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8 of 9 people found the following review helpful:
4.0 out of 5 stars
Quintessential Kelly--Ned's minstrel son, November 4, 1998
By A Customer
Do you have to be Australian to get Paul Kelly? I hope not, but wonder..... Paul Kelly's music is like the taste of red dust, the smell of the first torrential thunderstorm after a drought, teenagers snogging on a bull ant's nest, driving for thousands of k's on a totally straight, flat road, picking bindiis out of your feet... All part of growing up in Oz. This was Kelly's first album after the classic "Under the Sun", and the first obviously aimed at a non-Australian audience. It has a far more folksy, country feel than his earlier albums, which at the time I didn't like much. Over the years though, what I have come to appreciate is just how quintessentially Australian the sound is, even if the lyrics don't show it. In this album is everything that was happening in Aus music in the late 80's. There's touches of zydecho (remember that?), melodic bass lines, simple chord structures, just enough production to ensure a clean sound without turning it to plastic, OTT electric piano with vibrato going full boar, and pure Oz folk, most obvious on "South of Germany" complete with sleazy slide guitar. "Pigeon" sounds like Yothu Yindi in the pre-Treaty remix days. No wonder the Americans didn't get it. He's become more international since then, but in 1989 he just didn't make sense out of context. Paul Kelly's a national treasure, up there with Andrew Denton, Flacco, souvlaki, DAAS, AFL, Bradman and Gough. He's come a long way since this album, but it's still one of my faves.
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