Mermaid Avenue

Billy Bragg, Wilco

Product Details

• Audio CD (June 23, 1998)
• Original Release Date: June 23, 1998
• Number of Discs: 1
• Label: Elektra / Wea
• ASIN: B000007NC0
• Also Available in: Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.7 out of 5 stars See all reviews (131 customer reviews)
• Amazon.com Sales Rank: #1,279 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #1 in	Music > Alternative Rock > New Wave & Post-Punk > Urban Folk
  #7 in	Music > Pop > Britpop
  #10 in	Music > Alternative Rock > Alternative Styles > Alternative Folk

• This is item 1 in The Mermaid Avenue Series.

Editorial Reviews

Amazon.com's Best of 1998
A ghost, a band, a troubadour. Easily the strangest co-op project ever, and easily one of the finest and most evocative albums of the year. British socialist and folkie Billy Bragg was given unprecedented access to Woody Guthrie's unrecorded lyrics. Teaming up with alt-country band Wilco and quoting from more than 50 years of country, folk, and rock music, Billy and company bring Guthrie's politics, poetry, and morality to the end of the century and prove he's as necessary now as ever. --Tod Nelson

Amazon.com essential recording
When you first heard that Billy Bragg and Wilco were teaming up to set some Woody Guthrie lyrics to music, you knew it'd be an interesting project. But did anyone realistically think Mermaid Avenue would also wind up being one of 1998's finest albums? That's exactly what it is, a distinction it pulls off by simultaneously honoring Guthrie and blasting away any folksy expectations we might have of his music. Walking Guthrie's World War II-era lyrics into the 20th century's second, rock & roll half, Bragg and Wilco's Jeff Tweedy take turns on lead vocals, and the entire group collaborates on a sound that draws on folk- and country-rock, from Bob Dylan and the Band to Gram Parsons and Uncle Tupelo. The results are nearly flawless, ranging from yearning laments and playful children's rockers to horny ballads and brave protest songs that are not merely political but also profoundly moral. Like all of Guthrie's work, Mermaid Avenue is music to live better by. --David Cantwell

See all Editorial Reviews

Customer Reviews

Most Helpful Customer Reviews

19 of 19 people found the following review helpful:

5.0 out of 5 stars Deserving of Ten Thousand Stars, May 4, 2000

By	Gianmarco Manzione (Tampa, FL USA) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

Every once in a while and usually out of the blue, we are graced with an album that defies time and genre, the type of music that we will be listening to when Mars is terraformed; Mermaid Avenue is just such an album. It is the diamond in the careers of both Bragg and Wilco. Whether it's the boisterous "Walt Whitman's Neice," the thumping drums of "California Stars," or the country folk of "Minor Key," this album offers a richness of sound that will have listeners licking their chops. The innocence of tracks like "Hoodoo Voodoo" or "Ingrid Bergman" creates a fragile balance with the spate of darker songs, like "One by One," which sounds as if pulled from a deep burrow of desire in Woody Guthrie's soul and recalls the sweet yearning of Bob Dylan's "Lay Lady Lay." While the album delivers consistently good music, each song is so different from its predecessor that even the most casual listener's attention is unlikely to wander. Nominated for a Best Contemporary Folk Album Grammy, "Mermaid Avenue" is a priceless example of Guthrie's achievement at the dawn of a new century.

28 of 31 people found the following review helpful:

4.0 out of 5 stars 4.5 Stars.... Masterful Mix of Guthrie Lyrics and New Music, May 10, 2004

By	Paul Allaer (Cincinnati) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

Nora Guthrie, Woody's daughter, thought it might be fun to have new music set to Woody's "lost songs" (lyrics to which Woody had music set in his head, but he never published the music). Billy Bragg and Wilco may make a curious, or at least not a very obvious, choice for the task, but boy, are they up for it!

"Mermaid Avenue" (15 tracks, 49 min.) is a true collaboration between the artists. Some songs find Wilco's Jeff Tweedy at lead vocal, Bragg on others. Music on some tracks is written by Bragg, others by Tweedy/Bennett, yet others by Bragg/Wilco. While I'm a huge Wilco fan, I must admit that the Bragg-written songs are more coherent within the Guthrie legacy. Check out for example the sparse "Eisler On the Go", and "Another Man's Done Done" (with Tweedy on lead vocal). The best is "Way Over Yonder in the Minor Key" (with Natalie Merchant on back vocals). Natalie also sings lead on "Birds and Ships". (So you really shouldn't be surprised by Natalie's fab collection of folk tunes "The House Carpenter's Daugther", issued independently last year).

In all, this is a terrific collection, which deservedly received a second volume as well. Recommended for fans of Billy Bragg, Wilco, Woddy Guthrie, and of course Bob Dylan.

19 of 21 people found the following review helpful:

4.0 out of 5 stars Refreshing and Literate, May 9, 2000

By	dev1 (Baltimore) - See all my reviews

The first time I listened to Mermaid Avenue, I was certain that I had heard this music before. After combing my collection, I discovered that Mermaid Avenue was a collection of new songs - and I hadn't heard them before. The sound of Billy Bragg and Wilco is comfortable; as comfortable as Bob Dylan, The Band circa Big Pink, Bruce Springsteen and the Cowboy Junkies' Trinity Session. The combination of 50-year old lyrics (compliments of folkie/socialist Woody Guthrie), the bare-bones sound of Wilco and the recording atmosphere of Dublin make for a cozy and perceptive 46-minutes.

Whether you consider Guthrie a socialist or an anti-capitalist, his political commentaries (Christ For President, The Unwelcome Guest) fit neatly in today's social climate. His love songs are sensitive and poetic (Way Off Yonder In The Minor Key, At My Window Sad and Lonely, One By One). Instead of the vulgar and dehumanizing lyrics of much of today's music towards women, Guthrie's sexual double entendres (Walt Whitman's Niece) are refreshing and literate. In fact, refreshing and literate is as good as any summary of Mermaid Avenue. Outside of public high schools, thinking is still considered acceptable social behavior.