought the soul back..., June 24, 2002
Minister's son, Michael D'Angelo Archer really made a massive impact with his organic soulful sound on this his 1995 debut.Making his name on "U Will Know" (Which he co-wrote and co-produced) with Black Men United the talented, multi-instrumetalist Richmond VA native made his own muse apparent here. Instead of following the mainstream definitons of what "R&B" had come to define, D took it all the way back. He clearly is a true lover of peak era soul music, wearing influences like Marvin Gaye, Al Green and Prince on his sleeve. This can be observed right down to a superlative, chilled cover of Smokey Robinson's classic "Cruisin'". That song is a true highlight and was a single release. As was the anthemic title track, which is a head nodding, drugs/female double entendre (Not unlike The Rolling Stones did with same title 25 years previously) opening, which incoroporates Mr Archer's hip-hop generation roots. The album has a laid back, jazzy vibe throughout and the Raphael Saadiq co-produced ode to his woman "Lady" exemplifies this. There isn't a weak song to be found but other favourites of mine include the brooding ...and gospel soaked closing number "Higher". "Dreamin' Eyes" was a worthy single release as well. D'Angelo took a five year break before his next album but the influence of this album endured all the while and proved one of the main catalysts in the genre the media came to know as "neo soul", although beyond categorisation, this album is just superb music. Check out the "Live At Jazz Cafe, London" Japanese import CD too for the live experience.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars
Wonderful, gorgeous debut of an exciting soul singer, March 5, 2000
R&B singers in need of a Teddy Riley or Babyface are put to shame here by the one-man-band-Prince-in-the-making D'Angelo. With his sultry voice gliding over every cut while nursing his smoky organ, D'Angelo emerges as one of the very few relying on the old school to create the new school, staying away from rickety drum machines & cheesy keyboard effects. His influences are obvious; but what makes this record so refreshing is that he uses his influences to help create his own vision instead of just emulating his heroes. "Cruisin", with it's never-ending chorus and sublte violins, is something you'd expect to hear on one of Stevie Wonder's 'super' albums. "Jonz In My Bonz" sounds like a wonderful omission from Prince's "Sign 'O' The Times". Every other song sounds as if D'Angelo is channeling Curtis Mayfield & Marvin Gaye all at once.Every song on this album works wonders, D'Angelo has a wonderful falsetto and his organ playing wavers from funk to jazz with ease. Hearing this album is a great example that now is a good time to be alive.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Masterpiece!, October 17, 2000
I first heard this album back in '95 when it first came out, and what with me just venturing into rnb music at that time (and being only 15 years old) I really didn't take to this album at all. I wasn't shy to admit it then, and I'm not shy to admit it now, what I lacked then was maturity in my musical tastes. Back then all I wanted to do was dance, which is how rnb fit in quite nicely. My tastes developed into hip-hop pretty much through BIG, Ma$e, among many others. Still in the dancey stages of hip-hop, that eventually slowed right down towards the mellower/moodier sounds of hip-hop through artists like The Roots, Method Man, Tribe, Nas, Common and Gangstarr (again, among others), and through that route came my undying appreciation for soul music, which is where artists such as Maxwell, Eric Benet, Jill Scott and particularly, D'angelo shine through. D'angelo has constantly stayed true to his roots and to the music that he puts out there. He breathes life into any track that he features on and is such a credit to the music world. He is almost a symbol of what music should really about - from his writing, to his producing, to his singing, to the instruments he plays. With 2 masterpieces behind him, while he is still in his mid-20's, we can only wait patiently for more. I hope that hasn't bored you senseless, I just wanted to put my opinion out there. Thanks for your time.
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