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Vulture Culture

Alan Parsons Project
4.2 out of 5 stars  See all reviews (21 customer reviews) More about this product


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British prog-rock group Alan Parsons Project formed in London in the mid 70's by Englishman Alan Parsons and Scotsman Eric Woolfson. As the Alan Parsons Project they released their first album in 1976, Tales of Mystery and Imagination and although it's experimental sound kept it from lighting up the charts, critically it was generally well received. No doubt Alan Parsons Project are best known… Read more in Amazon's The Alan Parsons Project Store

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Product Details

  • Audio CD (October 25, 1990)
  • Original Release Date: March 1985
  • Number of Discs: 1
  • Label: Arista
  • ASIN: B000002VCZ
  • Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon.com Sales Rank: #154,922 in Music (See Bestsellers in Music)

 
1. Let's Talk About Me
2. Separate Lives
3. Days Are Numbers (The Traveller)
4. Sooner or Later
5. Vulture Culture
6. Hawkeye
7. Somebody Out There - The Alan Parsons Project, The Alan Parsons Project, The Alan Parsons Project
8. Same Old Sun - The Alan Parsons Project, The Alan Parsons Project, The Alan Parsons Project

Editorial Reviews

Product Description

Japanese-only SHM-CD (Super High Material CD) paper sleeve pressing of this album. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won't believe it's the same CD! Includes the same bonus tracks that appear on the EU/US expanded editions. Sony/BMG 2009. --This text refers to an alternate Audio CD edition.

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Customer Reviews

21 Reviews
5 star:
 (9)
4 star:
 (8)
3 star:
 (3)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (21 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
4.0 out of 5 stars Softer Parsons, But Still Very Good, October 4, 2003
1984's "Vulture Culture" finds the Alan Parsons Project simplifying & softening their musical approach. No real traces of the group's earlier progressive rock elements on "Vulture," and there's a stronger leaning towards pop, with more emphasis on synthesisers and synth drums (and no orchestrations by Andrew Powell, either). But Alan Parsons, songwriting partner Eric Woolfson, and their team of excellent singers (like Woolfson himself, Lenny Zakatek and Colin Blunstone) and studio musicians (like guitarist Ian Bairnson and drummer Stuart Elliott) still know how to craft music that's catchy and great-sounding. In the end, "Vulture Culture" is still a fine Project album. With it's theme about lack of communication, "Vulture" contains some sparkling Project gems, like the strong pop/rock of "Let's Talk About Me," the incredibly beautiful "Days Are Numbers (The Traveller)," the smooth-sounding title song, and the quirky instrumental, "Hawkeye." But the rest of the album is equally good.Okay, so if you had to rank all of the Alan Parsons Project's albums, "Vulture Culture" would probably come in last, but that still puts it in good company. "Vulture Culture" is the softest Project album of the bunch, but make no mistake, it's still very good.
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5 of 5 people found the following review helpful:
3.0 out of 5 stars Parsons attempts pop - does he succeed?, January 14, 1999
By A Customer
You'll have to decide. After reading an interview done shortly after this album was released, I was able to see the rift starting between Alan and Eric. I beleive it started with this album. For the first time Richard Cottle (sax, and keys) is made a permanent member of the band, and there is FAR less emphasis on orchestration, and no central theme. The was the last attempt by the Project to shoot for hit songs.

Does it make it a bad album? Certainly not! There are some tracks that really shine, mainly: Days are Numbers / The Traveller (probably one of the all-time best APP songs), Let's Talk About Me, and Sooner or Later.

Up until Eye in the Sky, an Alan Parsons album was meant to be listened to from beginning to end. You didn't just pick out a particular song, you listened for the THEME. Vulture is an example of how you become decreasingly tolerant of the lesser tracks. Overall, not a completely disapointing album, but not one of the best. Thankfully, he got better with age.. :>

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4 of 4 people found the following review helpful:
5.0 out of 5 stars I believe there's a theme there, July 7, 1999
The Vulture Culture project, though lacking an obvious theme like the first 4 or 5 APP albums, does have a focus. It's all about getting ahead and getting along in the crazy get-ahead world. If you listen to the tracks and what they say, you'll find that it goes from "me first" to living, to the search people go on to find who and what they are (in "Days are Numbers" one of the all time best APP songs) to what we do to get ahead in "Vulture Culture" to the realization that we are all in this together in "Sombody Out There" and "The Same Old Sun" (another of my favorites on this album).

The songs are great, this is a return to the kinds of sounds you can hear in "Turn of a Friendly Card."

The song "The Traveller" is also a great song to use when you are shopping for a new car or home stereo to see what kind of response and range you can get from a music system.

I highly recommend this album to anyone interested in insightful and thoughtful music in the style of APP.

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Most Recent Customer Reviews

4.0 out of 5 stars Choose It Or You'll Lose It
For someone like me it might come as a surprise I have any interest in the Alan Parsons Project. But there are more than two songs alone that make this album kind of... Read more
Published 2 months ago by Andre S. Grindle

5.0 out of 5 stars 'The same old sun'
I will go out on a limb and call this my fave APP album. It is full of accessible ballads, mainly sung by Eric Woolfson, which is definitely part of the appeal. Read more
Published 19 months ago by D. Moses

4.0 out of 5 stars Let's talk about It for a minute...
Luis Mejia (son) - After the release of the comprehensible and more soft but consistent Ammonia Avenue, Vulture Culture followed up with a more commercially adaptable, soft but... Read more
Published on August 29, 2007 by Humberto Mejia

4.0 out of 5 stars Days are Numbers is a ballad par none
I must say that "Days Are Numbers" is an incredible ballad. The harmonies (like when they hit 'Some-day' in this song, are just drop dead gorgeous. Read more
Published on June 24, 2007 by bzzh8c

5.0 out of 5 stars Not my favorite Project album, but it's not my least favorite either
I just listened to this the other day after not hearing it for maybe eight years or so, and I appreciate it now more than ever. Read more
Published on May 5, 2006 by M. A. Scott

5.0 out of 5 stars Despite what people say, a strong album
No matter what any review will say, this is yet another strong Parsons' album. It followed Ammonia Avenue, which gives Vulture Culture extra points for being way better than its... Read more
Published on January 14, 2006 by cynicists outlive optimists

5.0 out of 5 stars Alan Parson CD's Are Just Cool! 5 Stars! Definetly!
This is the best album of Alan Parson I have listened to so far. I'm not too big of a fan of Alan Parson but I borrowed this CD and I just loved all the songs in this! Read more
Published on January 5, 2006 by Elly Ishihara

5.0 out of 5 stars Vulture culture was a transition
A transition from the style of Eye and Ammonia, this disc foretold the musical style that was to follow in '85 with Stereotomy. Read more
Published on November 27, 2005 by Livingstill

5.0 out of 5 stars Parsons Project Swan Song
If you liked the smooth AOR that defined Alan Parsons during their heyday in the 1980s then it doesn't get any better than this. Read more
Published on September 24, 2005 by Zardoz the Guitar hero

3.0 out of 5 stars Softer music, same thoughtful concept-oriented thing. Good for starters.
Well, between the 10 or 11 (depending on your own opinion about 'Freudiana') Project albums this could be regarded as the weakest, but it still brings some nice fresh new things... Read more
Published on June 13, 2004 by Javier Navas

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