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The End of Silence
 
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The End of Silence

Rollins Band
4.4 out of 5 stars  See all reviews (37 customer reviews) More about this product

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Samples
Song Title Time Price
listen  1. Low Self Opinion 5:24$0.99 Buy Track
listen  2. Grip 4:51$0.99 Buy Track
listen  3. Tearing 4:56$0.99 Buy Track
listen  4. You Didn't Need 5:30$0.99 Buy Track
listen  5. Almost Real 8:05$0.99 Buy Track
listen  6. Obscene 8:46$0.99 Buy Track
listen  7. What Do You Do 7:25$0.99 Buy Track
listen  8. Blues Jam11:49$0.99 Buy Track
listen  9. Another Life 4:53$0.99 Buy Track
listen10. Just Like You10:59$0.99 Buy Track


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Product Details

  • Audio CD (December 1, 1995)
  • Original Release Date: February 25, 1992
  • Number of Discs: 1
  • Label: Imago Records
  • ASIN: B0000040OX
  • Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon.com Sales Rank: #57,869 in Music (See Bestsellers in Music)

Editorial Reviews

Product Description

UK reissue of 1992 album that's unavailable in the US. Remastered by Henry Rollins, the first disc includes one bonus track, 'Next Time'. The initial limited copies of the album include a bonus disc pulling together studio & live material including extended jams of previously unreleased material. Bonus disc tracks, 'Ghost Rider', 'Earache My Eye' (live in Sydney May 22, 1990), 'Do It' (live in Lyon March 2, 1992), 'Crazy Lover' (live April 25, 1992), 'Low Self Opinion' (live April 26, 1992), 'Tearing' (live April 26, 1992), 'Another Life' (live April 26, 1992), 'Lie Lie Lie' (edit 718), 'Move Right In' (live)/'Move Right In' (set 2) (live April 25, 1992), 'Jam' (with Vernon Reid) (April 24, 1992) & 'Jam' (with Butthole Surfers) (Lollapallooza '91). 2002. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

37 Reviews
5 star:
 (26)
4 star:
 (5)
3 star:
 (3)
2 star:
 (1)
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 (2)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (37 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
5.0 out of 5 stars The end of silence; the beginning of a new era, October 7, 2000
By Paul Mcdonough (Irving, Texas United States) - See all my reviews
(REAL NAME)   
This, the fourth studio session for Rollins band (Hot Animal Machine, Lifetime and Hard Volume) is a true turning point, not only for Rollins, but for music as well. This album is so hard and sooo heavy that it hurts, but that is the idea. Rollins gets through the past in a series of cathartic romps that are both lyrically and sonically awesome; a rare occurence. From Low Self Opinion (the song that should have gotten the same attention as "smells like teen spirit"), to Just like you (the most scathing repudiation of a parent ever written) this album is simply perfect. I have called it the single most important event in my life and I stand by that statement. The jams will rock you hard, the lyrics will both frighten and transport you to another level, while also making you reassess your life to date. With such potent lyrics as "see me, put yourself in my place; be me, put my eyes in your face. Maybe then you'll see, why this place terrifies me." and "You and me, pathetic we cling, we think that we're free. Ugly, you and me, you see, you see, the REAL me." it is hard to ignore this album and even harder to reconcile the fact that it IS largely ignored (as of two years ago Rollins still hadn't seen a profit from this one). Pick up The End of Silence today, it will change your life.

Paul M

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5 of 5 people found the following review helpful:
5.0 out of 5 stars The Good Ol' Bad Days, July 10, 2006
By Zachary A. Hanson "Jazzpunk" (Tallahassee, FL United States) - See all my reviews
(REAL NAME)   
I hope the rock world doesn't forget what a lightning bolt this album was "back in the day." Released a little after Nirvana's _Nevermind_ and Soundgarden's _Badmotorfinger_, it was just about as much a defining piece of the "grunge" movement as these two classics. It was also Rollins's first money-maker, as it was put out by a major label, giving he and his band the production values that they had always lacked in the indie world.

