Beethoven: The Violin Sonatas [BOX SET] [ENHANCED]

Ludwig van Beethoven (Composer), Lambert Orkis (Performer), Anne-Sophie Mutter (Performer)

Product Details

• Performer: Lambert Orkis, Anne-Sophie Mutter
• Composer: Ludwig van Beethoven
• Audio CD (November 24, 1998)
• SPARS Code: DDD
• Number of Discs: 4
• Format: Box set, Enhanced
• Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
• Label: Deutsche Grammophon
• ASIN: B00000DI22
• In-Print Editions: MP3 Download
• Average Customer Review: 3.7 out of 5 stars  See all reviews (29 customer reviews)
• Amazon.com Sales Rank: #94,857 in Music (See Bestsellers in Music)

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Editorial Reviews

Amazon.com essential recording

This complete cycle of Beethoven violin sonatas was recorded during a series of live performances in 1998. Mutter devoted the entire year, together with her partner, Lambert Orkis, to an extensive global tour focused on these works, and the accounts are infused with a sense of cross-connection, expressive freedom, and depth of insight acquired from such prolonged concentration. It shows Mutter in full maturity, commanding the artistic confidence to take risks and imprint her intensely personal signature. Mutter's characteristically sumptuous, caressing tone tends to be overstated for Beethoven's heartily playful turns and mercurial humor in the fast movements of the Op. 12 group, but the luminous beauty with which she phrases the Adagio of the third sonata is just one of many passages (consider, for example, Sonata No. 8's slow movement, as well) of sustained, heart-stopping poetry on this set.

The famous "Spring" Sonata gains an added dimension in the context of the passionately engaged performance of its preceding companion/counterpart predecessor (the Fourth Sonata in A Minor). There's a full partnership between violin and piano (too often missing in accounts of these works) that allows Mutter and Orkis to play off each other with full-blooded spontaneity, perhaps at its most engrossing in the boldly searching scope of their "Kreutzer" Sonata, which stands in wonderful contrast to the intimate loftiness of the final sonata in G--Mutter's own favorite. Throughout the set, Mutter couples her probing intelligence with nuanced phrasing, incisive rhythms, and expressive gestures (notice the tender turn she gives to the all-important trill that opens the last sonata) to bore into the music, unearthing many buried treasures. The discs also include a handful of encores as bonbons and are encoded with CD-plus software so that listeners can follow the scores of four of the sonatas. --Thomas May

USA Today

Most of [Mutter's] tempo modulations and sharply characterized phrasing are utterly convincing. Even when she's not convincing, one applauds her adventurousness and imagination, which easily eclipse Gidon Kremer's reputedly iconoclastic recordings of these works.

Customer Reviews

Most Helpful Customer Reviews

50 of 56 people found the following review helpful:

5.0 out of 5 stars Not for everyone, but I love it, March 5, 2000

By	D. Nathan Rice "Witpicker" (Tempe, Arizona) - See all my reviews

For those of you who enjoy listening to Beethoven on period instruments (shudder), this is not the recording for you. Nor is it a good recording for those who like things buttoned down, straightforward, steady, restrained, and unemotional.

However, if you truly enjoy Beethoven and don't mind hearing new things, this recording is a must-buy. Mutter and Orkis bring a whole new perspective to the sonatas. Their wild tempi and dynamics are a little scary at first, but you'll soon fall in love with the powerful and lyrical interpretation of these sonatas and wonder what you did before you owned this wonderful collection.

Close attention was paid to the score: every one of Mutter's dynamic, phrasing, and articulation choices is supported by the music. This recording does not go against Beethoven, as some have said on this website, but actually bring's Beethoven's markings to the forefront.

The sound of the duo is just fantastic. No doubt this is the most romantic interpretation you'll ever hear. But that is not necessarily a bad thing. The living, breathing, luscious sound that Mutter brings to these sonatas is just unforgettable.

In my opinion, this is one recording you can simply can't do without.

45 of 51 people found the following review helpful:

5.0 out of 5 stars I don't understand the negative reactions..., October 9, 2000

By	John Grabowski (USA) - See all my reviews (TOP 500 REVIEWER)

I'm perplexed really. People here are complaining about how these two aren't strictly following the score, how they interpret freely. They do indeed, make no mistake about it. This is not the place for "textbook Beethoven." But when you already have dozens of such performances, what's the point? To put it another way, when the likes of Mengelberg, Furtwangler, Hefeitz and Bernstein did the same thing, back in the "golden age of classical music," they are lauded for their "interpretive insights," their "going beyond the score," their abhorrence of "pedanticism," their "urgent communicative qualities." We then bemoan the fact that "they just don't play music this way anymore, remember the good old days?" etc., etc. On these poseurs I would try an experiment: I would like to reprocess *these* recordings, taking away bass and treble, overmodulating, and adding surface scratch. Then I'd slap a black-and-white "historic-looking" cover on the CD set and say these are heretofore-undiscovered recordings from long ago. I'll bet you'd see five star ratings down this page. There is so much poetry in these readings it boggles the mind. Even what in the hands of others are commonplace phrases are treated to maximum expressive effect here. Mutter is a colorist like no one else playing today that I have heard. She has matured into possibly the most intelligent violinist performing right now. There's technique to burn, but it's never just for show (for a real roller coaster ride, hear her recording of the Berg Concerto on this label with James Levine). Rather than be relegated into the background, as one partner sometimes is in these works, Orkis is subtly her equal. The two of them interact almost telepathically at times. Together they extract some very deep meaning from these works we've all heard dozens of times. Most of the recordings are live, but the audience is quiet as church mice. DG's sound is crystal clear and ravishing in its beauty. This is a set for the ages, and while it may not be the *only* way I'd want to hear these works performed ever, it is no more "blasphemous" to the score than interpretations by many a virtuoso from past generations--the type of musicians classical aficionados are always complaining we don't have today.

8 of 8 people found the following review helpful:

4.0 out of 5 stars Gorgeous playing - highly recommended, August 8, 2002

By A Customer

Amazon Verified Purchase

Anne-Sophie Mutter and Lambert Orkis make gorgeous music. These four discs offer wonderful insight, passion and the sheer beauty of a Stradivarius played with stunning results by one of the violin's greatest living exponents. The accompanying Pluscore feature is fascinating: with four of the sonatas, listeners can follow the score while the music is performed, or practice it. There is also critical material accessible by computer, and photographs of the performers, of Beethoven, and of some of his contemporaries. I must admit I am still struggling with the interpretation of the Kreutzer (#9), which I found problematic. It lacks the spirit and vitality of the Francescatti/Casadesus version - my favorite - and seems so heavily mannered as to be ponderous at times. The other sonatas, however, are rendered with real beauty and a sheen derived from excellent sound and technique. The set is highly recommended.