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9 of 10 people found the following review helpful:
1.0 out of 5 stars
An insult to its source material, June 16, 2000
This film is a remake of the 1962 horror classic of the same name. The 1962 original was atmospheric, darkly poetic, haunting; its story a subtle balance between two alternate interpretations.This is none of those. This remake is a clunky mess, arbitrarily meandering through pointless scenes and aimless "monsters" lifted from JACOB'S LADDER. Aside from the monsters, a line, too, is lifted from JACOB'S LADDER. The one about demons and angels. This makes *some* sense, as both the original CARNIVAL OF SOULS and JACOB'S LADDER are inspired by Bierce's "Occurance at Owl Creek Bridge." The 1962 film had a beginning, a middle, and a twist ending. This 1998 remake has numerous beginnings, middles, and ends. Scenes switch back and forth as the lead character keeps "waking up" to indicate that all that went on before was a dream. If not for the rough road map provided by the original film, we'd have an even murkier idea of what's going on. Basically, a woman drives into the river, and at times seems to have escaped, at times is just now escaping, at times appears never to have driven into the river at all... Not clever, just confused and confusing. The original film's cool lead actress portrayed a young woman afraid of life, who "hadn't really lived." It was subtle, yet the point was made. In this new version, the character helpfully tells the audience that she "hasn't lived," in case we don't "get it." The pedophilia "update" to the original film's storyline doesn't add anything. This 1998 film's lead actress, Bobbie Phillips, guest-starred as the "bug woman" in THE X-FILES.
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