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12 of 13 people found the following review helpful:
5.0 out of 5 stars
19th Century Romanticism Makes A Comeback, January 28, 2002
What The Cure was to new wave/punk, Heart was to rock n' roll. These songs overflowed with all the passion, excitement, romance and love that typical meat and potatoes, male rockstars of the era, felt too embarrassed to express. On this album, Heart is easy listening, hard rock, and progressive new wave pop, all at the same time. There's an excellent balance of guitar and synth with thrillingly uplifting moments and heart-melting ballads. The Wilson sister's vocals are lush throughout, but what really stands out are the songs themselves."If Looks Could Kill", is a solid dramatic rocker. "What About Love", is a dynamic ballad that features Grace Slick on backround vocals. Howard Leese lays a fine guitar solo. The last half minute pulsates double time with unbelievable excitement and conviction. You'll continue to hear the song in your head even after you turn off your stereo. "Never", is sexy and serious at the same time. Written by Bernie Taupin, "These Dreams", has to be among the very best ballads of the 80's. This is Heart at its most romantic and seductive. It's medieval lyrical imagery gives it a timeless appeal. The song emblazons a gorgeous fantasy world upon your emotions. It's a better four minutes than any drug could ever give you. "The Wolf", uses primal imagry to put down the unwanted advances of sleazy guys. It's guitar solo will floor you with a determined and indomitable hopefullness! "All Eyes", scores again with an alternately sexy seductiveness and lovestruck passion. "You don't have to say a word to get a hold of me/take me...shake me/Burning gravity baby/Look at me, look at me". What guy wouldn't love to hear those words from his girlfriend? And there's another triumphant guitar solo that's brimming with happiness. The plaintive ballad, "Nobody Home", is beautiful. "Nothin' At All", has a pure pop genius. It's got that top of the world, 80's happiness to it. The guitar solo is simple yet very satisfying. The almost country, "What He Don't Know", is a decent soft rock ballad. The closer, "Shell Shock", is a bit cheesy, but displays an ample pop rock sensibility. This album is very happy, warm, and hopefull. But unlike the shallowness of most pop music, it's happy in a deep and meaningful way. When you feel like the daily grind has bled away your passion, this album is the antidote.
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