Essential Purcell [IMPORT]

Henry Purcell (Artist), New College Choir Oxford (Artist), King's Consort (Artist), Robert King (Artist), Roy Goodman (Artist), Charles Daniels (Artist), John Mark Ainsley (Artist), James Bowman (Artist), Peter Buckoke (Artist), Jane Coe (Artist), Rogers Covey-Crump (Artist), Gillian Fisher (Artist), Michael George (Artist), Miles Golding (Artist), Jane Norman (Artist), Barbara Bonney (Artist), Mark Caudle (Artist), William Carter (Artist), King's Consort Choir (Artist), Helen Gough (Artist), Paul Nicholson (Artist), Angela East (Artist), Barry Guy (Artist), Tessa Bonner (Artist), Jerome Finnis (Artist), Rupert Bawden (Artist), Lucy Howard (Artist), Richard Campbell (Artist), Susan Addison (Artist), James O'Donnell (Artist), Stephen Saunders (Artist), Helen Orsler (Artist)

Product Details

• Audio CD (April 10, 1995)
• SPARS Code: DDD
• Number of Discs: 1
• Format: Import
• Label: Hyperion UK
• ASIN: B000002ZDU
• Average Customer Review: 5.0 out of 5 stars  See all reviews (10 customer reviews)
• Amazon.com Sales Rank: #6,345 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #1 in	Music > Opera & Vocal > Vocal Non-Opera > Odes
  #1 in	Music > Opera & Vocal > Divas > Bonney, Barbara
  #4 in	Music > Classical > Historical Periods > Baroque (c.1600-1750) > Composers > Purcell, Henry

Track Listings

1. Welcome, glorious morn (Birthday Ode for Queen Mary), for soloists, chorus & instruments, Z. 338: Symphony and opening chorus

2. Fly bold rebellion (Welcome Ode for Charles II), for soloists, double chorus, strings & continuo, Z. 324: Be welcome then, great Sir

3. O! fair Cedaria, hide those eyes, song, Z. 402

4. Work(s): [Unspecified] Hear my prayer, O Lord

5. Dido and Aeneas, opera, Z. 626: When I am laid in earth ('Dido's Lament')

6. Let mine eyes run down with tears, anthem for soloists, chorus & organ, Z. 24: Part 1

7. Work(s): The sparrow and the gentle dove

8. If music be the food of love, song, Z. 379 (3 settings): first setting

9. Rejoice in the Lord alway ('Bell Anthem'), anthem for alto, tenor, bass, chorus, strings & organ, Z. 49

10. Hosanna to the highest, sacred song for bass, chorus & continuo, Z. 187

11. Work(s): [Unspecified] Thou knowest, Lord, the secrets of our hearts

12. King Arthur, or, The British Worthy, semi-opera, Z. 628: Fairest Isle, all isles excelling

13. Raise, raise the voice (An Ode for St. Cecilia's day), for soprano, bass, chorus, 2 violins & continuo, Z. 334: Mark, how readily eac

14. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: Sound the trumpet

15. She loves and she confesses too, song, Z. 413

16. Work(s): O how blest is the Isle

17. Remember not, Lord, our offences, anthem for chorus & organ, Z. 50

18. Work(s): An Evening Hymn

19. Work(s): Te Deum and Jubilate, 1694: Vouchsafe, O Lord, to keep us this day

20. Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: With rapture of delight... Hail bright

Editorial Reviews

Amazon.com essential recording

The "Essential" Purcell? Well, you could get a bunch of critics to argue about that for a few days, but in the meantime, here is a sampler of highlights from the King's Consort's three admirable Purcell series: the Complete Odes and Welcome Songs, Complete Anthems and Services, and Complete Secular Solo Songs. There are, of course, some of Purcell's most-performed pieces (which probably are "essential"): Dido's Lament from Dido and Aeneas, "Sound the trumpet" from Come, ye sons of Art, Rejoice in the Lord alway (the "Bell Anthem," named for the string figure at the opening that sounds like pealing bells), the gently patriotic "Fairest isle, all isles excelling" (sung by a miscast James Bowman), and a selection from the funeral music for Queen Mary. There are also some delightful surprises--particularly among the little-known secular songs and church music. The plaintive "O fair Cedaria" gets a lovely performance by Barbara Bonney (a singer not usually associated with Purcell); tenor Rogers Covey-Crump (possibly the ideal high tenor for Purcell) sings the enchanting "If music be the food of love"; the church anthems "Let mine eyes run down with tears" and "Remember not, O Lord, our offences" have some startling harmonies as daring as any Monteverdi ever wrote. If you're unfamiliar with Purcell, this reasonably priced disc is a good place to start exploring without a big initial investment. --Matthew Westphal

