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North Star
 
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North Star [IMPORT] [SOUNDTRACK]

Philip Glass (Composer), Dickie Landry (Performer), Philip Glass (Performer), Gene Rickard (Performer), Joan La Barbara (Performer)
4.4 out of 5 stars See all reviews (8 customer reviews) More about this product

List Price: $17.99
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o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
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Customers buy this album with Naqoyqatsi (Score) ~ Philip Glass

North Star + Naqoyqatsi (Score)
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Product Details

  • Performer: Dickie Landry, Philip Glass, Gene Rickard, Joan La Barbara
  • Composer: Philip Glass
  • Audio CD (May 5, 1995)
  • SPARS Code: AAD
  • Number of Discs: 1
  • Format: Import, Soundtrack
  • Label: EMI Gold Imports
  • ASIN: B0000070I4
  • Also Available in: Audio CD
  • Average Customer Review: 4.4 out of 5 stars See all reviews (8 customer reviews)
  • Amazon.com Sales Rank: #125,055 in Music (See Bestsellers in Music)

Listen to Samples

To hear a song sample, click on "Listen" by that sample. Visit our audio help page for more information.
 
1. Etoile Polaire (North Star)
2. Victor's Lament
3. River Run
4. Mon Pere, Mon Pere
5. Are Year's What (For Marianne Moore)
6. Lady Day
7. Ange des Orages
8. Ave
9. Ik-Ook
10. Montage

On this CD:
  1. North Star, film score (for "Mark di Suvero, Sculptor")
    Composed by Philip Glass
    with Gene Rickard, Dickie Landry, Joan La Barbara, Philip Glass


Editorial Reviews

Product Description
M usic for people who get sculpture (you know who you are). This music was originally conceived for a film on sculptor Mark Di Suvero, and later remixed and released as North Star. As one of Philip Glass’ early works, the album helped introduce his idiosyncratic style to listeners (although I bought it based on the post-Einstein buzz). EMI. 2003. --This text refers to the Audio CD edition.

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Customer Reviews

8 Reviews
5 star:
 (5)
4 star:
 (2)
3 star:    (0)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (8 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
4 of 4 people found the following review helpful:
5.0 out of 5 stars One of my favorites, March 11, 2005
By Christopher K. Koenigsberg (Norman, OK USA) - See all my reviews
(REAL NAME)      
This has long been one of my most favorite Glass albums.
I got to see the film once, after I'd already heard the album.
I used to play tracks from this album, live on a college radio station where I was a DJ, like every week, through the 1970's.

Now I miss the rough crude abruptness, of the cheesy Farfisa organ sound, in this recording, also the severity and original clarity (AKA "minimalism") of the compositions, when I listen to much later Glass.

Probably that is a very subjective personal thing. If I had heard the late recordings first, I might prefer them.

But since this was one of my original introductions to the music of Philip Glass, it remains one of my top favorites.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Classic Glass, January 17, 2005
By roland (Idaho) - See all my reviews
This music is classic Philip Glass minimalism, and is comparable to Einstein on the Beach and Koyaanisqatsi in terms of the sound and style of the compositions. These songs are not as long as those on these other albums, which makes this album short and sweet and may be a good introduction to his work from this period to someone checking out Philip Glasses music from this period for the first time. It should be noted that these songs are very, very minimal - so for those who like Glass but not the older minimalism stuff, you may consider it.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Fine early Glass in small doses, March 30, 2000
By DAC Crowell (Rankin, IL United States) - See all my reviews
This is actually a soundtrack album, for a documentary film on sculptor Mark diSuvero and his work. Glass created short pieces for this, in a rather atypical style for the period in which this was composed and recorded (the mid-70s), since during this time Glass was mainly concerning himself with massively expansive forms in "Music in Twelve Parts" and the Robert Wilson collaboration "Einstein on the Beach". Atypical or not, though, it's one of the few recordings of his small ensemble sound of the period (winds, electric organs, voices, etc) and as such, pretty important. And the works do have a certain charm to them...but it should be noted that this isn't exactly what the composer was up to at the time, and the lack of expansiveness seems to cause the pieces to suffer a bit, as one doesn't get the 'Glass feel' from such abbreviated workouts. Check the longer pieces first, but do come back for this one...if you can find it!
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Most Recent Customer Reviews

5.0 out of 5 stars First Glass
I bought this when it was first released as an LP in the mid or late 70's. Music-wise, I've always been very adventurous and this was my introduction to the world of minimalism... Read more
Published 9 months ago by Hipgnosis

2.0 out of 5 stars Great Music; Absolutely Abysmal Execution
For a long time, I've had a deep appreciation for Philip Glass's music. Particularly, I like the early stuff such as "Music in Twelve Parts," "Two Pages," and "Einstein on the... Read more
Published on May 2, 2005 by Kevin Currie-Knight

5.0 out of 5 stars Glass, young & ambitious
This is not a Glass recording you hear much about, but in my fairly large Glass collection, it's one of the most interesting. Read more
Published on May 17, 2002 by hirofantv

5.0 out of 5 stars A favorite Glass
Way back in the early 80's this was the first PG album I ever heard and it has always been one of my favorites!
Published on August 31, 2001 by Fesenjen

4.0 out of 5 stars Clear glass
This rare work is actually a good introduction to Phil's work. The cues are short and varied, both in rhythm and orchestration. Read more
Published on December 29, 1998 by ewilshier@sfe.com.au

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North Star opens new browser window by Philip Glass opens new browser window is mainly Techno, quite Free Jazz, with hints of Experimental”

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