For these reasons, this puts _The End of Silence_ at a thrilling precipice, the one between Rollins's manic catharsis of his demons and his success to come. In a few words, Rollins's paranoia and rage never sounded as genuine after this. He put out a few decent albums after this (those which have the same nucleus as this version of the band--Sim Cain and Chris Haskett: _Weight_ and _Come in and Burn_), but he never sounded as RAW again. And punk underground values being what they are and were, this is the best-recorded document of the truly wild Rollins.

This is also when his band got absolutely tight, going between intense riff-rockers like "Grip" and mind-melting jams like the incomparably angry and schizoid "Obscene." The band only got better musically from here, as evidenced on the previously-mentioned releases (and the band is the main reason to listen to the latter-day Rollins before he fired his original players). Here, on _The End of Silence_, though, we have the complete emergence of a world-class "rage rock" act, full of monstrous chops and full-tilt out-of-control angst on Rollins's part.

So this was the more or less plain-spoken classic of the beginning of the grunge era. Where Kurdt used Rimbaudian poetic indirection and Chris Cornell & Co. opted for Sabbathy apocalypse, Rollins just came out and screamed about what frustrated him ("I'm so confused/ Can't find the line/ Between what I use and abuse"--"Obscene"). He continues this approach often to this day, but it's hard to believe it any longer. It probably just keeps him in his penthouse for another year to put out an album where he's toeing that line. I can still listen to _The End of Silence_ and believe that he's preaching the angry blues here to save his life. Since the music matches this sentiment from start to finish, it felt revolutionary in '91. Now, well, it's indispensable for those times when you just gotta punch a wall, right up there with _Master of Puppets_ and precious few other heavy albums.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Powerful, Tight, Honest, and did I say POWERFUL!?, January 18, 2006
From the first notes of my first hearing of this this disc, I became hooked on Rollins Band. The first three songs just pull you in and build. There's some great playing on this record, and the whole effect is so visceral and genuine, it makes you want to scream along with it. If you like heavy, soulful, powerful music, listen to this disc. It's not for everyone, but this is one of my favorite albums of all time.
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Most Recent Customer Reviews

5.0 out of 5 stars A monumental recording
One of the greatest records ever made in my opinion. So much sincerity/musicality and impact.
Published 14 months ago by LJ

1.0 out of 5 stars the end of talent
Holy cow does this cd suck. A recent article in a national newspaper indicated that Rollins had visited Australia 25 times. Read more
Published 15 months ago by snicko

5.0 out of 5 stars Of course its good....its HENRY!!
But its an important album because it has the heavy, in-your-face trax you would expect- but it also gives u some musical lessons and introduces u to a jazzy- undergroundish feel... Read more
Published 21 months ago by Stacy Pulliam

5.0 out of 5 stars "It's a 74-minute Train Wreck"
When I was in high school, I lifted weights in my parents basement for 2 hours every other day. This album was the workout soundtrack for 11th and 12th grade. Read more
Published on March 20, 2007 by this-shere guy

5.0 out of 5 stars THE BEST ROLLINS ALBUM!!
This is in my opinion the best ROLLINS BAND album. Full of anger and seething with hatred it literally begs you to punch something. Read more
Published on March 9, 2007 by Beer For Breakfast

5.0 out of 5 stars Now Swimming in the Mainstream
Those who loved the Rollins Band before this release knew one thing, "This was going to put the band on the map." And it did.

Lollapalooza. Read more
Published on January 6, 2007 by Doug Brunell

4.0 out of 5 stars High Energy power music
I agree with the reviewer who said this is like harder King Crimson (who rule themselves). Chris Haskett on guitar is a METALLIC VIRTUOSO, pure and simple. Read more
Published on October 31, 2006 by JadeRain

5.0 out of 5 stars Amazing, brutal King Crimson Metal/Jazz/Punk
This album, in my opinion, represents the peak of the Rollins Band. Rollins himself never sounded better (and proves his worth as a vocalist) and the songs almost approach... Read more
Published on March 3, 2005 by Mattowarrior

5.0 out of 5 stars Unbelievable
This is simply a jaw-drapping, neck-breaking, epic, infinite record, not to mention the cataclysm of ALL tracks. Read more
Published on February 10, 2005 by Deuterostomier

5.0 out of 5 stars gigantic, massive, rock power!!!
damn, what a brute force this album is. the testosterome just oozes from the speakers when listening to this album. Read more
Published on December 28, 2004 by Self Induced

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