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Frank Thomas and Ollie Johnston are two of the world's most beloved artists. If you don't recognize their names, then you are certainly familiar with some of their masterworks:
Pinocchio,
Bambi, and
The Jungle Book. Notes one animation historian in this captivating documentary, "I've never gone any place on this earth that [people] didn't know or talk about specifically scenes that Frank and Ollie did."
Thomas and Johnston are the most prominent of Disney's vaunted group of key animators known as the "Nine Old Men." They have collaborated on books about Disney animation and in interviews are engaging storytellers. Their delightful and illuminating anecdotes spanning their 43-year tenure at Disney, as well as classic film clips, take viewers behind the scenes to see how some of the studio's most beloved characters (such as Thumper and Mowgli) and most indelible scenes (Lady and the Tramp's back-alley spaghetti dinner, Bambi on the ice) were created.
Though they joke about being known as "the men who killed Bambi's mother," Thomas and Johnston are credited with changing not only the face, but the soul of animation. They pioneered what is called personality animation. According to Thomas, "Ollie had a sign above his desk: 'What is the character thinking and why does he feel that way?'"
But at the heart of Frank & Ollie is the lifelong friendship between these kindred spirits. Not only were they professional colleagues, they became next-door neighbors as well.
If you're an animation buff or a Disney fan, then you will want to spend some quality time with Frank & Ollie. --Donald Liebenson
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Frank and Ollie is a highly controlled glimpse at a unique friendship. Frank Thomas and Ollie Johnston, two of Walt Disney's famous Nine Old Men original animators, are such naturals on camera, they'll put a smile on any audience member. The two met at the Stanford Art School in 1931. Sixty years later the next-door neighbors are so close they meet when taking out the garbage. They have seldom been farther apart. Director, writer, and coproducer Theodore Thomas (Frank's son) is at his best when his film is at its simplest. When Frank and Ollie are at a desk talking to the unseen narrator, it's magical. The two are so in tune they unselfishly finish each other's sentences.
Frank and Ollie is basically a handsomely produced home movie. Nary a negative remark is heard, a procedure challenged, a spark of unpredictability captured. The early scene of Ollie and Frank "accidentally" meeting at the garbage cans is embarrassingly contrived. Yet these aged animators win the audience over. Who cares if the documentary is rehearsed? Anyone who grew up with Disney animation (who hasn't?) will revel in the tidbits Frank and Ollie reveal, including Thumper's origin in Bambi and the ending of The Jungle Book (the film's funniest and most spontaneous bit). --Doug Thomas