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10 of 10 people found the following review helpful:
4.0 out of 5 stars
Smooth like Maziwa, March 20, 2002
Of all the New Age albums that have been churned out, Wes' 'Welenga' remains one of my favorites. I used to have this on cassette years ago, and only recently obtained this beam of heaven on CD. People who haven't heard of Wes may not totally 'get' his music upon the first few listens, but listeners of world music, and in particular of the Deep Forest / Era variety, may find themselves thoroughly enthralled by this fascinating album.Wes was 'discovered' in the early 1990s, and with the help of Deep Forest, who had begun exploring their own musical capabilities with 'Boheme', released his first single 'Alane'. While this is traditional African music, it is also, on the other hand, a sort of electronically-charged dancefloor set of compositions, which is why some conservative world music fans may find it hard to appreciate Wes. However, if you give 'Welenga' more than a few listens, you'll find that its the same boat, if not better, than 'Boheme', Catherine Lara's 'Aral', and even some of the more embraced Real World recordings. The edition available here is the American version, which is a pity. If you are really interested in obtaining the original 'Welenga', try to get your hands on the French release, and if possible, the limited edition one, which has many more tracks than the US release. Of all the editions of 'Welenga', the US version is the worst. Not only did they spoil it by tagging on Wes' worst track to date (he was forced by producers to sing a duet in English - a sort of R&B and rap influenced ditty that is downright terrible) called 'We don't need no war', but they added Wes' tribute song for the World Cup CD a few years ago called 'Midiwa Bol' . This is an upbeat, harmless track, and one that France adopted as its' anthem during the festivities surrounding the days after their win, but it doesn't fit in with the songs here at all. Cut away tracks 9 and 10, and you have just 8 songs remaining, but still, its really worth getting this album just for these gems. 'Alane', the first single off this CD, is also perhaps the most hummable and infectious. Hailing universal brotherhood and cosmic divinity, Wes' incredibly childlike yet mature voice is set to the tune of new age harmonies, with an upbeat rhythm that found its way to discos around Europe. 'Alane' is Wes' only real international hit. The second single 'Awa Awa' was also released the same year as 'Alane' but it failed to make a big impression. Its a beautiful, soaring single thats also the opening track on the album, but in some ways it was deemed 'commercially forgettable'. But I was glad to note that the US version of the CD has the full version of this track. 'Welenga' has never been released in a fully comprehensive edition. Even the European editions, though pretty thorough, lack the inclusion of some of Wes' most astounding work at this time. The two main tracks that are notorious in their absence, are 'Miguele Song', which Wes co-wrote with Deep Forest, and the simple, stunning 'Doutou', which was released without any promotion as a CD single. If you can get your hands on this one, you'll have your 'Welenga' set all complete. Wes also had a single around this time called 'In Youpendi' for The Lion King Collection, a CD compilation released in Germany. If you're looking for an album that reminds you of 'Boheme', this one would most readily come to mind first. But Wes also carries trace of Tama and Youssou N'Dour, but hes in a totally different class by himself. The music is divine and profound, and you only need to pop this disc into your player for an hour and sit back and listen to his beguiling voice. The liner notes attached to this package give you an insight into Wes' world, and how his spirituality and prayers for a divine unity throughout all the world's peoples has affected his musical sensibilities. My favorite tracks here are of course 'Alane' and 'Awa Awa', but theres one in particular that stands out - 'Ken Mouka' and also the title track. Wes sings with a chorus of African children and women, and at times you really feel transported to the sunny junglescapes of Africa, and the warm happiness their people exude. If you're looking to become a serious Wes collector, you should certainly check out his album that came out just after this one. Wes had parted ways with Deep Forest, and linked with a newer producer. However, with this change came a change in musical styles as well. Wes' second album does not have the same magical quality that his first has. Its amazing how some things have a time and place all its own, and they can never be replicated once again. His followup album 'Sinami' is a perfect example of how sophomore world music efforts only serve to reiterate the greatness of their creator's previous trips to the studio. Do get it if you can find it, but its not as wondrous as 'Welenga' by any means. Remember, theres a whole body of Wes work out there that is rare and out of print. If you're thinking about getting this edition of the CD, go ahead, but also keep your eyes out for the Australian and French editions. Also, keep looking for the 'lost' Wes tracks - songs that he did with Deep Forest that have disappeared into oblivion - 'Ketewi', 'Nemene', and 'Sweet Bitowo'. If you're a serious lover of world music and are interested in expanding your musical tastes and experiences, 'Welenga' by Wes would be a great way to get you started. I can't recommend it highly enough. The only reason I give this release 4 stars instead of 5 is because they lopped some of the best tracks off this US edition.
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by Wes 
