Product Details

• Actors: Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg, Peter Gallagher
• Directors: Robert Altman
• Writers: Michael Tolkin
• Producers: Cary Brokaw, David Brown, David Levy, Michael Tolkin, Nick Wechsler
• Format: Closed-captioned, Color, NTSC
• Language: English
• Rating: R (Restricted)
• Number of tapes: 1
• Studio: New Line Home Video
• VHS Release Date: September 1, 1998
• Run Time: 124 minutes
• Average Customer Review: 4.2 out of 5 stars  See all reviews (86 customer reviews)
• ASIN: B000006HTG
• Amazon.com Sales Rank: #26,644 in Video (See Bestsellers in Video)

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Editorial Reviews

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A wicked satirical fable about corporate backstabbing--and actual murder--in the movie business, The Player benefits from director Robert Altman's long and bitter experience working within, and without, the Hollywood studio system. Rising young executive Griffin Mill (Tim Robbins) is tormented by threats from an anonymous writer. The pressure and paranoia build until Griffin loses control one night and semi-accidentally kills screenwriter David Kahane (Vincent D'Onofrio), who may or may not be the source of the threats. From that point, Griffin's life and career begin to fall apart. In keeping with the ironic spirit of the film itself, Altman's scathingly funny attack on the moral bankruptcy of Hollywood was embraced by many of the same people it was intended to savage, and restored the director to commercial and critical favor. Michael Tolkin adapted the screenplay from his own novel, and the movie is studded with cameos by famous faces, many of whom appear as themselves. The digital video disc includes a commentary track with Altman and Tolkin, some deleted scenes, a documentary about Altman, and a key to help identify more than 50 of the picture's big-name cameos. --Jim Emerson

From The New Yorker

The title character of Robert Altman's new movie is a young Hollywood studio executive named Griffin Mill (Tim Robbins), who, for no very good reason, murders an aspiring screenwriter. The picture is a brilliant dark comedy about the death of American filmmaking. It's like a documentary about a mirage: the world it shows us is sunlit and shimmering, and the people have the thin presence of holograms. Altman is doing one of his specialties here-exploring an odd American subculture-and when his idiosyncratic realism is applied to the insular, constantly self-regarding community of Hollywood "players" it has an almost hallucinatory effect. The movie has the exhilarating nonchalance of the director's seventies classics, and its tone is volatile, elusive: with breathtaking assurance, it veers from psychological-thriller suspense to goofball comedy to icy satire. Altman turns the self-reflective world of Hollywood into a fun house in which every grotesque distortion somehow appears to us as a newly discovered, paradoxical truth. Robbins gives a layered, richly suggestive performance-the sort of performance that Altman's style, at its best, produces without obvious effort. At sixty-seven, Altman still seems like the youngest filmmaker in America. Also with Greta Scacchi, Peter Gallagher, Fred Ward, Whoopi Goldberg, Cynthia Stevenson, Vincent D'Onofrio, Lyle Lovett, Dean Stockwell, and Richard E. Grant; dozens of movie stars (and a handful of writers) turn up in cameos. The script, by Michael Tolkin, is adapted from his own novel. -Terrence Rafferty
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

25 of 25 people found the following review helpful:

5.0 out of 5 stars Joe Gillis calling..., August 21, 2001

By	Dennis Littrell (SoCal) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)    (COMMUNITY FORUM 04)

"Players only love you when they're playing." --Stevie Nicks

Griffin Mill, whose name has a kind of ersatz Hollywood feel to it (cf., D. W. Griffith/Cecil B. De Mille), is not a player with hearts so much as a player with dreams. He is a young and powerful film exec who hears thousands of movie pitches a year, but can only buy twelve. So he must do a lot of dissembling, not to mention outright lying, along with saying "We'll get back to you," etc. This is what he especially must say to writers. And sometimes they hold a grudge. In this case one of the rejected writers begins to stalk Griffin Mill and send him threatening postcards. And so the plot begins.

Tim Robbins, in a creative tour de force, plays Griffin Mill with such a delightful, ironic charm that we cannot help but identify with him even as he violates several layers of human trust. The script by Michael Tolkin smoothly combines the best elements of a thriller with a kind of Terry Southern satirical intent that keeps us totally engrossed throughout. The direction by Robert Altman is full of inside Hollywood jokes and remembrances, including cameos by dozens of Hollywood stars, some of whom get to say nasty things about producers. The scenes are well-planned and then infused with witty asides. The tampon scene at police headquarters with Whoopi Goldberg is an hilarious case in point, while the sequence of scenes from Greta Scacchi's character's house to the manslaughter scene outside the Pasadena Rialto, is wonderfully conceived and nicely cut. Also memorable is the all black and white dress dinner scene in which Cher is the only person in red, a kind of mean or silly joke, depending on your perspective. During the same scene Mill gives a little speech in which he avers that "movies are art," a statement that amounts to sardonic irony since, as a greedy producer, he cares nothing at all about art, but only about box office success. His words also form a kind of dramatic irony when one realizes that this movie itself really is a work of art. As Altman observes in a trailing clip, the movie "becomes itself." The Machiavellian ending illustrates this with an almost miraculous dovetailing. This is the kind of script that turns most screen writers Kermit-green with envy.

