Schoenberg: Pierrot Lunaire

Andre Emelianoff (Performer), Laura Flax (Performer), Arnold Schoenberg (Composer), Oliver Knussen (Conductor), Da Capo Chamber Players (Performer), Patricia Spencer (Performer), Susan Jolles (Performer), Sarah Rothenberg (Performer), Lucy Shelton (Performer), Joel Lester (Performer)

Product Details

• Performer: Andre Emelianoff, Laura Flax, Da Capo Chamber Players, Patricia Spencer, Susan Jolles, et al.
• Conductor: Oliver Knussen
• Composer: Arnold Schoenberg
• Audio CD (September 30, 1992)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Bridge
• ASIN: B000003GIQ
• Average Customer Review: 3.8 out of 5 stars  See all reviews (4 customer reviews)
• Amazon.com Sales Rank: #385,119 in Music (See Bestsellers in Music)

Track Listings

1. Pierrot Lunaire, Op.21. Part I: 1. Mondestrunken

2. Pierrot Lunaire, Op.21. Part I: 2. Colombine

3. Pierrot Lunaire, Op.21. Part I: 3. Der Dandy

4. Pierrot Lunaire, Op.21. Part I: 4. Eine Blasse Wascherin

5. Pierrot Lunaire, Op.21. Part I: 5. Valse De Chopin

6. Pierrot Lunaire, Op.21. Part I: 6. Madonna

7. Pierrot Lunaire, Op.21. Part I: 7. Der Kranke Monde

8. Pierrot Lunaire, Op.21. Part II: 8. Die Nacht

9. Pierrot Lunaire, Op.21. Part II: 9. Gebet An Pierrot

10. Pierrot Lunaire, Op.21. Part II: 10. Raub

11. Pierrot Lunaire, Op.21. Part II: 11. Rote Messe

12. Pierrot Lunaire, Op.21. Part II: 12. Galgenlied

13. Pierrot Lunaire, Op.21. Part II: 13. Enthauptung

14. Pierrot Lunaire, Op.21. Part II: 14. Die Kreuze

15. Pierrot Lunaire, Op.21. Part III: 15. Heimweh

16. Pierrot Lunaire, Op.21. Part III: 16. Gemeinheit

17. Pierrot Lunaire, Op.21. Part III: 17. Parodie

18. Pierrot Lunaire, Op.21. Part III: 18. Der Mondfleck

19. Pierrot Lunaire, Op.21. Part III: 19. Ser

20. Pierrot Lunaire, Op.21. Part III: 20. Heimfahrt

See all 43 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

4.0 out of 5 stars But only because I've been spoiled by Cleo Lane, July 13, 2003

By	David Cisek (Forest Hills, New York United States) - See all my reviews (REAL NAME)

Amazon Verified Purchase

Ms Shelton and the De Capo Players really are superb, but it's a shame the Cleo Lane RCA (Red Seal LRL1 5058) recording is out of print. Ms Shelton's voice is a pure and shimmering liquid and the De Capo enunciate sounds in Pierrot I have never heard before in recording or in live performances--it's just a beautiful recording, and it's worth having for these reasons alone; but I can't get that vast and visual smokey range of Cleo Lane's voice out of my head. Jonathan Dunsby in his book on Pierrot writes: "-a Pierrot sung by a woman who always tries to hit the exact pitch at least at the beginning of each note is hardly the same work in experience . . . as a Pierrot in which the Sprechstimme swoops and glides with no hard reference to the notated points of absolute pitch (which is, technically, a lot easier to do if the singer does not have 'perfect ptitch')." I don't know if Ms Lane has/had(?) perfect pitch but her performance drunkenly swoops and glides. The two at times are completely different Pierrot's. And even though Ms Shelton sings in English as well, at times it still sounds German. (That's part of another issue, i.e. works in translation. I think more is gained by doing it.) By all means get this version, but by all means, find some way to hear the Cleo Lane; she creates a palpable and visceral incarnation.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Expressive Schoenberg, January 15, 2000

By A Customer

This recording may be the finest ever made of this work. Schoenberg's music may not be everyone's favorite, but this rendering of Pierrot Lunaire is extremely well performed, expressive and highly musical.

Any lesser recording of Schoenberg hides behind the intellectual nature of the composer's methods. These performers do not allow themselves to be bound by the notes on the page -- they turn this difficult music into an opportunity to articulate their clear vision of everything Schoenberg was trying to say.

To enjoy this recording, listen to it closely, follow the words in the libretto, and let your imagination float to join that of the performers.

3 of 4 people found the following review helpful:

5.0 out of 5 stars Schoenberg will be remembered long after "denis" is dust, December 10, 1999

By	John Harrington (anywhere, USA) - See all my reviews

For decades spoil sports like "denisdiderot" below have been attacking Schoenberg's 12 tone system, saying, for example, that his music has no relation to "natural acoustics" and to the way "human beings make sense of sound". Well, last I checked, I'm a human being, one who happens to love this music, and I join musicians and music enthusiasts around the globe in praise of Schoenberg's work. The music of a "mediocre musical talent" doesn't last 50 years after his death. A talentless hack is forgotten. Schoenberg hasn't been forgotten and never will be. I dare say, though the real Denis Diderot is certainly remembered, the person below using Diderot's name as an alias will be forgotten shortly after his own death. Schoenberg will live on in the hearts and minds of musicians and music lovers everywhere as he does today.

Schoenberg's music is not for everyone, but then there's a lot in music that isn't for everyone. Try to accept that, though you may not connect with this composer, there are many who honestly do, and you may be missing something.