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In the Dark
 
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In the Dark

Grateful Dead
4.0 out of 5 stars See all reviews (24 customer reviews) More about this product


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Product Details

  • Audio CD (October 25, 1990)
  • Original Release Date: July 10, 1987
  • Number of Discs: 1
  • Label: Arista
  • ASIN: B000002VER
  • Also Available in: Audio Cassette
  • Average Customer Review: 4.0 out of 5 stars See all reviews (24 customer reviews)
  • Amazon.com Sales Rank: #32,966 in Music (See Bestsellers in Music)

Listen to Samples

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1. Touch of Grey
2. Hell in a Bucket
3. When Push Comes to Shove
4. West L.A. Fadeaway
5. Tons of Steel
6. Throwing Stones
7. Black Muddy River

Editorial Reviews

Amazon.com essential recording
Hardcore Deadheads always equate this 1987 comeback record with commercial acceptance and a watered-down fan base, but while those assertions are indeed accurate, step back and you'll hear an album full of strong material and equally solid, live-in-the-studio performances. It's more than coincidence that songs such as "Touch of Grey" (the band's only top 10 hit), "Hell in a Bucket," "West L.A. Fadeaway," and "Throwing Stones" all became staples of the Dead's last decade of touring. While longtime fans will probably have no use (or desire) for this release (especially since the CD version omits the brilliant "Brother Esau"), it remains one of the band's most successful studio forays and the quintessential icebreaker for newcomers. --Marc Greilsamer

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Customer Reviews

24 Reviews
5 star:
 (7)
4 star:
 (11)
3 star:
 (5)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (24 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
5 of 5 people found the following review helpful:
3.0 out of 5 stars Touch of Greatness, August 1, 2000
By Jim A (Connecticut USA) - See all my reviews
The best thing about this record is the song you're least likely to have heard on the radio.

The last track, "Black Muddy River," is Jerry Garcia's response (put to words by Robert Hunter) to recovering from a diabetic coma that nearly killed him in 1986. When Garcia revived, his coordination was fried and he literally had to re-learn how to play guitar. His joy in doing so successfully was evident in exuberant performances over the next few years. This song captures both that joy and its terrible cost, without ever referring directly to these events. The tune is plaintive and affirming at the same time and, sadly, was the last number Garcia sang lead on with the Grateful Dead. It's well worth many listens.

As to the rest of the record, the Amazon review correctly points out that many of the songs were concert staples from the mid-to-late 80s. In fact, with the exception of "Black Muddy River," the best numbers -- Garcia/Hunter's "Touch of Grey" and "West L.A. Fadeaway;" Mydland/Hunter's "Tons of Steel;" Weir/Barlow's "Throwin' Stones," and "Hell in a Bucket" -- were live favorites for years BEFORE they were recorded. Small wonder, then, that the album (and the ensuing hit status of "Touch of Grey") felt anticlimactic to longtime fans.

The album's use of electronic gimmickry (motorcycle sounds on "Hell in a Bucket;" guitar processing on "Touch of Grey," etc.) to "enhance" the songs only underscores the futility of trying to capture their live energy. Nevertheless, the songs ARE strong, and this album stands among the Dead's best studio efforts, excepting the magnificent "American Beauty" and "Workingman's Dead."

For my money, THOSE records are the best overall introduction to the music of the Dead.

