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900 Years - Hildegard von Bingen / Sequentia
 
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900 Years - Hildegard von Bingen / Sequentia [BOX SET]

Gregorian Chant (Composer), Elizabeth Gaver (Composer, Orchestra), Hildegard von Bingen (Composer, Artist), Cologne Sequentia Ensemble for Medieval Music (Performer), David Hart (Performer), Liane Ehlich (Performer), Benjamin Bagby (Performer), Barbara Thornton (Performer), Candace Smith (Performer), Carol Schlaikjer (Performer), Caroline Trevor (Performer), Consuelo Sanudo (Performer), Elizabeth Glen (Performer), Guillemette Laurens (Performer), Gundula Anders (Performer), Heather Knutson (Performer), Janet Youngdahl (Performer), Jill Feldman (Performer), Laurie Monahan (Performer), Lena Susanne Norin (Performer), Sequentia (Artist)
5.0 out of 5 stars See all reviews (2 customer reviews) More about this product


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Hildegard von Bingen: Canticles of Ecstasy

Hildegard von Bingen: Canticles of Ecstasy

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Product Details

  • Performer: Cologne Sequentia Ensemble for Medieval Music, David Hart, Liane Ehlich, Benjamin Bagby, Barbara Thornton, et al.
  • Orchestra: Elizabeth Gaver
  • Composer: Gregorian Chant, Elizabeth Gaver, Hildegard von Bingen
  • Audio CD (September 15, 1998)
  • Number of Discs: 8
  • Format: Box set
  • Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
  • Label: RCA
  • ASIN: B00000B9MS
  • In-Print Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #427,123 in Music (See Bestsellers in Music)

Listen to Samples

To hear a song sample, click on "Listen" by that sample. Visit our audio help page for more information.
Disc: 1
1. Instrumental Piece
2. Instrumental Piece
Disc: 2
1. Alma Redemptoris Mater, Marian Antiphon, 10,Jh.
2. Instrumental Piece
Disc: 3
1. Laus Trinitati
Disc: 4
1. Instrumental

On this CD:
  1. Ordo Virtutum, liturgical drama
    Composed by Hildegard of Bingen
    with Benjamin Bagby, Barbara Thornton, Cologne Sequentia Ensemble for Medieval Music

  2. O Jerusalem aurea civitatis, sequence to St Rupert
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  3. Quia felix pueritia, antiphon for St Rupert
    Composed by Hildegard of Bingen
    with Gundula Anders, Cologne Sequentia Ensemble for Medieval Music, Carol Schlaikjer

  4. O felix apparitio, antiphon for St Rupert
    Composed by Hildegard of Bingen
    with Heather Knutson, Elizabeth Glen, Cologne Sequentia Ensemble for Medieval Music, Consuelo Sanudo

  5. O beatissime Ruperte, antiphon for St Rupert
    Composed by Hildegard of Bingen
    with Lucia Pahn, Pamela Dellal, Barbara Thornton, Cologne Sequentia Ensemble for Medieval Music, Consuelo Sanudo, Nancy Mayer

  6. Misc. instrumental Pieces associated with Hildegard recordings Instrumental Piece
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  7. O tu illustrata, antiphon with verse
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  8. Cum erubuerint, antiphon
    Composed by Hildegard of Bingen
    with Pamela Dellal, Cologne Sequentia Ensemble for Medieval Music

  9. O frondens virga, antiphon
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music, Consuelo Sanudo

  10. O quam preciosa, response
    Composed by Hildegard of Bingen
    with Janet Youngdahl, Elizabeth Gaver, Cologne Sequentia Ensemble for Medieval Music

  11. O Ignee Spiritus, hymn
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  12. Misc. instrumental Pieces associated with Hildegard recordings Instrumental Piece
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  13. O quam magnum miraculum, antiphon
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music

  14. O vis eternitatis, response
    Composed by Hildegard of Bingen
    with Laurie Monahan, Cologne Sequentia Ensemble for Medieval Music

  15. Hodie aperuit nobis (Nunc aperuit nobis), antiphon
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music, Lena Susanne Norin

  16. Quia ergo femina, antiphon
    Composed by Hildegard of Bingen
    with Janet Youngdahl, Cologne Sequentia Ensemble for Medieval Music

  17. Cum processit, antiphon
    Composed by Hildegard of Bingen
    with Janet Youngdahl, Cologne Sequentia Ensemble for Medieval Music

  18. Work(s) Alma Redemptoris Mater, Marian Antiphon, 10,Jh.
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  19. Ave Maria, O auctrix, response
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music

  20. Spiritus sanctus vivificans vita, antiphon
    Composed by Hildegard of Bingen
    with Pamela Dellal, Cologne Sequentia Ensemble for Medieval Music

