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35 of 35 people found the following review helpful:
5.0 out of 5 stars
Explosive performance from one of America's best power trios, November 1, 2000
It's a miracle this CD is in print, since all three of Glass Harp's original albums (Glass Harp, Synergy and It Makes Me Glad) are apparently no longer available in any format.Fortunately, I had the sense to buy those ultra rare gems on CD (Germany's Lineca label) 3-4 years ago when I saw them in a local record shop. A few minutes ago, I scanned all major online CD stores and saw no listing for them. So if you want to hear perhaps the world's greatest guitarist performing in one of America's best -- but least well known -- power trios, YOU MUST BUY THIS CD IMMEDIATELY! Phil Keaggy is the most gifted, magical, imaginative and technically brilliant guitarist I've ever seen or heard. I've seen him in concert 4-5 times and each time I sit in awe, leaving the concert only reluctantly and nearly with tears in my eyes because I was so moved by his virtuosity. Glass Harp's Live! At Carnegie Hall CD would be astounding if it were released today, from a guitarist in his thirties or forties who had been playing all his life. But this concert was recorded in the very early '70s (circa 1971) by a guitarist only in his late teens. Even then, Phil Keaggy was a master of the instrument, playing his Les Paul with more speed, passion, flamboyance and precision than guitarists twice his age. Unbelievably, he's only gotten better since. I agree with a previous reviewer: the last song, alone, is worth the price of admission. "Can You See Me" is nearly 30 minutes of jamming from Keaggy, bassist Dan Pecchio and drummer John Sferra. Keaggy's McCartney-esque vocals soar over the top of the swelling instrumental intensity, which gradually builds to an unforgettable crescendo. I can think of one other band this intense that broke up way too soon: King Crimson. If that original line-up hadn't splintered when Ian McDonald and Mike Giles left the band after just one album and US tour, there's no telling what heights they could have reached. I feel the same way about Glass Harp. Keaggy left the band in 1972 to pursue a career in Christian music (which was death to his guitar prowess even though it fed him -- and others spiritually) and Glass Harp quickly fell apart. Granted, they lasted in their original line-up three times longer than the original King Crimson band, but it was still a band who's life was cut short way too soon. I wish I would have known Glass Harp re-united in Youngstown, Ohio, in late October of this year. I would have driven there to see them. As it was, I saw Phil Keaggy play solo in Grand Rapids a day or two after the Glass Harp re-union. It was, as usual, an evening I'll never forget. Words simply can't describe the man's talent. (And he's as humorous as he is talented. I'd pay just to hear the man tell jokes and stories.) I can't stress this enough: don't wait to buy this CD. While you're at it, check out everything Phil Keaggy has ever recorded, especially his latest efforts. In the past 4-5 years, he's had the guts to crank up his amps and play with an abandon not typical in Christian music circles. He's still a master musician in any fretted format, but he's unusually gifted on an electric guitar. I don't know who has the original master tapes for Glass Harp's first three albums, but I think someone, somewhere should do everyone a favor and re-issue them in a remastered format. They deserve the widest possible audience. Glass Harp is priceless...and this CD deserves a place in your collection.
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