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17 of 18 people found the following review helpful:
5.0 out of 5 stars
Bring It On, December 12, 2004
Stormbringer is another awkward CD in the Deep Purple canon. Some say that for every "great" DP album, there is a poor one that follows it. I don't agree with this formula, though it is the same formula many Trekkers use when discussing their favourite movies. In Rock was followed by Fireball, which some (including many in Deep Purple) felt was substandard. That was followed by the brilliant, immortal Machine Head, which was in turn succeeded by the tired Who Do We Think We Are!Stormbringer followed Burn, a rebirth of sorts for Deep Purple. Gone were shouter Ian Gillan and bassist Roger Glover. In were rookie David Coverdale, and his partner in crime Glenn Hughes. Coverdale was a bluesier singer, and Hughes was a funky bass player who enjoyed singing soul music. Their addition brought new life to Burn, an excellent record with hints of these new influences. Stormbringer, however, seemed to be more a product of the new members than the old. Hughes was now singing leads instead of just backups (see "Holy Man") and Richie Blackmore took a step back in the songwriting; a first for him. Two songs do not bear his writing credit at all. In addition his guitar stylings, where once aggresive and powerful, were now largely smooth and sublime. A lot of fans did not like the funkier, softer direction of the band. You can understand this, of course. A fan who loved In Rock, one of the heaviest records of any decade, was going to be turned off by the radio-ready soul funk of "Hold On". Here's the good news: Whatever Deep Purple set their minds to, they could do. And they could do it well. Blackmore may not have liked the album, and may have taken a step back in the mix, (you can barely hear any guitar on "Hold On") but he could adapt and play any style. His playing here, while sparse, is still excellent. Ian Paice adapts to the funky rhythms very well, laying down some excellent grooves. Jon Lord steps up to the forfront, supplying some excellent, funky keys. There are a few songs that hark back to the past: "Stormbringer", the title track, sounds as solid as any epic the band had ever composed. It could have been on Burn as easily as this record. In fact, it stands out as being out of place: As the opening track, fans must have been shocked and surprised when the rest of the album was so different. "The Gypsy" is a slow moody piece, perhaps akin to "Mistreated" from the previous album. One track showed an interesting glimpse of the future. "Soldier Of Fortune" is an acoustic track which forshadowed much of the music Blackmore would do with Rainbow, and even now with Blackmore's Night. David Coverdale in fact performed it live with Whitesnake on an acoustic CD in the late 90's. It is one of Richie Blackmore's finest compositions. With Stormbringer being such a departure, it wasn't surprising that most of the band felt that a return to a "rock" sound would be wise for its followup. The band were quoted in interviews at the time stating that the next album would be a "rocker". It would also be the first without Richie Blackmore on lead guitar, as Stormbringer was the nail in the coffin for him. He was replaced by American Tommy Bolin. With Bolin Deep Purple did indeed return to a rock sound (retaining some funk) and put out the splendid Come Taste The Band...continuing the Deep Purple saga of a strong album following a weaker one. Having said all this, I give Stormbringer five stars because it's an extremely entertaining and interesting listen. You'll never again hear Blackmore playing as funky as he does on "You Can't Do It Right", and it's a treat. Viewing this album as a temporary departure from the core Deep Purple sound, five stars seems appropriate.
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