Maiden Voyage [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]

Herbie Hancock

Product Details

• Audio CD (April 20, 1999)
• Original Release Date: May 1965
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Blue Note Records
• ASIN: B00000IL29
• In-Print Editions: MP3 Download
• Average Customer Review: 4.9 out of 5 stars See all reviews (35 customer reviews)
• Amazon.com Sales Rank: #6,774 in Music (See Bestsellers in Music)

  Popular in these categories: (What's this?)

  #1 in	Music > Indie Music > Jazz > Jazz Fusion
  #3 in	Music > Indie Music > Jazz > Modern Post Bop
  #8 in	Music > Indie Music > R&B

• This item is part of The RVG Edition Series.

Editorial Reviews

Amazon.com essential recording
In the mid-'60s, a distinctive postbop style evolved among the younger musicians associated with Blue Note, a new synthesis that managed to blend the cool spaciousness of Miles Davis's modal period, some of the fire of Art Blakey's Jazz Messengers, and touches of the avant-garde's group interaction. Maiden Voyage is a masterpiece of the school, with Hancock's enduring compositions like "Maiden Voyage" and "Dolphin Dance" mingling creative tension and calm repose with strong melodies and airy, suspended harmonies that give form to his evocative sea imagery. Trumpeter Freddie Hubbard was at a creative peak, stretching his extraordinary technique to the limits in search of a Coltrane-like fluency on the heated "Eye of the Storm," while the underrated tenor saxophonist George Coleman adds a developed lyricism to the session. --Stuart Broomer

Customer Reviews

Most Helpful Customer Reviews

43 of 46 people found the following review helpful:

5.0 out of 5 stars A classic from the early 60's, April 10, 2003

By	R. J. Marsella (California) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This collection with Herbie Hancock fronting a group consisting of the rhythm section of Miles Davis' second quintet; the always amazing Tony Williams and Ron Carter; is an absolute classic from the period. Freddie Hubbard is at times astonishing in his soloing. George Coleman who also did a brief stint with Davis rounds out the group on tenor. While not one of my favorite tenor players overall he does some of his best recorded work on this. Hancock established himself as a composer of jazz standards with Maiden Voyage. His playing on this is comparable to another classic of the period Miles Smiles. Maiden Voyage ,Miles Smiles and Wayne Shorter's Speak No Evil are the epitome of where modal jazz was headed in the 60's under the influence of Miles Davis. These fabulous musicians were making history again and again.

23 of 23 people found the following review helpful:

5.0 out of 5 stars Huge, elegant, poised, June 3, 2001

By	"vinylcootie" (Brighton, UK) - See all my reviews

The players on Maiden Voyage are essentially those of the Miles Davis band - but how different from Miles' records it sounds and feels! In 1965, Herbie Hancock's leadership and vision were rapidly taking shape.

This album placed Hancock firmly in the company of the great jazz musicians. He had proved his mettle as an innovative and individual pianist on such excellent records as Wayne Shorter's Speak No Evil (Blue Note, 1964) and Miles' E.S.P. (Columbia, 1965), both recorded only months before. Now he led a group he knew intimately, and wrote enduring pieces for the date that were to become admired for decades to come.

The title track sets the tone for the whole record: subtle, measured, contemplative. It's the first solo opportunity for the perpetually underrated George Coleman, who displays virtuosity without arrogance, elegance without contrivance, depth of feeling without sentimentality.

Impeccably orchestrated pieces like "Little One" and the closing "Dolphin Dance" establish Herbie Hancock as the complete musician: inimitable pianist, creative composer, charismatic leader, supreme stylist.

20 of 21 people found the following review helpful:

5.0 out of 5 stars some of Hancock's best work is on this album, August 28, 2000

By	Ravi Desai "Ravi" (India) - See all my reviews

This is probably the best album Hancock released during his years with Blue Note Records. Hancock had been playing with Miles Davis' Group at the time and the influence comes through on this album with Hancock being more experimental than before. While this did not contain any hit tracks such as "Cantaloupe Island" or "Watermelon Man" it is a classic album that captures Hancock at his finest as a leader, soloist and composer. One of Hancock's finest recordings. rated 5 stars by the All music guide to jazz. also awarded the symbol of merit by the Penguin Guide to jazz. This is essential in every jazz collection, inventive and challenging enough for the long time jazz collector but light and enjoyable for a new fan.