Incidentally, Joe Gillis, the Hollywood writer played by William Holden in Sunset Boulevard--personifying all unsuccessful screen writers--actually does call during the movie, but Mill doesn't recognize the name and has to be told he is being put on, further revealing the narrow confines of his character.

In short, this is a wonderfully clever, diabolically cynical satire of Hollywood and the movie industry. This is one of those movies that, if you care anything at all about film, you must see. Period. It is especially delicious if you hate Hollywood. It is also one of the best movies ever made about Hollywood, to be ranked up there with A Star is Born (1937) (Janet Gaynor, Fredric March); Sunset Boulevard (1950); A Star is Born (1954) (Judy Garland, James Mason); and Postcards from the Edge (1990).

I must add that in the annals of film, this has to go down as one of the best Hollywood movies not to win a single Academy Award, although it was nominated for three: Best Director, Best Adapted Screenplay and Best Editing. I suspect the Academy felt that the satire hit a little too close to home for comfort.

20 of 20 people found the following review helpful:

4.0 out of 5 stars Making a "Killing" in Showbiz (4.5 stars), January 29, 2004

By	Michael Crane (Orland Park, IL USA) - See all my reviews (TOP 500 REVIEWER)

This review is from: The Player (Special Edition) (New Line Platinum Series) (DVD)

Can movies about the movie business actually be exciting and worth watching? "The Player" most certainly is an exciting and worth-while film that has many layers within it. At first glance, this appears only as an odd thriller that's both bizarre and unbelievable--but upon further investigation, you'll find out that this is something that is so much more than your ordinary thriller.

Griffin Mill is a studio executive that listens to movie pitches on a daily basis. Some pitches are great while others aren't as fantastic. One of the writers that Griffin never called back seems to have held a grudge against him, as he sends him threatening post-cards telling the exec that his days are numbered. Not knowing what else to do, Griffin decides to confront the suspected writer only to end up being involved in a murder. As he tries to cover his tracks and play it cool, it is clear that Griffin has been thrown into an uncontrollable scenario that could only be found in the movies.

I admit that the first time I saw this film, I didn't really know how to react to it. I didn't know if I liked it, but I knew that I didn't hate it. And, I confess that by the end of the movie, I was scratching my head in confusion. It was the second viewing where I really found out what the movie was all about and came to love it. The movie is not your typical thriller. It actually is more of a satire that targets the movie industry and movies in general. And, it's done in such a way that you really don't catch onto that with the first viewing, as you're caught up in the story and are convinced that you're watching nothing more than a thriller. This movie has a number of layers to it--even layers that I probably haven't caught onto yet. You know a film has unquestionable power when you are tricked into believing that it is something else the first time and then come to realize that it is something completely different the next time around.

The film is brilliantly directed by Robert Altman. There's no way in heck that the movie would be the success it is had it been under a different director. He knew exactly what he wanted and how to get it. The acting from Tim Robbins and company is really a sight to see. It's also a treat to see so many cameos by different famous actors that we all know and love.

The DVD has a few goodies to offer for those who enjoy DVD extras. The picture is decent looking--nothing extraordinary, but decent. It says on the back cover that it was remastered in "High Definition," but I think improvements could've been made in certain areas. Extras on the DVD include commentary from the director and writer, a Robert Altman featurette, deleted scenes, the original trailer and more. A pretty nice package that doesn't disappoint with exception towards picture quality in some areas.

"The Player" is a superbly executed film that doesn't jump out right away to let you know what it is really all about. On the first viewing, the movie appears to be nothing more than an off-the-wall thriller, but on a second viewing you will come to find that it is something more. It's not a movie that will be loved by everybody, but for those who love odd films with hidden structures and meanings will absolutely love it. If you have an open-mind and want to take a chance by seeing something that isn't so ordinary, "The Player" awaits for you. -Michael Crane

7 of 7 people found the following review helpful:

5.0 out of 5 stars Altman Classic., March 23, 2000

By	Jason Stein (San Diego, CA United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This review is from: The Player (Special Edition) (New Line Platinum Series) (DVD)

This is a great film about film execs in Hollywood. A good mystery with biting humor and insight into the power/control world of movie-making. Tim Robbins is excellent in the lead role and Robert Altman's directing is superior. The story is great, especially if you've been an actor, director, producer or anyone in dealing with stage or film making. This is a must have for Altman fans and for movie collectors.