Most Helpful Customer Reviews
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9 of 10 people found the following review helpful:
4.0 out of 5 stars
Hooray for Hollywood, November 20, 2003
I started collecting Elvis records as a nine year old in 1968. Back then, I was focused on the bona fide hits and just about neglected everything else. To be sure, I would buy every release - album and 45 - with the goal of building the complete collection, but from a listening perspective, I nearly wore out the greatest hits compilations while paying scant attention to everything else. I especially ignored soundtrack albums (except for whatever reason, "Roustabout") and had several I never even opened. As my listening tastes matured, I continued to ignore the soundtracks because, as everyone knew - and most music critics were quick to point out - Elvis's movie recordings represented the nadir of his career. Over the last few years, thanks in large part to the release of several very good Elvis boxed sets, ("Today, Tomorrow and Forever" and "From Nashville to Memphis" to name a couple) I have gained exposure to a wider selection of Elvis's massive song catalogue. Purchasing this CD from the "Elvis Double Features" collection is a direct result of my expanding musical tastes. After listening, I am left with two conclusions: 1) The music critics who have panned the King's movie soundtrack recordings over the years are clueless and 2) I deprived myself of decades of listening pleasure by ignoring Elvis's movie songs. This CD features three of Presley's less popular outings, 1964's "Kissin' Cousins", 1967's "Clambake", and from 1968, "Stay Away, Joe." Critical lambasting and box office mediocrity aside, each film offers several pleasant musical surprises. "Kissin' Cousins" starts things off with the very upbeat title track and also provides a slower, but equally engaging alternate take. The catchy sing-along, "There's Gold in the Mountains", and exceptional ballads "One Boy, Two Little Girls" and "Tender Feeling" highlight a ten song selection. The obnoxious and hokey "Barefoot Ballad" is the only real miss. The film "Clambake" contributes nine tracks with varying degree of success. "You Don't Know Me", the B-Side of the 1967 single, "Big Boss Man" is reminiscent of the early 1960's Don Robertson ballads ("Anything That's Part of You" and "They Remind Me Too Much of You" to name just two) Elvis sings so well. The title track, "Clambake", is a catchy and harmless tune that could just as easily been a single. "Who Needs Money?" is interesting because it is essentially a duet with the King sharing the stage with a baritone-voiced Ray Walker. Elvis once again scores well with two smooth ballads, "A House That Has Everything" and "The Girl I Never Loved." The adolescent "Confidence" is the only throw away. "Stay Away, Joe", one of Elvis's final films, provides the last five tracks on this CD. All of the songs possess a strong country music foundation. The title track is a raucous offering in the vein of the spontaneous ditties that always seem to break out during movie wedding scenes. "Dominic" is a previously unreleased ballad that unfortunately should have remained unreleased. "All I Needed Was the Rain", another ballad, is not spectacular, but Elvis's rich vocals make it tolerable. "Stay Away" is a fast-paced tune that is actually better than "U.S. Male", the hokey single it served as the B-Side to in 1968. "Goin' Home" (a sweeping quick tempo a la Glenn Yarborough's "Baby the Rain Must Fall) emerges as the best song from the movie, if not the entire CD. Had RCA released it as a single I have little doubt it would have been a hit. For Elvis fans, this CD provides a an enjoyable 90 minute snapshot of the King's movie musical legacy.
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5 of 5 people found the following review helpful:
3.0 out of 5 stars
Entertaining Non-Essential Elvis, May 28, 2000
All the "Double Feature" entries are "keepers" in my collection, even with the disappointing Digital Remastering: hey, guys, there WAS a rhythm section there! Anyway, this volume contains many very entertaining entries, i.e the guitar-laden KC title track/single release featuring the real swaggerin' Big El, an under-discussed cut; the swingin' "Once Is Enough"; the catchy "Catchin' On Fast" - the movie version would have made a nice addition; the enduring Valentine "Tender Feeling", plus a few awkward but theatrical pieces "Barefoot Ballad" and "Smokey Mountain Boy". Once again the "'50s purist" will not be amused, but here we have several more testimonials to true talent in turning a potential sow's ear into a silk purse or whatever, you know what I mean. "Clambake" has two or three nice tunes, most notably the beat ballad "A House THat Has Everything". Unfortunately there are too many on this '67 release to try the patience of the most dedicated Presley follower. In addition, Elvis was not in his best voice here - the film version of "You Don't Know Me" has a beautiful piano intro but vocally one can hear why he decided to redo it later that year. The non-formula "Stay Away, Joe" does showcase a revitalized Presley with strong material. ("Dominic" finally shows up here for historians to play maybe once - WOW!).
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2 of 2 people found the following review helpful:
2.0 out of 5 stars
Look for the brightest lights in town. That's where you'll find me hangin' 'round., August 16, 2005
What we have here is three Elvis soundtracks on one CD. These soundtracks were probably put together because they were all recorded in Nashville, instead of Hollywood like most soundtracks were.
Kissin' Cousins is a particularly bad soundtrack. Elvis was so unenthusiastic about the songs, that he didn't bother to show up for the recording sessions. (He overdubbed his voice later.) Most of the sounds are terrible, although "Once is Enough" has a certain charm. "Kissin' Cousins (Number 1)" was the single from the album. It has a nice melody, but the lyrics are pretty dopey.
Clambake is a typical late-'60s Elvis soundtrack. Several goofy songs and a few decent songs. "You Don't Know Me" ia actually a very good song, which was not written especially for the movie. It's actually a cover of an old Eddy Arnold song. The best song that actually was written for the movie is "How Can You Lose What You Never Had".
Stay Away, Joe is a late period Elvis movie that only had a handful of songs recorded for it. Most of the songs are actually enjoyable, although they are by no means classics. "Goin' Home" is a song that I like a lot. "Stay Away" is another good song, with a melody based on "Greensleeves". "Dominic" is one of the dumbest songs Elvis ever recorded. In it, he is trying to get Dominic the bull to mate with a cow. Elvis requested that "Dominic" never be released on a record, but it was already featured in the movie, so it's not like nobody ever heard it before.
This CD will probably only be of interest to Elvis fans who have to have everything that the King ever recorded.
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