Jehan Alain: The Complete Works for Organ

Jehan Alain (Composer), Kevin Bowyer (Performer)

Product Details

• Performer: Kevin Bowyer
• Composer: Jehan Alain
• Audio CD (April 21, 1998)
• SPARS Code: DDD
• Number of Discs: 2
• Label: Nimbus Records
• ASIN: B0000064B1
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon.com Sales Rank: #59,001 in Music (See Bestsellers in Music)

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14 of 14 people found the following review helpful:

4.0 out of 5 stars Experience the music of a 20th century original, January 25, 2001

By	altoman "altoman" (Springfield, VA) - See all my reviews

Jehan Alain was a French organist and composer who was tragically killed while fighting the Germans near Saumur in 1940. At the time of his death, he was only 29 years old. Despite his youth, he left behind a significant body of organ music that could be mistaken for no other composer. This two CD set, running almost two and a half hours, includes all his published works, including some that have only recently come to light. Unlike many French composers who wrote for the organ on the vastest of canvases, many of Alain's works run five minutes or less.

One thing is for certain: Kevin Bowyer has technique to burn. He also gets wonderful sounds from the Marcussen organ at Tonbridge School. In fact, the recorded sound is excellent and atmospheric throughout. With one caveat, this is a wonderful introduction to the music of Alain. There is much here that is readily accessible to lovers of organ music including, but certainly not limited to, the two Chorals, Dorien and Phrygien; the two sets of variations, on Lucis Creator and on a theme by Clement Jannequin (although that attribution is in doubt); and the mystical pieces, Le Jardin Suspendu and the Postlude pour l'Office de Complies. There are also works that do not make their wonders readily apparent, but are well worth coming to know. Then, of course, there is Alain's most famous work, Litanies.

And it is Bowyer's performance of that piece about which I have reservations. He plays it breathtakingly fast--again, no question about technique--but the tempo is so rapid in places that, to me at least, the music sounds hectic. Repeated notes at the beginnings of phrases blur together, so that unless you knew that the notes were repeated, you'd hardly be able to tell. When he gives the music room to breathe, the performance is fine; if only he had done so throughout the piece! This performance, although perfectly acceptable, does not rise to the same level as the rest of this recording. And if you like your toccatas astonishingly fast, this performance will not disappoint.

So, if you only want Litanies and have no interest in Alain's other organ works, you'd be better off to purchase one of the many collections that include that piece. However, if you want a survey of the organ works of this original master, there is no need to hesitate.