J.C. Bach: Sinfonias, Op. 6, 9, 18; Overture "La calamità"

Johann Christian Bach (Composer), David Zinman (Conductor), Netherlands Chamber Orchestra (Orchestra)

Product Details

• Orchestra: Netherlands Chamber Orchestra
• Conductor: David Zinman
• Composer: Johann Christian Bach
• Audio CD (August 16, 1994)
• SPARS Code: ADD
• Number of Discs: 1
• Label: Polygram Records
• ASIN: B000004196
• Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #163,726 in Music (See Bestsellers in Music)

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Track Listings

Disc: 1

1. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in G, Op. 6/1: 1. Allegro con brio

2. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in G, Op. 6/1: 2. Andante

3. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in G, Op. 6/1: 3. Allegro assai

4. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in D, Op. 6/2: 1. Allegro spiritoso

5. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in D, Op. 6/2: 2. Andante

6. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in D, Op. 6/2: 3. Allegro spiritoso

7. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in E flat, Op. 6/3: 1. Allegro

8. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in E flat, Op. 6/3: 2. Andante

9. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in E flat, Op. 6/3: 3. Allegro assai

10. Symphonies (6) for orchestra ('Hummel'), Op. 6, CW C7-12 (T. 264/1): Sinfonia in B flat, Op. 6/4: 1. Allegro molto

See all 27 tracks on this disc

Disc: 2

1. Symphony for double orchestra 'No. 26' in E flat major, Op. 18/1, CW C26 (T. 269/4): 1. Allegro spiritoso

2. Symphony for double orchestra 'No. 26' in E flat major, Op. 18/1, CW C26 (T. 269/4): 2. Andante

3. Symphony for double orchestra 'No. 26' in E flat major, Op. 18/1, CW C26 (T. 269/4): 3. Allegro

4. Symphony for double orchestra in D major Op. 18/3 (Overture: Endimione, second version), CW G15ov/b (T. 270/4): 1. Allegro

5. Symphony for double orchestra in D major Op. 18/3 (Overture: Endimione, second version), CW G15ov/b (T. 270/4): 2. Andante

6. Symphony for double orchestra in D major Op. 18/3 (Overture: Endimione, second version), CW G15ov/b (T. 270/4): 3. Allegro assai

7. Symphony for double orchestra 'No. 28' in E major, Op. 18/5, CW C28 (T. 270/10): 1. (Allegro moderato)

8. Symphony for double orchestra 'No. 28' in E major, Op. 18/5, CW C28 (T. 270/10): 2. Andante

9. Symphony for double orchestra 'No. 28' in E major, Op. 18/5, CW C28 (T. 270/10): 3. Tempo di minuetto

10. Symphonies (3) for orchestra ('Hummel'), Op. 9, CW G5, C17b-18b (T. 268/3): Sinfonia in B flat, Op. 9/1: 1. Allegro con spirito

See all 19 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

5.0 out of 5 stars If you love Mozart you'll find this Revelatory!, September 11, 1998

By A Customer

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I had always felt that the particular "sound" and language of Mozart -- similarities to Haydn notwithstanding -- simply appeared from nowhere. But listen to the work of J.C. Bach! When I first heard his works - in this Philips Duo set -- it was a revelation. And learning that J.C Bach was an early and powerful influence on the young Mozart serves to confirm the notion. Now, many people have written disparagingly about J.C. Bach -- people who should know better, like Charles Rosen (in his great work "The Classical Style") who basically accuses J.C. of being vacuous -- "sensitive, elegant, and a little empty" he puts it, I believe -- and says that he avoids depth of emotion to a disturbing degree. This attitude betrays a lack of familiarity with J.C.'s work. (Take, for example, the middle movement of the E-flat Symphony, op. 8 no. 2: in C minor, it is gentle, melancholy, with a subtle play of light and shadow-- but the impassioned final cadence is suddenly fortissimo and vehement.) These three sets of sinfonias display joy, vigor, melancholy, and are exquisitely beautiful. In fact, although structurally they are less advanced than contemporary Haydn, remember J.C. was isolated away from the center of the still not fully flowered Classical Style. (Comparisons with Haydn's and Mozart's contemporary works are instructive.) And J.C. died within a year of completing the Op. 18 works -- in his mid-forties... imagine how he might have developed! (Mozart, on hearing of J.C.'s death, said "It is a great loss for music." And he should know!) These Op. 18 works -- compared with almost everything else being written in 1781 -- are remarkably forward looking and advanced, not only in their delicious orchestrations, but also in texture and argument. If J.C. doesn't regularly dive into dark moods, remember that Mozart very rarely did as well. Though their minor-key moods are different, that may just be a personality difference: the dark, almost lugubrious depths Mozart plumbed contrasted with the gentle melancholy of J.C.'s minor key movements. He can be quite haunting in them -- a "sultry melancholy" as the Penguin Guide said of Boccherini. The performances on these discs are uniformly excellent as well, as if the recording quality. Very highyly recommended, especially for listeners who are aquainted with, and love, the language of Classical tonality. A foundation collection of the classial repertoire. Kudos to Philips for releasing these sets!

2 of 3 people found the following review helpful:

4.0 out of 5 stars But too fast!, June 24, 2005

By	Musicus (Oslo, Norway) - See all my reviews

I subscribe to everything the other reviewer writes - with one single reservation: the tempos! The conductor, Zinman, makes the orchestra very articulate and his interpretation is free for all the mannerisms by which so many other directors are killing these nice symphonies. But Zinman is too fast! He hurries over the outer movements. It is of course impressive that his orchestra can be so articulate at such a speed, but I want music, not some sport performance. Philips had a LP recording in the 70ies, Four Symphonies, conducted by Raymond Leppard, which is so much better than this, capturing the gallant style, the spirit of the rococo era. But that LP had only four symphonies...