  21. O ignis spiritus Paraclitus, sequence
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music, Lena Susanne Norin

  22. Karitas habundat (Caritas abundat), antiphon
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  23. Alleluia, O virga mediatrix, alleluia antiphon
    Composed by Hildegard of Bingen
    with Laurie Monahan, Cologne Sequentia Ensemble for Medieval Music

  24. O viridissima virga, antiphon
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  25. Misc. instrumental Pieces associated with Hildegard recordings Instrumental Piece
    Composed by Hildegard of Bingen
    with Benjamin Bagby, Elisabetta de Mircovich, Elizabeth Gaver, Cologne Sequentia Ensemble for Medieval Music

  26. O pastor animarum, antiphon
    Composed by Hildegard of Bingen
    with Elizabeth Glen, Cologne Sequentia Ensemble for Medieval Music

  27. O tu suavissima, response
    Composed by Hildegard of Bingen
    with Elizabeth Gaver, Cologne Sequentia Ensemble for Medieval Music, Lena Susanne Norin

  28. O choruscans lux stellarum, antiphon
    Composed by Hildegard of Bingen
    with Barbara Thornton, Cologne Sequentia Ensemble for Medieval Music

  29. O nobilissima viriditas, response for the virgins
    Composed by Hildegard of Bingen
    with Janet Youngdahl, Gundula Anders, Elizabeth Glen, Cologne Sequentia Ensemble for Medieval Music

  30. O rubor sanguinis, antiphon for Saint Ursula & her companions
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music

  31. Favus distillans, response for Saint Ursula & her companions
    Composed by Hildegard of Bingen
    with Elizabeth Gaver, Heather Knutson, Cologne Sequentia Ensemble for Medieval Music, Joachim Kuhn

  32. Work(s) Laus Trinitati
    Composed by Hildegard of Bingen
    with Heather Knutson, Gundula Anders, Cologne Sequentia Ensemble for Medieval Music

  33. Studium divinitatis, Laudes antiphon for Saint Ursula & her Companions
    Composed by Hildegard of Bingen
    with Heather Knutson, Pamela Dellal, Elizabeth Glen, Cologne Sequentia Ensemble for Medieval Music, Carol Schlaikjer

  34. O ecclesia occuli tui, sequence for Saint Ursula & her Companions
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music

  35. Misc. instrumental Pieces associated with Hildegard recordings Intrumental Piece
    Composed by Hildegard of Bingen
    with Elizabeth Gaver, Heather Knutson, Barbara Thornton, Cologne Sequentia Ensemble for Medieval Music

  36. O eterne Deus, antiphon
    Composed by Hildegard of Bingen
    with Janet Youngdahl, Heather Knutson, Cologne Sequentia Ensemble for Medieval Music

  37. O dulcissime amator, sinfonia for the virgins
    Composed by Hildegard of Bingen
    with Janet Youngdahl, Lucia Pahn, Heather Knutson, Pamela Dellal, Elizabeth Glen, Cologne Sequentia Ensemble for Medieval Music, Consuelo Sanudo, Nancy Mayer

  38. Rex noster promptus est, response for the Holy Innocents
    Composed by Hildegard of Bingen
    with Lucia Pahn, Heather Knutson, Cologne Sequentia Ensemble for Medieval Music

  39. O cruor sanguinis, antiphon
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music, Carol Schlaikjer

  40. Cum vox sanguinis, hymn for Saint Ursula & her Companions
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music

  41. Misc. instrumental Pieces associated with Hildegard recordings Instrumental Piece
    Composed by Hildegard of Bingen
    with Elizabeth Gaver, Heather Knutson, Barbara Thornton, Cologne Sequentia Ensemble for Medieval Music

  42. O virgo ecclesia, antiphon for the dedication of a church
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music, Joachim Kuhn

  43. Nunc gaudeant materna, antiphon for the dedication of a church
    Composed by Hildegard of Bingen
    with Janet Youngdahl, Heather Knutson, Gundula Anders, Elizabeth Glen, Cologne Sequentia Ensemble for Medieval Music, Carol Schlaikjer

  44. O orzchis ecclesia, antiphon for the dedication of a church
    Composed by Hildegard of Bingen
    with Heather Knutson, Cologne Sequentia Ensemble for Medieval Music

  45. O quam mirabilis, antiphon
    Composed by Hildegard of Bingen
    with Jill Feldman

  46. O pulchrae facies, antiphon for the virgins
    Composed by Hildegard of Bingen
    with Benjamin Bagby, Margriet Tindemans, Cologne Sequentia Ensemble for Medieval Music, Sarah Cunningham

