Most Helpful Customer Reviews
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31 of 38 people found the following review helpful:
2.0 out of 5 stars
Shows fans are starving for Kate Bush recognition, July 17, 2001
I am a big fan of Kate Bush. I have collected all of her music, including her cameo appearances on other groups; yet I cannot agree with the other reviewers regarding this CD.The only good thing about this album is that most of the artists did indeed attempt to render original, different versions of Kate Bush's wonderful songs. However, I find their talent a little limited. Listening to this album made me a little sad, as it made me wish that a real tribute album to Kate Bush were released, with versions by artists such as Peter Gabriel, The Cure, Depeche Mode, Morrissey, Annie Lennox, Phil Collins, Tori Amos, etc... The fact that this album was highly rated by other reviewers shows how desperate fans are for more recognition of the talent, uniqueness, and influential nature of Kate Bush's music (especially on some rather popular female artists that followed her).
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10 of 11 people found the following review helpful:
5.0 out of 5 stars
What a fine idea..., March 22, 2001
By A Customer
This is, to my knowledge, the only tribute record to the legendary Kate Bush and it showcases the talents of such luminaries as the Aluminum Group and Syd Straw. It also includes wonderful versions of Kate classics done by many of Chicago's up and comers circa 1998. Highlights include Justin Roberts' laid back melancholy on "You're the One" (a great reincarnation of one of my least favorite songs in the Kate Bush catalogue), The J Davis Trio's trip-hop take on "There Goes a Tenner" and Victoria Storm's arcing vocals against The Blue Turtle Tea Party's piano and string backdrop on "The Kick Inside". But, the prime performance in this stellar set belongs to The Moviegoers' Liam Davis (now of Chicago popsters Frisbie) whose gripping vocal on "Hounds of Love" truly rivals even Bush's own virtuosity on the original. This track will be in my headphones at the gym for years to come.Tribute records often are either, at best, littered with boring redundancies, and at worst presented as some nihilistic, backhanded compliment that reduces a great artist's work into a publicity stunt. This was my fear when I heard "I Wanna Be Kate" for the first time (especially since many of these artists are more or less unknown outside of Chicago). However, producer Thomas Dunning does a deft job of not only keeping the performances high but, presenting his labor of love in an uncloying fashion. Buy this, you won't be disappointed. Henri Porter
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8 of 9 people found the following review helpful:
4.0 out of 5 stars
A long time coming, March 15, 2001
I got this album from the label a while back, and when it arrived I unplugged the phone, went in my room and listened to it start to finish.Starting with the sweet, fairly straightforward rendition of "L'Amour Looks Something Like You" by the Aluminum Group, I was in heaven. After all, the only Kate cover I'd ever heard was Pat Benatar's tinny and over-produced version of "Wuthering Heights." Susan Voelz (formerly?) of Poi Dog Pondering performed lushly in the James Joyce-inspired "The Sensual World," and the Moviegoer's take on "The Hounds of Love" lifted my floodgates, caught my breath and made me want to write a screenplay just to feature the song in the soundtrack. I love Syd Straw, and her simple rendition of "Then Man with the Child in His Eyes" showcased her uniquely plaintive voice. J Davis Trio's laid-back-coolio hip-hop "There Goes a Tenner" was the first song on the album to really explore the variation-on-a-theme possibilities inherent in the tribute genre. Without going song by song, here's a rundown on the rest: "Coffee Homeground" is creepily interpreted by Mouse with the Lionheart-era theatricality intact; The Baltimores do a sort of nouveau-punk reduction of "Running Up That Hill" -- I was initially put off by it, but grew to love its tweakiness; "Love and Anger" builds on the elation of the original version by adding raw touches; and Thomas Negovan uses a string ensemble to make "And Dream of Sheep" into a heart-rending, Neil Diamond-esque dreampiece. Finish with a B-side cover, "Not This Time" (arguably better than the original), and you've got an amazing collection of lovingly interpreted favorites. I can only hope that this will inspire others to look at other Kate Bush songs with an eye to covering them. And please, Kate, if you're out there, please give us something new soon, even just a snack. --gaw
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