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Sax Dreams
 
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Sax Dreams

Amadee Castenell
5.0 out of 5 stars See all reviews (2 customer reviews) More about this product


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Product Details

  • Audio CD (April 6, 1999)
  • Original Release Date: April 6, 1999
  • Number of Discs: 1
  • Label: Nyno
  • ASIN: B00000IJH0
  • In-Print Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #423,189 in Music (See Bestsellers in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
listen  1. Night Vision 6:26$0.89 Buy Track
listen  2. I Wouldn't Mind 5:27$0.89 Buy Track
listen  3. If I 3:39$0.89 Buy Track
listen  4. Would You Be My Sweetie 4:16$0.89 Buy Track
listen  5. Raggedy Funk 3:56$0.89 Buy Track
listen  6. Catch Me 4:26$0.89 Buy Track
listen  7. No Clue 5:44$0.89 Buy Track
listen  8. Fish 4:34$0.89 Buy Track
listen  9. Mojo Mama 3:50$0.89 Buy Track
listen10. Mumbo Gumbo 5:22$0.89 Buy Track


Editorial Reviews

From Jazziz
Though this blistering tenor saxman is best known for his lengthy stint playing with the legendary Allen Toussaint Orchestra down New Orleans way, only a few tracks here feel distinctly bayou. But how gloriously bluesy they are. "I Wouldn't Mind," written by Toussaint, rolls along like a Dr. John instrumental, with Castenell's low toned, seductive melody gliding over Steve Goudeau's punchy steel-guitar harmony. "Mumbo Gumbo" is a playful free-for-all jam. It features honking sax, bubbling B-3, and fiery electric-guitar riffs over a jittery, bass-driven funk groove. "No Clue" centers around a slow, drawling conversation between Castenell's dreamy cool and a distant, distorted steel-guitar response. The rest of the time, Castenell - who varies his tenor approach from the lighthearted, soulful style of Richard Elliot to the romantic sizzle of Gato Barbieri - plays things closer to the smooth-jazz vest, simmering tenderly over easy, bouncing, mid-tempo grooves. On occasion, he'll jump out with a percussive high squeal in the middle of one of these tunes ("Night Vision," for instance) just to see if we're paying attention. Toussaint proves to be a great producer for his protege. His multi-faceted keyboard contributions are typified by the jumpy "Catch Me," where his synth strings embrace Castenell's hypnotic improvisations before giving way to a spirited piano solo. As strong as Castenell's playing is, it's a shame he didn't put even more of a regional stamp on this recording.

--- JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.


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Customer Reviews

2 Reviews
5 star:
 (2)
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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
2 of 2 people found the following review helpful:
5.0 out of 5 stars Can't get it out of my head!, June 11, 1999
By A Customer
Why isn't this guy a big star? This is the second great album from Amadee Castenell, who can, one minute, play it funky, like on "Mumbo Gumbo" or "Raggedy Funk", and the next minute, smooth-jazz it with the best of them, like on "Night Vision" or "Would You Be My Sweetie". The supporting musicians give him strong support on every cut here and producer Allen Toussaint keeps everything cooking (or percolating, as the case may be), as well as contributing a number of catchy melodies that keep rattling through my head.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Taste, syle, tone, soul - this CD has it all, May 25, 1999
By Joseph Grossman (Philadelphia, PA) - See all my reviews
Amadee Castenell is a New Orleans sax player with a great sound. Listen to the sweet tone and feel of "Would You Be My Sweetie," then the funk and groove of "Mumbo Gumbo," for a taste of his range and style. "Style" is a good way to describe this CD, produced by Allen Toussaint (who knows a little about style himself). This is a great album by a guy who is destined to be a star - grab it now, so you can brag to your friends about having found him before the rest of world did.
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