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Switched-On Bach 2000
 
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Switched-On Bach 2000

Johann Sebastian Bach (Composer), Wendy Carlos (Composer)
3.2 out of 5 stars  See all reviews (24 customer reviews) More about this product


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Product Details

  • Composer: Johann Sebastian Bach, Wendy Carlos
  • Audio CD (May 22, 1992)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Telarc
  • ASIN: B000003CYZ
  • Also Available in: Audio Cassette
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon.com Sales Rank: #185,097 in Music (See Bestsellers in Music)

    Popular in this category: (What's this?)

    #53 in  Music > Classical > Instruments > Electronic > Computer

 
1. Happy 25th, S-OB
2. Sinfonia in D Major
3. Air on a G String
4. Two Part Inventions: In F Major
5. Two Part Inventions: In B-Flat Major
6. Two Part Inventions: In D Minor
7. Jesu, Joy of Man's Desiring
8. Well-Tempered Clavier: Prelude No. 7 in E-Flat Major
9. Well-Tempered Clavier: Fugue No. 7 in E-Flat Major
10. Well-Tempered Clavier: Prelude No. 2 in C Minor
11. Well-Tempered Clavier: Fugue No. 2 in C Minor
12. Wachet Auf
13. Brandenburg Concerto No. 3 in G Major: I. Allegro
14. Brandenburg Concerto No. 3 in G Major: II. Adagio
15. Brandenburg Concerto No. 3 in G Major: III. Allegro
16. Tocata & Gugue in D Minor

On this CD:
  1. Happy 25th, S-OB
    Composed by Wendy Carlos
    with Wendy Carlos

  2. Cantata No. 29, "Wir danken dir, Gott, wir danken dir," BWV 29 (BC B8) Sinfonia
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  3. Orchestral Suite No. 3 in D major, BWV 1068 Air on a G String
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  4. Two-Part Invention, for keyboard No. 8 in F major, BWV 779 (BC L49)
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  5. Two-Part Invention, for keyboard No. 14 in B flat major, BWV 785 (BC L55)
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  6. Two-Part Invention, for keyboard No. 4 in D minor, BWV 775 (BC L45)
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  7. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) Jesu, Joy of Man's Desiring
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  8. Prelude and Fugue, for keyboard No. 7 in E flat major (WTC I/7), BWV 852 (BC L86) Prelude
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  9. Prelude and Fugue, for keyboard No. 7 in E flat major (WTC I/7), BWV 852 (BC L86) Fugue
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  10. Prelude and Fugue, for keyboard No. 2 in C minor (WTC I/2), BWV 847 (BC L81) Prelude
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  11. Prelude and Fugue, for keyboard No. 2 in C minor (WTC I/2), BWV 847 (BC L81) Fugue
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  12. Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) Wachet auf (Sleeper's Awake)
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  13. Brandenburg Concerto No. 3 in G major, BWV 1048
    Composed by Johann Sebastian Bach
    with Wendy Carlos

  14. Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
    Composed by Johann Sebastian Bach
    with Wendy Carlos


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Customer Reviews

24 Reviews
5 star:
 (8)
4 star:
 (4)
3 star:
 (2)
2 star:
 (6)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
3.2 out of 5 stars (24 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
68 of 71 people found the following review helpful:
4.0 out of 5 stars It's Better Than It's Critics Say, January 31, 2000
By Frank Wortner (Dobbs Ferry, NY USA) - See all my reviews
I'm not quite sure exactly what it is that some reviewers dislike so much about this album. No, it is not "Switched On Bach." Would it have been worth recording if it were identical to the album Carlos did 25 years earlier? Times change, artists mature, and technology marches on.

The principle change -- aside from the switch to digital synthesis -- is Carlos's use of "authentic" tunings popular in Bach's time. The result is that the music does sound different -- less bright, more subdued, with richer harmonies. It doesn't sound the way we are used to hearing it, but most of what we hear now is based on contemporary performance practice. If anything, the works on this album probably sound more like they did in Bach's day. Alright, synthesizers didn't exist back then, but neither did a number of modern instruments that Bach's music is routinely played on today.

The performances are still good -- in fact, probably better than those on the original album. Modern technology allows a musician to "clean up" errors and improve raw performances in ways that simply weren't possible back in 1968. There's no tuning drift, no tape hiss, no extraneous 60Hz line noise, and no performance errors.