Customer Reviews

Most Helpful Customer Reviews

22 of 22 people found the following review helpful:

5.0 out of 5 stars Be Welcome then, great Sirs (and Mesdames)., October 19, 2001

By	darragh o'donoghue (dublin, ireland) - See all my reviews (TOP 500 REVIEWER)

If anyone has benefitted from the reversion in the last three or so decades to period instruments and historical reconstruction, it is Henry Purcell. Before, he was merely great, the peerless word-setter in the English language, a virtuoso of boundless range, a professional composer whose offical commissions were always imbued with personality and invention. But period instrumentation has added to this a greater depth, an other-worldly texture of sound. With his intricate, multi-part vocal writing, his preference for low, rumbling instruments such as the bass viol and the strange and remarkable theorbo, as well as his often sombre and low-key subject matter and treatment, Purcell creates a round, glowing, humming sound as pregnantly full as dub reggae.

This has an extraordinary effect on the listener. Whereas Bach, with his mathematical abstractions, sounds universal and timeless, Purcell's music takes the listener back 300 years, back to different ways of thinking about, feeling about and addressing things we still think etc. about today - death, love, friendship. The emotion is timeless, but the music's beauty is alien, THEIRS, hence its preciousness.

A lot of intelligence has gone into the unity of this compilation, beginning with two Welcomes (to the dawn and to the listener, in this case a King), and ending with thoughts of evening, death and a Baroque 'Thank you for the music'. These are bright, fanfare-like works, but the predominant mood is slow, ruminative, quiet. The selection covers the wide range of Purcell's oeuvre, from opera and funeral marches to secular songs and odes, and includes his most famous vocal works - Dido's Lament from Dido and Aeneas, sung by Gillian Fisher, and never more evocative of pagan loss and death; the massive 'Bell Anthem', with its ingenious opening symphony and joyful antiphon; and a miraculously serene 'Evening Hymn', Dido's opposite, death indicating hope, the treble voice swirling over the heavy ground bass like the soul released from the inert body.

it might seem quixotic to choose highlights from an exemplary collection of highlights, but the entry of the strings washing over the serene repetition of 'Be Welcome then, great Sir' always makes my heart stop still, while the musical picture of 'Bold Honour', the 'noisy Nothing, stalking shade', blocking the poet's amorous intentions in 'She loves and confesses too', adds a chilling hint of life's transience to a bouyantly bawdy song.

18 of 18 people found the following review helpful:

5.0 out of 5 stars A wonderful glimpse into King's anthology of Purcell's music, March 9, 1999

By A Customer

This disc collects some of the highlights from Robert King's monumental anthology of Purcell's music - 19 volumes of songs, odes, services and anthems; plus additional discs featuring solo songs and duets. This disc is a perfect introduction to Purcell for those new to baroque. It is also a help to those who are familiar with Purcell but can't afford to buy the entire anthology, and thus have to select the volumes they most want. Helpfully, the booklet lists all of King's Purcell recordings with detailed information on what they contain. I confess, I myself don't own all of them. But on the basis of the ones I do own I can safely assert that Mr. King is one of the best interpreters of Purcell's music; and that his musicians and soloists turn in performances which are unlikely to be soon bettered. Many of the performers make repeated appearances throughout the series, helping King to knit together a consistent and homogeneous presentation of some of the best baroque music in the world. The extraordinary James Bowman is present in virtually every volume. So are such well-known English baroque performers as Gillian Fisher and Michael George. Frequently encountered are Rogers Covey-Crump and Charles Daniels, both of The Hilliard fame. Some of the less frequent participants, however, are not to be slighted. The sweet-voiced high tenor Mark Padmore appears in a couple of pieces here and there, but leaves an indelible imprint on the entire series by singing the glorious "Odes and Welcome Songs" finale "O how blest is the isle" from the ode Why Are All the Muses Mute (vol. 8 - my favorite). Luckily, this wonderful piece is included on this disc. But EVERY piece on this disc will take your breath away, as will (or would) many other Purcell's compositions which are beyond the scope of this little collection but which you may want to discover. Some of the best Purcell recordings out there, in addition to King, include: Hail! Bright Cecilia (Herreweghe); King Arthur (Christie); and Fairy Queen (Christie, Christophers or Norrington).

16 of 17 people found the following review helpful:

5.0 out of 5 stars The beauty of the songs brings tears to my eyes, August 20, 2002

By	Geza Z. Madarasz (LOS ANGELES, CA USA) - See all my reviews (REAL NAME)

Absolutely beautiful baroque music! The arrangament, singing and instrumentation is superb. It is too bad that Henry Purcell is not as widely known as Bach, because he should be recognized equally well."The Sparrow and the Gentle dove" is alone worth the price of the album! I can not stop playing it!