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Club Nocturne
 
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Club Nocturne [IMPORT]

Yellow Jackets
4.4 out of 5 stars See all reviews (9 customer reviews) More about this product

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Product Details

  • Audio CD (September 22, 1998)
  • Original Release Date: September 22, 1998
  • Number of Discs: 1
  • Format: Import
  • Label: Warner Bros UK
  • ASIN: B00000AG9M
  • Average Customer Review: 4.4 out of 5 stars See all reviews (9 customer reviews)
  • Amazon.com Sales Rank: #148,899 in Music (See Bestsellers in Music)

Listen to Samples

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1. Spirit of the West
2. Stick to-It-Ive-Ness
3. Up From New Orleans
4. Evening News
5. Even the Pain
6. Love and Paris Rain
7. Village Church
8. Twilight for Nancy
9. Automat
10. All Is Quiet

Editorial Reviews

Amazon.com
On their 14th album, Club Nocturne, The Yellowjackets explore nearly every facet of their personality with their most vocal-oriented offering to date. Heavyweight vocalists Kurt Elling, Brenda Russell, and Jonathan Butler guest on several tracks, and the band's ease at crafting suitable sonic auras to support the diverse set of guests is wonderful. With Elling, they concoct a bluesy drag on "Up from New Orleans" as he slurs the lyrics in a faux southern drawl. They shift gears dramatically on the beautifully impressionistic "All Is Quiet," which also features wonderful playing by saxophonist Bob Mintzer and pianist Russell Ferrante. On the wistful "Even the Pain," Butler croons a soulful ballad against a South African-inspired anthem. The ever-poised Brenda Russell graces the melancholy "Love and Paris Rain" with bewitching conviction. But it's in the instrumentals where The Yellowjackets have their finest moments. From the funky "The Evening News," which features drummer Will Kennedy and bassist Jimmy Haslip locking an air-tight groove in classic Mike Clark/Paul Jackson fashion, to the pastoral "Automat," which has Mintzer and Ferrante engaging in some Weather Report inspired telepathy, these are melodically rich compositions with burnished execution. --John Murph

From Jazziz
Nowadays, pop-jazz tends to travel only the smoothest roads, removing any cobblestones that might trip an unsuspecting listener. Subversion is hard to find. But on their 14th album, the Yellowjackets continue to show why a cobbled street is often more interesting than a smoothly paved one. Instead of lulling listeners with somnolent grooves or pounding them with over-endowed chops, the Jackets jump-start their formulas with maverick creativity.

Driven by Will Kennedy's subtle drums and Jimmy Haslip's masterful distillation of the electric-bass tradition, each track has something strong to offer. The luscious harmonies of the synth-orchestral opening on "Twilight for Nancy" come courtesy of keyboardist Russell Ferrante, who also contributes a beautifully phrased acoustic-piano solo to the tune. The long, exotic head of "Automat" weaves two melodies together over floating drums to achieve a dreamy, kaleidoscopic view. Bob Mintzer's robust tenor work makes a powerful statement on the swinging "The Evening News," whose punchy rhythms would make for a great big-band chart. And Ferrante's "The Village Church" avoids clich_d gospel trappings by mixing dark colors with sly rhythmic displacements.

The album is further distinguished by resplendent vocal turns on several tracks by Jonathan Butler, Brenda Russell, and Kurt Elling. As the latter sings on the striking closer, "All Is Quiet," "Whispers open magical doors if you let them." Listen beneath the surface, and let the Yellowjackets lead the way.

--- Larry Nai, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.


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Customer Reviews

9 Reviews
5 star:
 (6)
4 star:
 (1)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
2 of 2 people found the following review helpful:
5.0 out of 5 stars Kennedy's swan song, February 14, 2007
Though probably not my all-out favourite Yellowjackets CD, this album is very special to me for two reasons: Firstly because I happened to see the band play live while on holiday in California just after it was released in 1998 and secondly and more importantly, because it was the last album the group recorded with the phenomenal Will Kennedy on drums.

Kennedy brought something to the group that was special. The group admit themselves on their website that "Will brought a dynamic, polyrhythmic drumming technique into the band, giving Yellowjackets a unique blend of jazz, funk and African rhythms." As much as I love the group and respect each individual member's talent, that dynamic element to their sound left when he did. It hasn't been the same since.

This album is also special because it's probably their most commercially intended. It's certainly the one with the most vocal performances: one with Brenda Russell, one with Jonathan Butler and two with the wonderful Kurt Elling. (I've bought two of his CDs since hearing him here). Yellowjackets have done songs with vocals before - but four on one CD? I think this was the first and to date, the only.

The vocal songs are great though, particularly the Russell and Butler ones. So much so that I bought copies of this CD for two friends of mine who don't like jazz and they both love it. They're yet to go out seeking other Yellowjackets CDs but they love this one.

But probably not as much as I do. I love all the songs. Every single one is on point. But if I had to choose favourites, I would go for "Spirit of the West", "Stick_to_it_ive_ness", "Love and Paris Rain" (with Brenda Russell), "The Village Church" and my absolute favourite, "Twilight for Nancy". This is more than a CD to me now, it's a piece of historical treasure.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars cool!, March 21, 2000
By A Customer
I loved this album with Kurt Elling on the song"Down in New Orleans". Even though I never been there, I can feel like I'm right there swinging to the blues and enjoying the southern hospitality.Brenda Russell also was spectacular in "Love and Paris Rain". This is one of the YellowJackets best albums.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Typically brilliant! A must-have for any jazz enthusiast!, October 14, 1998
By j.a.hooper@mindspring.com (Charlottesville, VA) - See all my reviews
These guys just keep finding ways to write and perform fresh stuff that's still true to true to their traditional roots. The vocal tracks make a nice divergence from the usual instrumentals, and each vocalist performs brilliantly! Get this CD so you can wear the same smile I'm wearing right now!
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Most Recent Customer Reviews

5.0 out of 5 stars Great mixture between pop and jazz!
Club nocturne
The yellowjackats has a great jazz/pop sound. Great rythm. saxophonesolos, vocal. Really open chords on the number ten, "all is quiet". Read more
Published on March 28, 2003 by anna

5.0 out of 5 stars Classic yellowjackets music! Kurt Elling is great!
I waited a with baited breath for this Yellowjackets CD. As a fan club member, I am something of a fanatic. As usual I was thrilled! Read more
Published on February 24, 1999

4.0 out of 5 stars classic yellowjackets music! Kurt Elling is great!
I waited a with baited breath for this Yellowjackets CD. As a fan club member, I am something of a fanatic. As usual I was thrilled! Read more
Published on February 24, 1999 by Jerald Dunkley(dunkster_99@yah...

5.0 out of 5 stars Excellent vocal work
I've been a fan of the Yellowjackets for a long time and have been disappointed by other groups that have picked up vocalists in order to get more play on Adult Contemporary... Read more
Published on October 19, 1998

3.0 out of 5 stars Typical Yellowjackets but w/Vocals...
Four of the tracks have vocals which is a nice addition to the release. The other tunes are typical yellowjackets, decent solos with melodies somewhat reminicent of the past... Read more
Published on October 15, 1998

3.0 out of 5 stars Typical Yellowjackets but w/Vocals...
Four of the tracks have vocals which is a nice addition to the release. The other tunes are typical yellowjackets, decent solos with melodies reminicent of the past albums... Read more
Published on October 14, 1998

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