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7 of 8 people found the following review helpful:
5.0 out of 5 stars Must have for any music fan., February 29, 2000
By Thomas R Robertson (Salt Lake City, UT) - See all my reviews
As many deadheads and other rock fans know, In The Dark was the Grateful Deads most commercially sucessful album, and for a good reason. Besides opening with Touch of Grey, the bands only top 10 hit, the whole album is classic. On Touch of Grey and Black Muddy River, Jerry Garcia and Robert Hunters writing combined to make supurb rock songs that could be enjoyed by anyone. Bob Weirs Hell in a Bucket and Throwing stones stand out in this album as well, though for different artistic reasons. Brent Mydlands Tons of Steel shows an imaginative writer coming in to his own. Overall, this is a Grateful Dead album that can be enjoyed by anyone.
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8 of 10 people found the following review helpful:
4.0 out of 5 stars Not a bad record; no American Beauty, July 27, 1998
By A Customer
"In the Dark" stands out from the vast array of Grateful Dead records for a few reasons: The first cut, "Touch of Grey" ("We Will Survive") is perhaps one of the most played (some will agree, over-played) radio songs of the Dead (I still like the song a lot despite this); I read once that it was the only song of theirs to become a number one hit in the U.S., though I can't back this up. "Throwing Stones" ("Ashes, ashes, all fall down...") also received a great deal of commercial recognition. Perhaps it is this aspect of "In the Dark" that causes me to less than love the record; the Dead were about as un-commercial and un-mainstream as an American band could be and still be widely recognized. It thus seems out of place how slick the mixing and production of this record are; there is something affected about the tone of the album; that's the reaction I had after listening to it for a few weeks. There is one s! ong, "Black Muddy River", that I thought was excellent. Though somewhat similar in tone and topic to "Brokedown Palace" from "American Beauty", "Black Muddy River" is a haunting, melancholy, beautiful cut that, on its own, deserves to be placed beside the band's greatest songs from earlier albums. This song was definitely responsible for at least one and maybe even two of the stars in the rating I submitted. Overall, "In the Dark" is not a bad record, but it is no "American Beauty".
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Most Recent Customer Reviews

3.0 out of 5 stars The secret of the front cover revealed!
Turn the album upside down. First to the upper right is Bob Weir. He is looking to the left at John Barlow, Bob's lyricist. Read more
Published on February 15, 2006 by P. Flannigan

5.0 out of 5 stars IS THIS ALBUM OUT OF PRINT?

Come On! This is one of the best. I really think that next to WORKINGMANS DEAD (1970) this is their next best. I never cared a whole ton for AMERICAN BEAUTY. Read more
Published on October 24, 2005 by wally gator

4.0 out of 5 stars Brent Mydland's finest hour
I think "In the Dark" is the best studio disc the band did with keyboardist Brent Mydland. He sounded tentative in his singing on "Go To Heaven," and I don't think his songs on... Read more
Published on February 21, 2005 by Maelje

3.0 out of 5 stars IT'S GOT HEART, BUT NOT A BODY
This music is not at all well-played; it's choppy, un-focused, and repetitive...but this IS The Grateful Dead we're talking about, so it's not like you can really expect much more... Read more
Published on November 28, 2004 by Jonathan W. Cardwell

4.0 out of 5 stars The last great studio album.
I'd actually have to say that "In The Dark" isn't just one of their more popular albums, it's also one of their best. Read more
Published on August 4, 2004 by H3@+h

3.0 out of 5 stars Last good Dead album....but NOT last Dead album
To all "In The Dark" reviewers out there who seem to think that "In The Dark" was the Dead's last album...you need to do alittle more homework. Read more
Published on November 9, 2003

5.0 out of 5 stars Come Again.
I just can't explain or describe what this has done to me. I'm now living in a place called Mt. Muirhead, and was reading the 1973 book, Hank Harrison, The Dead Book, about... Read more
Published on June 30, 2003 by lubo ceric

3.0 out of 5 stars a hit record
The studio record that turned them into a stadium live act, grossing an enormous amount of money by playing very large venues for their last 8 years. Read more
Published on June 14, 2003 by R. Bruynesteyn

5.0 out of 5 stars The Grateful Dead gracefully evolve!
As people have already mentioned, this record sometimes takes flak for having been so successful, and 'popular'. I think this is the most re-assuring dead album created. Read more
Published on May 15, 2003 by Mark Twain

4.0 out of 5 stars Welcome record at the time. (Still is).
This to me was well, in reality the second to last dead record to come out of the studios, and one of the strongest and well crafted. Read more
Published on October 4, 2002 by Cruising through the ether

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