Titanic (1997 Original Broadway Cast) [CAST RECORDING]

Maury Yeston (Artist), Judy Blazer (Artist), Brian d'Arcy James (Artist)

Product Details

• Audio CD (July 1, 1997)
• SPARS Code: DDD
• Number of Discs: 1
• Format: Cast Recording
• Label: RCA Victor Broadway
• ASIN: B000003GA5
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 3.9 out of 5 stars  See all reviews (117 customer reviews)
• Amazon.com Sales Rank: #28,824 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com

Unlike the boat it's named after, this show truly rose from the bottom. Despite detractors predicting doom before it had even opened, Titanic overcame hectic previews and endless technical problems to win a Tony for best musical and turn into a commercial success. Despite the fact that favorite performers like Judith Blazer or Victoria Clark disappear in the crowd and don't get solos of note, the show still manages to bring to life affecting characters. Maury Yeston's (Grand Hotel) score has the required majesty without ever being turgid, and the choral work he coaxes from his ensemble is eminently powerful. Though it requires a fair amount of attention on the listener's part, Titanic is also surprisingly emotional--its majestic finale packs more punch than 3 hours of Leonardo DiCaprio. --Elisabeth Vincentelli

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars The best musical score ever written, December 14, 2005

By	Linda Wilson - See all my reviews (REAL NAME)

I saw Titanic live on Broadway, thought it was spectacular, and subsequently purchased the CD.

This is an amazing musical, deserving praise on every front. First and foremost, however -- if you're a serious musician, you will appreciate the score. The orchestration is rich and lush and with many subtle, refreshing touches. The pit orchestra is one of the finest ever, with a brass section that will truly blow you away. In Maury Yeston's hands (or his orchestrator's?), the fabulous brass section breathes life and dignity and excitement into a stellar score. The strings support the score wonderfully, too, as they subtley sing away beneath the cast. The ensemble of the entire pit, including the woodwinds and percussion, is to be commended, and as tight as any "legit" orchestra. Too often the Broadway orchestra is ignored; yet try doing a musical without the orchestra parts. In this case, the score and instrumentalists all but steal the show.

Which is not to downplay the cast, who are fabulous. The singing is wonderful. The songs are beautiful and appropriate and touching, as well as very singable. Yeston has managed to create a score and a book that are heartwarming and heartbreaking without ever being schmaltzy. As many times as I've listened to this CD, I always find my eyes getting slightly misty on nearly every song.

Yestin not only paints a real and inspiring portrait of passengers both imaginary and real; he includes some meaningful concepts as well -- for example, the idea that one anonymous and modest telegraph operator connects all the people in the world, themselves yearning to connect. (What we all want when all is said and done.)

I cannot disagree more strongly with those who have trashed this recording and musical in their reviews. In a world that increasingly elevates the trivial and the empty, this is a sophisticated, rich, wonderful musical and a serious (and entertaining) work. Its soaring melodies, poignant approach, intelligent lyrics, and above all, fabulous musical score combine to make it a tribute truly worthy of those who perished (and survived). This is not a musical for the Wednesday matinee crowd, for many standard "show" people, or for those who think Andrew Lloyd Weber is the apex of the musical. (Hardly. Listen to the score of "Phantom." It's a 3-hour "name that tune" from the classical canon.) It is, I believe, one of the best musical scores, if not the best, ever written for Broadway. And it was a real crime that the show was yanked as soon as the Tony nominations were made. I'm sure it would have had a long and highly successful run on Broadway.

12 of 14 people found the following review helpful:

4.0 out of 5 stars 'TIL YOUR PORT IS FOUND, May 15, 2005

By	Guy De Federicis (east of here) - See all my reviews

No kidding. The whole cast sings a Broadway song as the entire ship goes under in this outrageous, incredibly dramatic and stirring Broadway show that succeeds in treating the sinking of the Titanic with respect, without plunging to the depths of creative and real despair. The best musical sections concern communication among the ship's officers; an officer reporting on the ocean's temperment - "No sir, it appears to be a flat calm" ("No Moon") is delivered in a lifeless monotone like a sigh of relief before the iceberg takes their breaths; the frenzied and violent arguing among the ship's commanders and builder as the ship sinks, ("The Blame"), soars in intensity to operatic-like levels of tragedy. The musical also conveys a sense of time and regard for the generation of the Titanic; their hopes, fears, and understanding of their modern world, notably in "Barrett's Song", which delivers a life long passion of a young telegraph operator to the fateful journey. There's a rousing and emotion packed musical theme near the beginning and the end; "Godspeed, Titanic", and "Finale", and a song, "Autumn", taken from a song sheet actually found among the surviving artifacts of the ship, which fits securely and adds a haunting touch of authenticity. In the epilogue finale, the "Autumn" theme plays again in a moving musical interlude paying tribute to the lives lost. One can excuse the few imperfect moments; "Doing The Latest Rag", is a dull and obvious rag dance craze, typical of the 1910s, and particularly uninspired, and "Lady's Maid" is a touching but superficial and cliched 'immigrants coming to America' routine. All in all, it's a remarkable achievement. The CD includes a 43 page booklet with lyrics, pictures, cast and Titanic statistics. "A Night To Remember" the classic 1955 book by Walter Lord, remains the best source of the Titanic story, but this Broadway musical is a Titanic of a different color; a heart-felt, joyfull and tragic plunge to the ocean floor.

5 of 5 people found the following review helpful:

4.0 out of 5 stars A truly lovely CD!, December 5, 1999

By	"clarissedesmoulins" (La-La Land) - See all my reviews

I was not exactly enthralled with this CD the first time I listened to it, but I gave it another chance, and slowly, I have grown to love it. It's a beautiful story, and I really enjoy how so many different plot strands are woven together so effortlessly, all entwined by the disaster of the ship's sinking. There's a lot of fascinating characters in this, and you would think that the result would be sort of unfocused, but really, the impact of the tragedy hits harder when you realize all these people you have come to love are about to die (well, not all, but some of my favorites! *sniff*) The orchestrations are great, especially in The Night Was Alive and The Blame. The whole score is really inspiring, and some especially great songs are The Night Was Alive (Bride is the best!), Mr. Andrew's Vision, I Must Get On That Ship, The Blame...well, I won't go on, because really they're all good! Some seemed kind of boring to me at first, most especially What a Remarkable Age This Is, but now I really like it. Titanic will grow on you, so buy it! I promise that you will love it. And if you have a chance, see the first national tour when it comes to a theater near you! The touring cast ROCKS!