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10 of 12 people found the following review helpful:
5.0 out of 5 stars
Not his best but still damned good, April 28, 2004
I would have to say Al's best album is his first, self-titled one (although despite all its bashing "Polka Party" must be high simply because it includes "Living With a Hernia," easily his greatest achievement), but this is not bad at all. I have yet to hear a Weird Al album that rates lower than five stars, and this album, despite having a couple low points, would be top rated if all it had on it was "(This Song's Just) Six Words Long." Here's a breakdown of the songs:Fat--What can be said? This is not as good as "Eat It," but has the distinction of being the only song that can claim to be the "second by the same artist that Al has covered." To date, he has yet to send up anyone other than Michael Jackson on more than one song. Rather surprising, considering the plethora of parodiable songs over the years. Stuck In A Closet With Vanna White--This is way to long, and could be lost without significant loss to the album as a whole. Typical surrealism for an Al original. (This Song's Just) Six Words Long--Absolutely died laughing the first time I heard this. It is a dead-on slap in the face of the Quiet Beatle, and the lyrics are not much more inane than the original they cover...in fact, they sound like the thoughts that must have been running through the writer's head when he penned it. You Make Me--This gets even weirder than the second song, and sets the stage for all the originals on the album with its insane lyrics and hyperactive pace. I Think I'm A Clone Now--I've never heard the original this satirizes but what would be the point? Like "Like a Surgeon," there is no way the original could be as good (I've often found this to be the case with Al). Lasagna--Parody of "Labamba," which was stupid in and of itself, but it's good to hear the accordian again. Melanie--This song could have been so much better, with an average of one funny line in an entire four-line section and a very drawn-out ending. For my money, the best Weird Al song about unrequited/lost love is "You Don't Love Me Anymore," which piles on the insanity and also keeps a straight face with much better results than this one. Look upon this as practice. Alimony--Hands down one of his best parodies, a perfect slap at whiny divorced women who take their exes to the cleaners in such a way. Okay, not always the case, but its still a funny song; lighten up, will ya? Velvet Elvis--I could have sworn this was a Police rip-off, but now I see it's just "in their style." Anyway, it isn't very good, and when I burned this CD for myself I left it (and the next song) off. Twister--I told you, I left it off. The Good Old Days--People should know by now that Al's sense of humor is very sick when he lets it be. Bashing a nice guy's head in is typical, and while it is not his best "sick" song ("Christmas at Ground Zero" has to take that prize) it is still quite funny. Face it, folks, death and physical pain are really funny in the proper context (Mel Brooks once said "Tragedy is when I cut my finger; comedy is when YOU walk into an open sewer and die"), and Al has the ability to capture that. Sometimes even physical pain on one's self can be hilarious, believe me, but better when it's someone else. In any case, a dose of sick humor to close out an album is good for the soul. Buy this album, but don't get mad if every song after the third one sounds grossly substandard by comparison (he must have put "Fat" first so it wouldn't encounter that fate).
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