  47. O virga ac diadema, sequence
    Composed by Hildegard of Bingen
    with Barbara Thornton, Candace Smith, Cologne Sequentia Ensemble for Medieval Music

  48. Misc. instrumental Pieces associated with Hildegard recordings Instrumentalstück / Instrumental piece
    Composed by Hildegard of Bingen
    with Benjamin Bagby, Margriet Tindemans, Sarah Cunningham, David Hart

  49. O clarissima mater, response
    Composed by Hildegard of Bingen
    with Jill Feldman, Caroline Trevor, Sally Sanford, David Hart, Theresa Lister

  50. Misc. instrumental Pieces associated with Hildegard recordings Instrumentalstück / Instrumental piece
    Composed by Hildegard of Bingen
    with Benjamin Bagby, Margriet Tindemans, Sarah Cunningham, David Hart

  51. Spiritui sancto honor sit, response
    Composed by Hildegard of Bingen
    with Laurie Monahan, Benjamin Bagby, Margriet Tindemans, Cologne Sequentia Ensemble for Medieval Music, Sarah Cunningham

  52. O virtus Sapientiae, antiphon
    Composed by Hildegard of Bingen
    with Margriet Tindemans, Cologne Sequentia Ensemble for Medieval Music

  53. O lucidissima apostolorum, response for the apostles
    Composed by Hildegard of Bingen
    with Benjamin Bagby, Margriet Tindemans, Guillemette Laurens, Cologne Sequentia Ensemble for Medieval Music, Sarah Cunningham, Liane Ehlich

  54. Misc. instrumental Pieces associated with Hildegard recordings Instrumentalstück / Instrumental piece
    Composed by Hildegard of Bingen
    with Benjamin Bagby, David Hart

  55. O successores fortissimi, antiphon to the confessors
    Composed by Hildegard of Bingen
    with Margriet Tindemans, Cologne Sequentia Ensemble for Medieval Music

  56. O vos felices radices, antiphon for the patron saints & prophets
    Composed by Hildegard of Bingen
    with Margriet Tindemans, Barbara Thornton, Cologne Sequentia Ensemble for Medieval Music

  57. Misc. instrumental Pieces associated with Hildegard recordings Instrumentalstück / Instrumental piece
    Composed by Hildegard of Bingen
    with Benjamin Bagby, Margriet Tindemans, Sarah Cunningham, David Hart

  58. Vos flores rosarum, response for the martyrs
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  59. O magne pater, antiphon
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  60. O Bonifaci lux vivens, antiphon for St Boniface
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  61. O mirum admirandum, antiphon
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  62. Domini est terra (Psalm 24)
    Composed by Gregorian Chant
    with Cologne Sequentia Ensemble for Medieval Music

  63. Instrumental Piece (i) for fiddles
    Composed by Elizabeth Gaver
    with Cologne Sequentia Ensemble for Medieval Music

  64. O viriditas digiti Dei, response for St Disibod
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  65. O beata infantia, antiphon for St Disibod
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  66. Domine, Dominus noster (Psalm 8)
    Composed by Gregorian Chant
    with Cologne Sequentia Ensemble for Medieval Music

  67. O felix anima, response for St Disibod
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  68. Instrumental Piece (ii) for fiddles
    Composed by Elizabeth Gaver
    with Cologne Sequentia Ensemble for Medieval Music

  69. O presul vere civitatis, sequence for St Disibod
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  70. Columba aspexit, sequence for St Maximinus
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  71. Instrumental Piece for fiddles & harp
    Composed by Elizabeth Gaver
    with Cologne Sequentia Ensemble for Medieval Music

  72. O ecclesia occuli tui, sequence for Saint Ursula & her Companions
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  73. Spiritui sancto honor sit, response
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  74. Mathias sanctus, hymn for St Matthias
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  75. O pater omnium, sinfonia for the widows
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  76. O Euchari columba, response for St Eucharius
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music

  77. O Euchari in leta via, sequence for St Eucharius
    Composed by Hildegard of Bingen
    with Cologne Sequentia Ensemble for Medieval Music


Editorial Reviews

Amazon.com's Best of 1998
For all the effort put behind the Hildegard von Bingen revival in the past decade, no one has been as persistent as Sequentia. They capped their Hildegard cycles in 1998 with the two-CD set Saints and then this eight-CD collection. Nowhere else can you get such a focused study, showing exemplary growth in vision and polyphonic presentation. The music isn't flashy, but it's inventive in methodical steps and an abiding sense of vocal textures that sounds multidimensionally complex and still categorically engrossing. --Andrew Bartlett

