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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Here we go on a ride..., March 17, 2001
The tracklisting on my album is slightly different from this one but it's the closest I can find - mine doesn't have "Spaced Invader" or "Check The Skillz" but has "Breaker Beats Part 2". That said, those two tracks would make the album rate above 5 stars (I've heard them both and have them as MP3s).I first heard the Freestylers by way of their amazing single "B Boy Stance". Having heard "Ruffneck" and "Here We Go" in the weeks after, I had to get the album. This is definitely not the sort of album to be enjoyed by yourself in your room - best setting for this would be in a club or at a huge party (I say this because the night before writing this I played "Ruffneck" at a friend's party and the joint went off). A lot of people who I've recommended this album to have declared that they aren't much for techno/rap/breakdancing or whatever else - and yet after hearing "B Boy Stance" or "Ruffneck" they're usually trying to work out where they can pick up a copy. That's what this CD will do to you. It isn't so much rapping in the vocals as it is that marvellously unintelligible dancehall that is almost everywhere these days. Tenor Fly and Navigator contribute two tracks each of top notch toasting (Tenor Fly excelling himself everywhere and Navigator delivering his better performance on "Ruffneck"). Definition Of Sound - a little-known hip-hop group perform on "Here We Go", a track which effortlessly recreates the spontaneity and tag-team freestyling of the early hip-hop culture. There are also a good deal of instrumental cuts on the album as well - they don't rate as highly with me because they lack the adrenaline of the vocal cuts (especially the dancehall ones), however, in the right setting (again, a party or club is the way to go) they would be well worthwhile. The real downside to this album is the over-long "We Rock Hard" with Soul Sonic Force. I'd heard a lot of things about these old-school rappers and expected a decent piece from them. Unfortunately, the track is about twice as long as it needs to be (the second half is a repeat of the first half) with the most inane vocals I've heard in a long time - vocals which are so far separate from rap as to make the listener who is unaware of Soul Sonic's background question what they were. Overall, an incredibly strong album - required listening for breakdance/hip-hop fans and recommended for anyone who enjoys good funky breaks and great rapping.
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