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Product Details
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On this CD:
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Sinfonia
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Altri canti d'Amor, tenero arciero
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Lamento della Ninfa: Non avea Febo ancora
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Lamento della Ninfa: "Amor", dicea. Si tra sdegnosi pianti
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Vago augelletto che cantando vai
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Perchè t'en fuggi, o Fillide?
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Altri canti di Marte, madrigal for 6 voices and 2 violins (from Book 8), SV 155 Altri canti di Marte, e di sua schiera [prima parte]
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Due belli occhi fur l'armi, onde traffitta [seconda parte]
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Ogni amante è guerrier: nel suo gran regno [prima parte]
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Io che nell' otio nacqui e d'otio vissi [seconda parte]
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Ma per quel ampio Egeo spieghi le vele [terza parte]
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Riedi, ch'al nostro ardir, ch'al nostro canto [quatra parte]
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Hor che 'l ciel e la terra e 'l vento tace [prima parte]
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
-
Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Così sol d'una chiara fonte viva [seconda parte]
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Gira il nemico, insidioso Amore [prima parte] / Nol lasciamo accostar, ch'egli non saglia [seconda parte] / Armi false non son, ch'ei
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
-
Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Dolcissimo uscignolo
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
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Madrigals, Book 8 (Madrigali guerrieri, et amorosi), for 1,2,3,4 & 6 voices, SV 146-167 Ardo, ardo, avvampo, mi struggo; accorrete
Composed by Claudio Monteverdi
with Italiano Concerto, Rinaldo Alessandrini
Editorial Reviews
Amazon.com essential recording
The madrigals in this book, aptly titled by Monteverdi "Madrigals of War and Love," range from solo voice or duo with continuo to works for eight singers and strings. Concerto Italiano gives a magnificent performance: the opening of "Hor che'l ciel" is daringly slow and still, only to give way suddenly to the narrator's cries of torment; "Ardo, avvampo" proceeds from the thrilling chaos of fire alarms to an extraordinary hush as two tenors end the piece in unison. In the famous "Lamento della ninfa," the musicians have found a way to follow Monteverdi's instructions that the three men should sing in strict tempo ("following the hand"), while the solo soprano nymph sings her lament in freer time, "following the heart." The result is astonishing. --Matthew Westphal
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