Amazon.com
Founded in 1977 in Cologne by Barbara Thornton and Benjamin Bagby, Sequentia set out in the early 1990s to document the entire catalog of Hildegard Von Bingen's music. They've completed the Hildegard cycle, and this eight-CD box collects the results in a solid, handsome cube--perfect for the bookshelf. The beauty of the music is undeniable and has wowed listeners since Canticles of Ecstasy set an international community of listeners on a path of discovery in 1994. The big bonus now is that you can skip over the periods of wowed seduction that will follow the inaugural listen, and take in the entire collection of single- and double-CD issues Sequentia has devoted to Hildegard's music. The recordings (and obviously the repertoire) are not particularly new, of course, but Sequentia has taken Hildegard to places no previous interpreter reached. Firstly, the group has been absolutely methodical with Hildegard, reaching always for the goal of a large collection of CDs by the 900-year anniversary of the composer's birth. Second, they've refined and perfected their take on Hildegard since first presenting this music almost 20 years ago. They've found smoother lines of execution--not to make the music in any way easier for listeners but rather in better proportion to Hildegard's philosophically well-proportioned vantage on music, spirituality, and life. Thus we have the collection of spiritual songs, Symphoniae, which relay earthly and celestial being to the polyphony of multiple voices and musical threads woven into the songs. We also have the breathlessly beautiful two CDs of Ordo Virtutum, a not-uncommon near-operatic corollary to medieval morality plays. This collection allows both newbies and committed fans the opportunity to work their way through hours and hours of musical bliss. --Andrew Bartlett

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Customer Reviews

2 Reviews
5 star:
 (2)
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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
27 of 28 people found the following review helpful:
5.0 out of 5 stars A Collection to Treasure, August 15, 2000
By Tome Raider (California, United States) - See all my reviews
  
When my daughter was born about a year ago I initiated the project of collecting some of the "better music" for her, fearing that if she was only exposed to my preferred music she'd end up being a bass player in a biker band someday. I started with the Mozart piano concertos, then went to lots of Bach and other Baroque masterpieces, even ventured into some Wendy Carlos, with her "Turned On Bach." I cringe to think how much I've spent in the last year, although I must say that the investment has been worth every penny. We actually have neighbors occasionally knocking on our door wanting to know what the music is which we are playing. It seems there is an untapped market for higher music. Well, suffice it to say that I was linked to this "900 Years" set from some other CD which I was contemplating and for some reason I was tantilized, without really knowing exactly what to expect.

This music is divine, total heaven on plastic. It is prolonged euphoria. The ambience is so pervasive that it just seizes you, totally centers your focus, lifts your imagination. Without degenerating into too many additional cliches, let me just suggest that this music gives me a tremendous sense of well-being, a feeling which seems to be more elusive to me as the years go by.

I've only played it through two times in the past month since I received it, as it is quite lengthy and I don't want to desensitize myself to it. I listen to it in the morning when I'm first waking up. It brings me blissfully out of the twilight of my dreams into the vast possibilities for a new day. If one doesn't listen closely a superficial criticism may emerge that the CD's all sound similar. Play them again when you can focus more on the music and this concern will disappear. I will mention as well that if you don't have a one year old running your household, as I do, this music will be absolutely perfect for you and your favored one to listen to in front of the fireplace.

I don't have a sufficient command of the lexicon of this type of music to properly describe it to you: what comes to mind are floating feminine voices, clear resonant stringed instruments, it does indeed seems like the music of a thousand years ago, a thousand years from now. This is the music of eternity. I haven't yet read the substantive brochures which are enclosed respectively in each of the "jewel" cases, I'm afraid they may alter my interpretation of the music. If you're into that type of thing, however, I will mention that this is the best "packaged" box set I've yet purchased (of probably around 100). Each CD box has an outrageously beautiful piece of medieval art on it which perfectly compliments the music.

My daughter? She likes it, even she seems meditative when it plays. I envision it activating all types of neurological pathways in her adorable little head. I shall concede, however, that she is still cuter when she is dancing playfully to Metallica.

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13 of 13 people found the following review helpful:
5.0 out of 5 stars Ecstasy!, April 27, 2001
By Rachel Tortolini (Hilo, HI USA) - See all my reviews
This is a wonderful collection of CDs. The early music includes plain song, male and female chant, and instrumental pieces. The package is gorgeous with Bizantine fresco art work on each jewel case. For those contemplating purchase, the group is composed of previous releases: Canticles of Estacy, Voice of Blood, O Jerusalem, Symphoniae, Ordo Virtutum, and Saints. These total $117.28 if you buy them individually so there is a real savings here. Those who are new to early music are in for a treat. This is music so old it is new, and as has been said, could be music of 900 years into the future. It is so other worldly, you are easily put into a meditative state. There is enough music here to fill your whole day with ecstasy.
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