At Newport [EXTRA TRACKS] [LIVE]

Dizzy Gillespie

Product Details

• Audio CD (August 18, 1992)
• Original Release Date: July 6, 1957
• Number of Discs: 1
• Format: Extra tracks, Live
• Label: Polygram Records
• ASIN: B0000046LR
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 5.0 out of 5 stars See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #59,298 in Music (See Bestsellers in Music)

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  Music > Jazz > Live Albums > Bebop

Editorial Reviews

Amazon.com essential recording
Besides Dizzy Gillespie, no founding father of modern jazz had the tenacity to keep a big band together for an extended period of time. Gillespie managed to do it in the late 1940s and then again in the mid-'50s, creating electrifying music in the process. The band of the 1950s toured the world extensively under U.S. State Department auspices, honing tight sectional play and developing explosive power on a book of new arrangements. Those strengths show in this 1957 Newport appearance, both on the extended treatments of Gillespie's earlier masterpieces, such as "A Night in Tunisia" and "Manteca," and on new material, including Ernie Wilkins's arrangement of Horace Silver's "Doodlin'" and Benny Golson's lustrous "I Remember Clifford." Whether doing comic vocals or letting his trumpet soar over the charging band, Gillespie is in magnificent form here, supported by Golson and Billy Mitchell on tenors, altoist Ernie Henry, and pianist Wynton Kelly. The concert also includes selections from Mary Lou Williams's "Zodiac Suite," with the composer joining the band on piano. --Stuart Broomer

Product Description
Japanese Version Remastered and Reissued featuring Three Bonus Tracks. --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

14 of 14 people found the following review helpful:

5.0 out of 5 stars His best? Quite possibly..., July 14, 2000

By	Daniel Fineberg (Los Angeles, CA) - See all my reviews

A year after Duke Ellington brought the house down at the Newport Jazz Festival, Dizzy came back and did it, too. The big band captured on this disc, the one Dizzy traveled around the world with for the State Department, may arguably have been his best, featuring Al Grey, Ernie Henry, Benny Golson, Pee Wee Moore, Wynton Kelly, and a young Lee Morgan on trumpet. The energy and volume of the orchestra on tunes such as Dizzy's Blues, Manteca, and Cool Breeze is truly incredible. Benny Golson's recently composed 'I Remember Clifford' is given an appropriately somber and moving arrangement. Mary Lou Williams comes out of semi-retirement to play piano on 'Carioca' and three selections from her own 'Zodiac Suite'. The biggest treat on this album, though, is a funky, often hilarious run-through of Horace Silver's 'Doodlin', where baritone legend Pee Wee Moore shows everybody the true meaning of minimalism. And the playing of John Birks himself has never been better, roaring above the rest of the band at will with machine-gun speed and harmonic precision. Trumpeter Lee Morgan has a breakthrough performance when Dizzy gives him the solo for Night in Tunisia, and Morgan responds admirably. This CD reissue is always exciting, often funny, and absolutely essential.

10 of 10 people found the following review helpful:

5.0 out of 5 stars One of a Kind, August 5, 2004

By	Samuel Chell (Kenosha,, WI United States) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

Why I waited so long to purchase this classic is as much of a mystery to me as Verve's slowness to publish and promote a newly remastered edition. Rate this one along with Ellington at Newport '56 and Basie at Newport '57 as one of the truly memorable recorded occasions of that 50-year-old festival. It also may be the most satisfying, representative album by the ebullient, many-faceted Mr. Gillespie.

There are numerous listeners who didn't come to Dizzy until the late 1960's and later when, like Louis, he was depending increasingly on showmanship and humor (often admittedly less hip than sappy) along with congas, vocals, and shortened, underpowered (but never uninventive) trumpet solos. To those Gillespie-ites who insist Diz was more virtuosic, daring and even musical than Bird, let this Newport set provide further evidence for their case; to those Diz devotees who feel that Miles may have gotten unwarranted marquee treatment at the expense of the greater star, I'm afraid the comparative neglect of this album can only sharpen their point.

Sure, the band is a trifle ragged in spots, but the fast tempos, erratic programming, improbable mix of the personal, the historical, the exotic, the eccentric, the dramatic, and the sheer excitement of pyrotechnics used not for display but to create aesthetic tension all make for one of the most engaging big band performances on record. And through it all Diz does what he does best--"play" with the music. Music even as supercharged as this should be fun, and Diz like Mozart the master player, is the genius who never allows his art to be anything more nor less than a captivating game.

His trumpet work on "Dizzy's Blues" and "Cool Breeze" is spectacular yet effortless at the same time. "School Days" and "Doodlin'" are colorful party balloons for his audience. His performance of "I Remember Clifford" as well as his thoughtful presentation of Mary Lou Williams betray the man's respect for tradition and his compulsion to balance the manic with the mannered. And his generous solo space to protege Lee Morgan on "Night in Tunisia" speaks volumes about his bigness as a human being as well as a musician.

Last but not least, Al Grey leaves not a shred of doubt about who was the most spirited big band trombone soloist in the history of jazz.

6 of 6 people found the following review helpful:

5.0 out of 5 stars "We'd like to open up this set, ladies and gentlemen..., August 28, 2003

By	"douglasnegley" (Pittsburgh, Pa. United States) - See all my reviews

One of the top 10 jazz CDs, in my opinion, this catches Dizzy's "State Dept." big band of the mid 50s LIVE, with arrangements by Benny Golson and with Al Grey, Wynton Kelly, a young Lee Morgan, and - as Dizzy tells you at length...the star of the band...PEE WEE MOORE. OK, well, the set opens up smokin' with "Dizzy's Blues", and if Diz ever played better I have yet to hear it. The band then launches into "School Days", which serves as a double 'take-off'. First, Diz shows the Newport audience that he, as well as the Duke, can whip an audience into a frenzy; and secondarily spoofing the 'one note ride' that had become prevalent in jazz as well as R&B to the point of absurdity. However; as absurd as Diz tries to make it, it still works wonders with a great band blowing changes behind it. "Doodles" is the Pee Wee Moore send-up...Golson's "I Remember Clifford" is truly memorable and "Cool Breeze" catches the band roaring again. Mary Lou Williams comes out and is featured, as mentioned by the previous reviewer. The highlight of the set, for me, is the live, wide-open version of "Manteca" - the best version on record even without congas. Diz sort of ends with "A Night In Tunisia", then clowns the REAL end of the show. This set is memorable for all the things that jazz should be - great playing, great showmanship, and tremendous fun. It is a must have CD.