Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta; Hungarian Sketches

Bela Bartok (Composer), Fritz Reiner (Conductor), Chicago Symphony Orchestra (Orchestra)

Product Details

• Orchestra: Chicago Symphony Orchestra
• Conductor: Fritz Reiner
• Composer: Bela Bartok
• Audio CD (August 10, 1993)
• SPARS Code: ADD
• Number of Discs: 1
• Label: RCA
• ASIN: B000003FEJ
• In-Print Editions: MP3 Download
• Average Customer Review: 4.8 out of 5 stars See all reviews (29 customer reviews)
• Amazon.com Sales Rank: #4,958 in Music (See Bestsellers in Music)

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  #1 in	Music > Classical > Featured Composers, A-Z > ( B ) > Bartók, Béla
  #59 in	Music > Classical > Forms & Genres > Concertos

Editorial Reviews

Amazon.com essential recording
Since its release on LP in the mid-1950s, Fritz Reiner's rendition of the Concerto for Orchestra has stood as the standard against which all other recordings of the work are measured. Even after all these years, the recording remains just as convincing and authoritative. Reiner's superb control of his orchestra and of Bartók's rhythms and textures is still unsurpassed, even by dozens of subsequent conductors in the digital age. Likewise, the Music for Strings, Percussion, and Celesta shows just what an incredible ensemble the Chicago Symphony was under Reiner's direction. This umpteenth reissue, in RCA's Living Stereo series, promises to be the one to have, its sonics noticeably improved over the earlier CD release in 1989. --David Vernier

Customer Reviews

Most Helpful Customer Reviews

43 of 44 people found the following review helpful:

5.0 out of 5 stars Great Sound, Outstanding Performance, February 14, 2001

By	Ed Luhrs (Long Island, NY USA) - See all my reviews (REAL NAME)

I adore this CD, and I greatly admire Bartok as a composer of music and a music scholar. I first heard a recording of Charles Dutoit conducting the Concerto for Orchestra with the Montreal Symphony Orchestra. That performance was also great, but at the time I really only enjoyed the finale. When I got this recording, I was ready for the other movements. This Fritz Reiner recording with the Chicago Symphony Orchestra is from quite a long time ago, yet it sounds like it was made yesterday. It's presence and atmosphere keep you immersed in the music. Reiner has an unbelievable knack for conducting Bartok. Reiner was also a tremendous supporter of Bartok and one of the first conductors to champion his works. Both the Concerto for Orchestra and the Music for Percussion, Strings, and Celesta contain all that is best in Bartok's work. (Also check out his three piano concertos, which are equally remarkable!) Bartok's compositional style alternates between extraterrestrial melodic beauty and flashes of angular, barbaric rhythms. The climactic moments frequently jump at the listener like a crack of thunder, yet underlying it all is a supreme logic and a sense of balance. The Hungarian Sketches are lively examples of Bartok's dedication to bringing folk traditions to orchestral music. Since Reiner ranks among the 20th century's greatest conductors, and since Bartok brings a supreme scholastic energy to his music, I recommend this recording highly.

36 of 37 people found the following review helpful:

5.0 out of 5 stars Unsurpassed Musically and Sonically, June 5, 2001

By	George Grella "Urbane citizen" (Brooklyn) - See all my reviews (REAL NAME)

There are plenty of enthusiastic reviews that attest to the quality of this performance, so I can only add, emphatically, that this is the greatest recorded performance of one of two of the greatest pieces by one of the greatest Modern composers. That being said, CD buyers are often wary of the sound quality of early stereo recordings remastered on CD. To them I would say that this is also one of the very best sounding CDs you will ever own of any music, recorded in digital or analog. Absolutely full, rich and clear sound, simply beautiful to the ear. One of the great classical recordings ever made.

20 of 21 people found the following review helpful:

5.0 out of 5 stars To Die For!, November 1, 2002

By	Jay (Republic of Ireland) - See all my reviews

If my house were on fire I'd run into the burning building just to rescue my copy of this recording. Fritz Reiner (Friendly Fritz to his musicians!) was a former student of Bela Bartok's at the Budapest Conservatoire and remained a life long friend and supporter of the composer, particularly when he was living in exile in America during World War 2, in fact it was in no small part due to Reiner's effort that The Concerto for Orchestra was commissioned in the first place, so who better to play it? But even with that in mind, Reiner rises to the occasion brilliantly. When Gramophone magazine reviewed this CD, they compared it to Boulez's 1992 recording made in the same auditorium and commented on the uncanny realism of Reiner's recording, especially in the quiet passages. This is particularly telling at the beginning of the second movement, the decaying echo of the solo percussion is exceptionally realistic. Wonderful though the interpretation of the Concerto is, the "Music for Strings, Percussion and Celesta" coupled with it on this CD set recorded two years later (in 1957), is even better.

Although many people will say that Ferenc Fricsay's recording is perhaps more in keeping the spirit of the music, for me Reiner will always have the edge, he simply lets the music speak without ever letting it get out of control. I can give him no higher complement than that.