Tribute to the Music of Bob Wills & the Texas Playboys

All the Voice, Bob Wills (Tribute), Asleep At The Wheel

Product Details

• Audio CD (November 2, 1993)
• Original Release Date: November 2, 1993
• Number of Discs: 1
• Label: Liberty
• ASIN: B000002URC
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (18 customer reviews)
• Amazon.com Sales Rank: #46,328 in Music (See Bestsellers in Music)

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  Music > Country > Western Swing

Editorial Reviews

Amazon.com

Ray Benson's Asleep At The Wheel deserve admiration for keeping alive the sounds of western swing, but with a rhythm section that's usually straight-up-and-down stiff, The Wheel's recordings mainly just leave you craving their inspirations. The 18-song Tribute overcomes this problem by loading up on singers who do their best to swing even when the band doesn't. George Strait, doing "Big Balls In Cowtown," is a natural, of course, as are the offerings from Willie Nelson, Merle Haggard, Lyle Lovett and Dolly Parton. Even Garth Brooks' go at "Deep Water," who mimics Strait to perfection here, is a pleasant surprise. --David Cantwell

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

4.0 out of 5 stars Well worth it with a lot more than What Amazon tells You, March 15, 2004

By	Tony Thomas (SUNNY ISLES BEACH, FL USA) - See all my reviews (TOP 500 REVIEWER)

Ray Benson and various aggregations of Asleep at the Wheel have been making records for almost 30 years now. The truth is that there are a bunch of standards of Western Swing that just have to be done and done again. Recently he has tried to get the variety in by doing live albums, and so-called tribute albums like this one, a tribute to Bob Wills. They are a nice excuse to do covers of Bob Wills Songs that Asleep at the Wheel has already recorded.

This works well because a lot of the people he uses on the record are veterans of the Western Swing revival Merle Haggard and Ray launched in the 1970s from different directions, although you might not know it now. It works because the band sounds looser, a bit wilder, and not as concerned with perfection and style as it does on their studio records, which, by the way I think are terrific.

Of course the Amazon listing here is incorrect. All of these tunes have guests. Red Wing for example has the one the only, the Tyler Rose, the greatest living Western Swing musician, the guy that Bob Wills had play Faded Love rather than himself, Johnnie Gimble on both fiddle and Mandolin. Ray gets by the problem of the racial insensitivity of "Across the Alley from the Alamo" by having Johnny Rodriguez sing it, and Susie Bogus does a great job on the early Wills Tune "Old Fashioned Love."

Marty Stuart has always been a great musician, starting out playing in Lester Flatt's band when he was 15, and being an ace on both guitar and mandolin. Besides some good picking on some of the other tunes, he does a great version of the great tune Misery, a tune from the days of the Wills/Duncan reunion in the late 1950s and early 1960s that should be better known.

Riders in the Sky join in with the band to do a great harmony on one of Cindy Walker's masterpiece "Dusty Sky." This song is so much more powerful about the dust bowl and the farm crisis of the thirties than anything that Woody Guthrie wrote. They say Tommy Duncan who had been destroyed as a farmer by the dust bowl droughts, broke down in tears when they recorded it. On the original recording you can hear Bob Wills trying to keep him going.

Haggard, well Haggard recorded the same tune he sings on this record with Bob Wills. Can't get better than that!

Even Huey Lewis gives us a little taste of where he was in the 1970s with a great version of Will's Hubbin' It!

The only thing I don't like here is Brooks and Dunn's Corrina Corrina. It has nothing to do with Western Swing, just your country rock rendition that sounds like a thousand other top 40 country recordings, although done with flavor and a solid dance beat.

Asleep at the Wheel have never been reconstructionists. They have never tried to sound like the Texas Playboys, even in the early days when they were able to include former Texas Playboys like Johnny Gimble, Tiny Moore, and others on their records. They always have tried to have a hot, jamming sound. So, they are the ideal band for this kind of tribute.
They are really, really jamming and jamming hard drawing in the talents of other pickers and singers and making this a real event.

6 of 6 people found the following review helpful:

4.0 out of 5 stars Swing boys, Swing!, April 19, 1999

By	Steven H. Hulme "Idaho Spud" (Boise, ID USA) - See all my reviews (REAL NAME)

I went to Tulsa on business a couple years back, and made a pilgrimage to Cain's Ballroom, where Bob Wills and his Texas Playboys were the "house band" whenever they were in town. The place was dark and dusty (I went on a Sunday morning), but I could almost hear the distant echoes of that joyful music from years gone by. Asleep at the Wheel, in my opinion, captures the exuberance of the Texas Playboys. For years, they have been at the forefront of "western swing," and they revere this material. They have also gathered some outstanding guests for this venture. Suzy Boggus singing "Old Fashioned Love" is my favorite. Boy howdy, can that lady SING?!! I've got several Bob Wills reissues and compilations; this music has the same feel, but benefits from modern recording techniques. (Bob's stuff sounds kind of "hissy and poppy" these days.) If you like that western swing - treat yourself to this CD!

5 of 5 people found the following review helpful:

5.0 out of 5 stars Excellent, October 3, 2002

By	John DeRoos (Mammoth Spring, AR USA) - See all my reviews (REAL NAME)

I like this music better than the original sounds of Bob Wills. Ray Benson really did a good job putting this together with such people as George Strait, Garth Brooks, Huey Lewis, Brooks & Dunn, Johnny Rodriguez, Chet Atkins & many others. It really has an upbeat & spirit lifting sound that is crisp & clear. One of the best albums I have ever heard.