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4 of 5 people found the following review helpful:
3.0 out of 5 stars
How NOT To Do A Boxed Set!, October 16, 1998
This is a disappointing review for me to write, as The Guess Who were the very first artist I listened to growing up, starting from the Canned Wheat days up to their '76 demise. While I'm happy to see the Canadian greats get their due on a box set, the results of the product itself are a general disappointment.First, the sound quality varies far too much. Most of the American Woman songs sounded like they were remixed layer by layer, resulting on unnecessary & very noticeable tape hiss. The CD version of the American Woman album may be duller in dynamics, but it's more listenable because the hiss is minimized in comparison. In addition, a few songs were altered: For example, the last 20 seconds are missing from "Share The Land". Several of the mixes also miss the mark, particularly in the softer passages (like the ending of "Sour Suite"), resulting in a messy, noisy tone. Finally, as the Guess Who underwent various personnel changes, the quality of their music started to deteriorate by the mid-70s, particularly the Flavours and Power In The Music periods. Some of the songs are hit-and-miss as a result: Whereas you rediscover gems like "Lie Down" and "Broken", you also wince through overblown excesses like the cheesy "Dreams" and lame "Women". The liner notes are also useless, more of an afterthought than informative. Information regarding the recording sessions would have been nice, along with personnel-per-track and any unusual stories that captivate the fan. Even the discography is woefully inaccurate, failing to acknowledge the band's total body of work (even if more than half of it is out of print). While John Einarson's book, "American Woman: The Story Of The Guess Who" serves its purpose, most box sets these days are graced with lavish booklets with great details (e.g., King Crimson's "The Great Deceiver"). Of course, it's better for most of these songs to have seen the light of day, but just three outtakes is all RCA/BMG could have come up with? For the record, the best Guess Who product out there right now is an out-of-print 1994 remaster of Share The Land, which shines with clean sound and a detailed, rich mix. Once you hear that, then you will have an idea of how The Ultimate Collection should have been handled.
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