This album doesn't deserve the low marks some reviewers have been giving it. If it suffers in comparison with the original "Switched On Bach," it only suffers because it *is* different. Again, what's the point of doing exactly the same thing 25 years later? If you are after the original experience, then the recently issued "Switched On Boxed Set" is what you want. Still, this CD does make an interesting comparison and companion piece. The music is well done, and certainly doesn't deserve the bashing it's gotten here.

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24 of 26 people found the following review helpful:
5.0 out of 5 stars Labra lege: Cateva carissima mea Lapides Provolventes est., November 8, 1999
By M KIRK-DUGGAN "Reverse Mike" (El Cerrito Fellowship, CA USA) - See all my reviews
(REAL NAME)   
This is one of my favorite recordings, and I am astounded at the July 8th statements. Just to make certain, I pulled out my LPs and listened to the original analog Switched On Bach. It was just as good as I remembered, and I hadn't worn out the grooves by using a lousy player. Like all LPs, there is a measureable loss in bass due to compression and reconstruction, but the music is still there to charm. Then I played my own Switched On 2000, and found it also a sheer delight. But it is a digital version that Carlos has created anew, and I enjoy this new version just as much as the analog. They are two different takes on the same Bach masters. Incidentially, the analog was created by Walter Carlos, and the digital by Wendy Carlos. I suggest ordering the "W.Carlos Switched-On Boxed Set" if one wishes to compare the analog with the digital. This set was taken from the long lost master tapes, and is superior to my LPs.

Totius Vobis Frontem Tabernae Sopionibus Scribum.

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9 of 10 people found the following review helpful:
5.0 out of 5 stars Quit complaining -- get both, January 7, 2000
By matthew clarke (New England) - See all my reviews
Do yourself a favor, and get BOTH the original album (the new Switched-On Boxed Set is a real bargain with all that's on it) and this 25th anniversary retro look back. They're different in many ways, just like Genn Gould's two versions of The Goldberg Variations: one young and cheerful the other rich and deeper and more introspective.

Of course, if nostalgia is your only motive, only the original will satisfy you. But that's okay, it doesn't mean this much more recent visit is no good, as some reactionary listeners claim. It is darker, sure, but the special tunings make it all sound very smooth and rich. I love them both!

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Most Recent Customer Reviews

5.0 out of 5 stars clearing up confusion
I've read some confusion about Walter Carlos being the listed performer on Switched On Bach and Wendy Carlos being the performer on Switched On Bach 2000. Read more
Published on October 18, 2006 by P. Hess

1.0 out of 5 stars Muddy waters...
I was sorely disappointed in this "updated" recording of Bach. The music supposedly more true to the period is muddy and indistinct. Read more
Published on May 30, 2003 by K. T. Chew

5.0 out of 5 stars In what way inferior?
It's not inconceivable to me that someone who has spent a lifetime listening to a broad range of music could prefer Carlos's debut recording of Switched-On Bach to the collection,... Read more
Published on May 17, 2003 by Steven Strauss

2.0 out of 5 stars Certainly not much beauty in this Beast !
I regret to review this album in a negative manner, since I respect the author as a great musical thinker and revolutionaire in synthesizing sounds (and composing music). Read more
Published on May 5, 2003 by orpheoant

5.0 out of 5 stars Bach at its Best
I love this CD. It was interpreted in such a unique way, it brought back the original flavor of how the music was played on hapsicord (sp?) back in the Baroque period. Read more
Published on January 16, 2003

1.0 out of 5 stars more of the same, again, alas
Yet another album that suffers form the lack of understanding of the work of Bach. I have not heard any previous swiched on Bach, and if this is the style of interpretation of... Read more
Published on August 31, 2000 by ron__

4.0 out of 5 stars Worth Owning Along with the Original SOB
It was interesting to read through the comments on the Amazon site regarding this album. I suppose that reviewers are right to complain, in that if you have the 1968 SOB, you... Read more
Published on July 23, 2000 by Dan Sherman

5.0 out of 5 stars Wendy's New Interpretation
Compared to the original release of "Switched on Bach", this recording may sound a bit bland in comparison - the tone colors are more subdued and the interpretations are... Read more
Published on June 16, 2000 by David Gottner

4.0 out of 5 stars Comparisons to the original don't do it justice
I was certainly disappointed when I first listened to SOB2K, because I too had been wanting to get ahold of the original SOB since I lost the tape years ago. Read more
Published on January 9, 2000 by Ian R Lewis

5.0 out of 5 stars I suppose all of you other reviewers have a point.
I guess that the original album is, in many ways, preferable to this remake. I just hope that what I think is true - that they are coming out with a collection of Carlos's... Read more
Published on October 29, 1999

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