|
|
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Quirky, unpredictable and beautiful scores, September 28, 2000
Seeing the Alloy Orchestra in person playing one of their original scores while the film is playing on the screen is an experience I always enjoy. Whenever they're in town, I round up friends and relatives to watch METROPOLIS, NOSFERATU, or some other silent classic. It's not easy. Today's audiences aren't very keen on silents and the people in my group protest having to "read dialogue" and watch an old movie that's not in color. But when the films over, they can't stop talking about what a great time they had.Unfortunately, the talented Alloy Orchestra isn't playing in my city 365 days a year, so I can't see them as often as I like. But they do sell recordings of their work. Sure, these compositions from LOST WORLD, NOSFERATU, METROPOLIS, and the bizarre THE UNKNOWN can stand on their own as terrific music. But I get further enjoyment by popping any of those films in my VCR or DVD and playing the proper selections on my CD player. It's a pain to keep switching tracks back & forth, but it helps me relive the mood I first got when I saw it performed live. I probably love NOSFERATU the best. I own the film on video with a droning, heavy organ score in the background, which is a soundtrack you'd expect from an old silent vampire film. The Alloy Orchestra did an atypical score with a spooky waltz for the main title. The other selections for the film are also haunting, yet quirky -- not like anything you'd expect for a typical score for NOSFERATU. And that describes their scores perfectly -- they're quirky, beautiful, and very appropriate. If you've already seen them, you will want to own this (as well as their CD "New Music For Silent Films). If you haven't and you have a taste for the unusual, give this CD a try. And go out of your way to see them perform in person.
|