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9 of 10 people found the following review helpful:
5.0 out of 5 stars
Intelligence Personified, June 7, 2001
'The Falcon and the Snowman' was, frankly, a so-so film, but it was the inspiration for this gorgeous soundtrack. I have the movie on DVD, and although the sound is crystal clear, it's unfortunately in mono. The movie featured songs by many other artists -- such as Free's 'All Right Now' and the Doobie Brothers' 'China Grove' -- but this album focuses entirely on music performed and arranged by Metheny and Mays. My copy of the CD simply uses a photo-reduction of the original LP sleeve, so the text is virtually unreadable. But reading through the end credits on the DVD, the band personnel are Metheny, Mays, Rodby and Wertico. There's no mention of another singing percussionist -- neither Aznar nor Vasconcelos are acknowledged to be on this album, although the chanting on 'The Falcon' sounds identical to Pedro's voice.The album is a gem, although there are basically just two constantly recurring themes: the sublime 'Daulton Lee' and the chart-destined 'Chris'/'This is not America'. Track #6, 'The Extent of the Lie', is another Metheny/Mays soundscape, of the type first tried out on the 'As Falls Wichita' album. I remember seeing Metheny in interview at the time of the making of this soundtrack -- it was all recorded in England -- and this was at a time when Metheny and Mays were effectively the unofficial sales arm of New England Digital. Metheny gave a superbly modest demonstration of the synclavier, using a keyboard rather than a guitar as the input vehicle. It was fascinating to see the sheet music automatically generated from his doodlings. Sounds simple now, but back in 1985 this was impressive! The film features my ideal intelligence job: you lock yourself away where no-one can reach you, and you observe many of the top-secret activities going on around the globe. If only it were better paid! Ultimately this soundtrack is better than the movie, and I still think it's the best soundtrack the PMG has recorded. I cannot help feeling that Metheny and Mays have at least a couple more monster soundtracks within them, if only they could work together on the project.
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