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Like its late-'90s spiritual soulmate
Rushmore, director Alexander Payne's
Election is a sharp, mature comedy of morals and character in high-school drag, pitting obsessive overachiever and student-body candidate Tracy Flick (Reese Witherspoon) against a multifrustrated teacher's (Matthew Broderick) best efforts to stop her. And like
Rushmore, its smart, eclectic soundtrack eschews the tyranny of Top Fortydom for an eclectic mix of modern pop and a few suitably ironic chart chestnuts (
Donovan's hippy-dippy "Jennifer Juniper"; the
Commodores' "Three Times a Lady") that gratifyingly becomes an integral part of the film's ethos rather than a tacked-on marketing clause. Late-'90s pop of the jangly school (Taxiride's raga-rock inflected "Get Set," Hurricane #1's "Rising Sign") mixes with subtle, country nods (
Mandy Barnett's "If You'll Be the Teacher," "Drown in Small Cowgirl Boots" by
Jolene) and retro touches (
The Damnations TX's "Born to Be with You," Patience & Prudence's chirpy faux-'50s "Gonna Get Along Without Ya Now") to create a witty and effective musical backdrop to the backstabbing political metaphors. Rolfe Kent's equally piquant orchestral score, dominated by Randy Newman-esque string and woodwind arrangements that are by turns playful and longing, is represented by a concise suite of cues.
--Jerry McCulley