Countertenor Duets by Purcell and Blow [IMPORT]

John [Organ] Blow (Composer), Henry Purcell (Composer), Robert King (Conductor), James Bowman (Performer), King's Consort (Orchestra), Michael Chance (Performer)

Product Details

• Performer: James Bowman, Michael Chance
• Orchestra: King's Consort
• Conductor: Robert King
• Composer: John [Organ] Blow, Henry Purcell
• Audio CD (November 18, 1992)
• SPARS Code: DDD
• Number of Discs: 1
• Format: Import
• Label: Hyperion UK
• ASIN: B000002ZJW
• Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
• Amazon.com Sales Rank: #100,331 in Music (See Bestsellers in Music)

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Track Listings

1. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335: Sound t

2. Hail, bright Cecilia (Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 328: In Vain The Am'rous Flute, Z328

3. O solitude, my sweetest choice, song, Z. 406

4. Sing, sing, ye druids (from 'Bonduca'), song, Z. 574/13: Sing Sing Ye Druids

5. O dive custos Auriacae domus ('On the death of Queen Mary'), song for 2 sopranos & continuo, Z. 504

6. Hark! how the songsters in the grove (from 'Timon of Athens'), duet for 2 sopranos, Z. 632/2: "Hark, How the So

7. Incassum, Lesbia, incassum rogas (The Queen Epicedium), song, Z. 383

8. Ah, Heav'n! What Is't I Hear?

9. Ode on the Death of Mr. Henry Purcell, for 2 male altos, 2 recorders, viol & continuo

10. No, resistance is but vain (from 'Maid's Last Prayer'), song, Z. 601/2: "No, Resistance Is But Vain"

Customer Reviews

Most Helpful Customer Reviews

14 of 15 people found the following review helpful:

5.0 out of 5 stars One of the best CDs around, January 9, 2000

By	Arts&HistoryFan (United States) - See all my reviews

Two exceptional countertenors -- Bowman's voice has always been most successful in the higher range and it has a strength that many more fluttery ones don't. Michael Chance is one of the most secure and musical countertenors I've heard.

The John Blow number "Ode to ... Purcell" is, alone, worth the entire LP. A beautifully crafted piece that more people should hear.

Since so much of the other material is also prime, this is a Don't Miss, as far as I'm concerned.

9 of 11 people found the following review helpful:

5.0 out of 5 stars Delightful, a must-have., June 1, 1999

By A Customer

With all the hype about the new North American countertenors, fans of that voice shouldn't overlook this now-venerable gem. James Bowman and Michael Chance are in superb voice in this wonderful array of duets, and the sum of their two voices is even greater than the two constituent parts. The choice of music is gorgeous, the tempi are fast and ebullient, and the CD is altogether delightful.

2 of 2 people found the following review helpful:

5.0 out of 5 stars a voice teacher and early music fan, January 2, 2006

By	George Peabody "Ariel" (Planet Earth) - See all my reviews (TOP 500 REVIEWER)

DELCIOUS DUETS DELIVERED BY BOWMAN AND CHANCE!

Henry Purcell became under the influence of John Blow's compositional style while they were both employed at Westminster Abbey. Purcell was an assistant to the royal instrument keeper while Blow was the organist. Later on Purcell became the organist succeeding Blow and in l6 years had established himself as the greatest English composer of the age. At his untimely death Blow returned as the organist at the Abbey.

This CD includes the following songs by Purcell: 1.DUET 'Sound the Trumpet' The text is treated to one of Purcell's most brilliant settings on a ground bass, which modulates through two related keys during the second section. 2.DUET 'In vain the am'rous flute' comes from one of Purcell's largest scale odes, that for St. Cecelia's day. The movement is begun and ended with instrumental writing for two recorders. 3. BOWMAN SOLO 'O solitude' is one of Purcell's finest songs based on a ground which does not vary from its minor key throughout its 27 repetitions. 4.DUET 'Sing sing ye Druids' written a month before his death over a ground bass which is treated to an ingenious array of transpositions and inversions to achieve variety. 5.DUET 'O dive custos Auriacae' shows Purcell's florid and strongly Italianate vocal style. 6.DUET 'No resistance is but vain'. The opening comic style of this is strongly reminiscent of the Coridon and Mopsa duet from 'The Fairy Queen'.7.CHANCE SOLO 'Incassum, Lesbia, rogas' also known as 'The Queen's Epicedium' is set for solo voice, and falls into three sections. In this song Purcell showed his skills at writing instensely chromatic vocal and harmonic lines, and his considerable abilities for graphic pictorialisation.

JOHN BLOW: 1. DUET 'Ah, Heav'n!What is't I hear?' shows an elegant control of vocal line and an effective use of adventurous harmony.
2.DUET 'Ode on the death of Mr. Henry Purcell'. Blow and Purcell were close friends and it must have been with genuine sadness that he set Dryden's poem to music. This is by far Blow's most extended work for solo voices. It has been singled out as one of his greatest achievements because of its rich harmonic structure and melodic language.

The voices of Chance and Bowman are a perfect blend and each song is rendered just to perfection! I personally prefer the performance of Michael Chance because of the unique quality of his vocal sound and his sensitivity to the demands of each selection. His one solo on the disc is truly a thing of beauty. It's all very enjoyable and is a good variety of tunes.

TWO CRITIQUES OF THIS DISC: 'A sparkling collection which show both the composer and these fine artists in inspirational from. The performance is joyous, witty and ravishing in its Purcellian melancholy.' PENGUIN GUIDE TO COMPACT DISCS.

'A DISC NO BAROQUE MUSIC ANGLIOPHILE WILL WISH TO BE WITHOUT, FOR IT IS A VOCAL TOUR DE FORCE.' GRAMOPHONE