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25 of 26 people found the following review helpful:
5.0 out of 5 stars
Mellower, lyrical unique music from the 80's, January 21, 2004
In the middle of an era dominated by the likes of Duran Duran, Eurythmics, Def Leppard, and Prince, came a group that was kind of an anomaly to the mainstream of the 1980's. For one thing, the instrumentation of The Dream Academy defies the usual guitar, bass, drums format, it's a melange of something undescribable, with elements of classical, jazz, and acoustic sounds, and much of it deals with the bleakness of the post-industrial urban world and the crushing loneliness and bitter travails of life, all with a lyrical and poetic base.From the bleak blowing wind effect, the gentle strains of guitars, Kate St. John's oboe, and that famed "Ah hey ma ma ma" chorus, comes the single that sadly relegated them to one-hit wonder status, "Life In A Northern Town." The lyrics give a bleak picture of the town and the sad departure of the storyteller in the song. "The Edge Of Forever" is a longing romantic song about how we miss the closeness and security we needed as children but not given as adults. Singer Nick Laird-Clowes asks at one time, "When you were young, did you ever fall down, graze your knee and want to run to someone? 'Cause now that you're older, I've been falling down, I want to run to someone, but there's nobody around." It's nice and lyrical in the verses, which explodes in a crescendo with keyboards and cello in the chorus. This is the song played at the end of Ferris Bueller's Day Off when Matthew Broderick and Mia Sara kiss and part. "(Johnny) New Light" details the loss of innocence and a longing for a more natural life, and what happens when technology in the form of tractors make harvesting the wheat easier. "We have nothing else to do" Laird-Clowes and the backup singers sing towards the end. "In Places On The Run" is a mellow, dreamy, and poetic piece, about walking through coloured fields, bazaars, watching flickering stars in the warm night, with great accompaniment by the assorted percussion and St. John's oboe and Laird-Clowes' strumming guitar whose tempo increases whenever he starts off with "What a dream I had" line beginning each verse. "This World" is a wry social commentary about a lonely unemployed man who has to steal to make it, a girl trying to find company in a pub, and city elders who overreact to a beating. The chorus varies but its sober message is: "This is for the misunderstood lonely people/living in the world and getting nowhere/something always just goes wrong/why should they try to hold on to the dreams of this world/where they never quite belonged?" Another of my theme songs. Probably the second best song here after "Northern Town." "Bound To Be" has a bouncy funk synth beat and features backing vocals by Caron Wheeler (Soul II Soul) and Sam Brown, Joe "A Picture Of You" Brown's daughter. "The Love Parade" was the album's second single with dreamy vocals by St. John and how a summer love serenade can take hold of even those married for many years, i.e. extramarital love, in the case of this song, the woman. With Dave Gilmour's acoustic guitar and Peter "R.E.M." Buck's Rickenbacker, "The Party" highlight the stifling discomfort, ego-destruction, and loneliness faced when the girl one brings to a party spends the night dancing with someone else. "I open up the window to get some ventilation, try to break away from the intellectual starvation" is why I hate parties. Small bits of "Northern Town", "The Edge Of Forever" and "In Places On The Run" done towards the fade. There's a classical aura with St. John's oboe and a nice string section. What makes life worth is to "reach out for that one dream in your life" sings Laird-Clowes in "One Dream." What prevents that is being at war with yourself. Key lyric: "I woke up to find/life was just leading me on that's all/then I found out that I could reach it all." Some nice trumpet by David Defries accompanies this hopeful number. This album was produced by lead singer Laird-Clowes and Pink Floyd's Dave Gilmour. And the instruments used make them unique in 80's music, especially St. John's oboe, cor anglais, piano accordion, and tenor sax. Things got mellower and with some lighter moments in their followup, the underrated Remembrance Days.
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