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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Relaxin', December 15, 2001
On that great Verve album cover, two giants of twentieth century jazz, sitting on plain old barstools, shirtsleeved, about as casual as casual can be. A fitting intro to this recording.Satchmo is not encumbered by that saccharine pop stuff of his later years, nor is he too Bourbon Street to bear. Instead, he swings gracefully, wittily, almost effortlessly from track to track, contributing some growls where needed, a little soulful commentary now and then, and, of course, that smile that one almost see in his voice.He tackles these standards in a mellow but never vapid way; you've heard most of these songs before, but Armstrong makes you want to listen, makes you hum a little in the car, a few finger pops, and, of course, you find yourself singing along. O.P.'s trio is exactly what Armstrong needed for an outing like this. As always, they absolutely swing, with wonderful licks from Herb Ellis, Ray Brown's steady but playful bass, and some brushes and softly pulsing rhythm from guest drummer Louie Bellson. Ah, and there's Oscar himself, as relaxed as Armstrong, as casual, even as restrained, because, like Satchmo, on this recording Oscar does not even begin to lapse into self-indulgence or caricature-- as both artists at times tend to do. Nope, O.P. just runs the keyboard in a manner that seems to steady and support Armstrong. These two giants share the spotlight here, with respect for each other and for the music. The Trio(plus one) is in sweet form here. Satch sings up a quiet storm, and even contributes a few licks on that always startling, always shining trumpet of his. Buy it. Add to your O.P. collection, or to your Armstrong collection. Or begin your collection of either or both masters. This is a no-brainer.
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