Most Helpful Customer Reviews
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61 of 63 people found the following review helpful:
5.0 out of 5 stars
Don McLean's Wonderful Masterwork!, July 8, 2000
I was fortunate enough to see a very young and nervous Don McLean perform alone at a high school "performing artist" assembly on a wintry March afternoon in 1970, right after his debut environmentally conscious "Tapestry" album had been released, but before "American Pie" was released the next year. Anyone who saw him knew he would be a superstar if that's what he wanted. Sure enough, with the release of "American Pie" he got fame with spades, and promptly retreated from that kind of public attention ever since. he has had a number of excellent albums; but has never recaptured the sort of outrageous success he achieved with this one; indeed, he seems to be singularly uninterested in anything to do with it. Instead, he has spent the last 30 years following the whimsy of his own heart and artistic sensibilities. Yet all the brilliant talent and ability is here, folks, from the legendary title cut to "Vincent", an esoteric paean to Vincent Van Gogh, "Winterwood", a lovely love song, "Empty Chairs" and a number of others, all of which should still get FM air time but never have. By the way, I have had to chuckle over the years at all the questioning and active efforts at second-hand interpretation that has gone on regarding what the title cut is really all about. Such wondering and endless intellectual speculation really misses the point that McLean the incredibly gifted artist so singularly makes in the song itself; the music is the thing. It's the music that makes us smile. As did Buddy Holly, The Big Bopper, and Ritchie Valens, so to with Don McLean. Listen to what he has to say, and how artfully and wonderfully he phrases it. This is a timeless work that will always be around. Enjoy!
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66 of 69 people found the following review helpful:
5.0 out of 5 stars
This CD is Great For Many Reasons Other Than The Title Track, March 12, 2000
My brother bought this album when it was first released in 1972. After many repeated listenings over the years, it's still great. Some may say that it's "been goin' in and out of style" ala Sergeant Pepper's Lonely Hearts Club Band, but the fact is that American Pie never left it's audience so much as its audience left it. The fact that only one customer reviewer rated it at less than four stars is a testament of its staying power (and I might add, that reviewer falsely asserted that the full length version of the title track did not appear on this CD, which probably accounted for the low rating).Sure "American Pie" is a rock classic and a staple of both classic rock and oldies stations everywhere, but the fact is that this album has so much more to offer. "Vincent", hardly the weak song that the Amazon.com reviewer rather stupidly portrays it to be, is a beautiful and lyrically rich tale of despair, loneliness, and disappointment. It's beautiful in it's simplicity. And many other customer reviewers have spoken eloquently about the shamefully overlooked "Sister Fatima" (which disappeared from reissues of the original vinyl LP but was restored in the CD version). The song that moves me the most is "Empty Chairs", a wistful song of lost love and loneliness that is in my opinion the beautiful and overlooked track on this CD. Listening to it brings me to the verge of tears. For those of you fortunate enough to see Don McLean's recent PBS special "Starry Starry Night", special guest Garth Brooks performed a first-rate cover of this song. "American Pie" withstands the test of time as a quintessential recording in the vein of many of Bob Dylan's earlier works. It deserves a place in the collection of anyone who considers his or her self to be a rock afficianado.
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35 of 37 people found the following review helpful:
4.0 out of 5 stars
As American as Apple Pie, March 11, 2000
Don McLean's American Pie is one of the best albums to come out of the folk-rock movement. His tunes are meditative and solemn, his guitar work loose and neighborly. The only downfall of this album is that there are few songs that really stand out. Among those that do, however, are the title track, American Pie, a rousing, spelndid, meloncholy tribute to the 1960s, itself worth the price of the album (it is over 8 minutes long as well). Another excellent song is Vincent, a sympathetic tribute to Dutch painter Vincent Van Gogh. While not as long as American Pie, Vincent delivers a sad, insightful, loving look into the painter's life. The two other standouts are The Grave, a deeply moving tune about the Vietnam experience, and Babylon, a round-sung shanty that is sad and soothing. All around, these songs alone could have comprised an excellent album. If you are looking for an album of significant cultural meaning, or just some good music to listen to, check this one out. Enjoy!
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