Most Helpful Customer Reviews
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24 of 24 people found the following review helpful:
5.0 out of 5 stars
The Essence of Cool, August 22, 2005
This groundbreaking soundtrack to a show that defined what "cool" was changed the face of television forever. There have been some great TV themes over the past few decades, but this evocative Mancini score set the bar before the bar even existed.
Some excellent liner notes relate the story all Peter Gunn and Mancini fans know well. Henry Mancini had been kicking around Universal for six years. Most of his years there were a study in obscurity, the one exception being his scoring of "Touch of Evil" for Orson Welles. So the studio gave him his two week walking papers. Mancini, being Mancini, decided on one of his last days there to get a free haircut at the studio barber shop. He and the guy next to him got to chatting and hit it off. They had a lot in common. So that newly promoted director, Blake Edwards, says to Mancini, "Hey, how would you like to do this television show for me? It's called "Peter Gunn."
What followed was decades of film magic, and a collaboration that was the stuff dreams, and great films, were made of. Mancini's West Coast Jazz score for Peter Gunn was his defining moment. It is a masterpiece of mood and atmosphere and its orchestral jazz score would have an impact for decades to come. When listening to this, you feel like Peter Gunn. From the famous opening salvo of music, Peter Gunn, both the show and Mancini's score, were, and still are, the essence of cool.
You get sixteen wonderful tracks on this double Grammy winner as you cruise along with the hip detective, the sounds of the most innovative score ever written for television in the background.
Sometimes we're walking in a room and smell the cordite still fresh and lingering, and we better be careful (Fallout).
Other times we're just hanging out with an old pal, trying to figure a way out of this jam (Session at Pete's Pad).
Sometimes we're headed to our favorite jazz club, "Mother's," for a night out with our girlfriend Edie (The Brothers Go to Mother's).
There are also those times, late at night, when things are all wrapped up, and Mother herself hands us the keys so we and Edie can make a little time for romance (Dreamsville).
Mancini would make a career out of ambiance, and Peter Gunn was the impetus for all that was to come. This is an absolute must have for any serious collector. The best thing about picking this one up, aside from the great music, is that somehow, just by owning it, we are just a little bit cooler.
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28 of 29 people found the following review helpful:
2.0 out of 5 stars
Great Music, Bad Re-mastering, July 22, 2005
The music is terrific, but the sound on this Buddha re-mastering is not. I bought this, gave it away, and purchased the import RCA disc. The RCA import has excellent sound, the brass leaps out of the speakers, there is much fuller dynamic range, and it also has all 24 tracks from the two original Peter Gunn albums. Don't settle for this Buddha disc, and get the RCA import here at amazon. If you must have this disc, realize the sound is much better with a quality re-mastering. The Peter Gunn music is fun jazz with pop touches, sure to be enjoyed by most listeners.
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
Lively, friendly, it'll live forever jazz..., May 30, 2002
For those of us of a certain age, the soundtrack from "Peter Gunn" is something that not only made Henry Mancini a celebrity and sparked a lifelong interest in jazz, but it also was the reason our parents upgraded to a "Stereo System" and gave us the old one-speaker "hi-fi" for our bedroom. I was a 9th-grader when this began happening to all my friends, and although I lagged behind, and in my house it was Johnny Cash that became the first stereo record buy, "Peter Gunn" sounded sensational in wondrous separation. Today I heard this music for the first time in 35 years, and it is still wonderful. Yes, it is real jazz of a distinct type. Yes, the soundtrack has held up better than the tv show that the music was supposed to enhance, not dominate. Yes, Henry M. was extremely talented and did a lot of things other than "Moon River." If you want a sense of what the Beatniks were listening to in the late Fifties, buy this masterpiece. The bongos will make you laugh, the vibes will make you smile. Upon its first release, this music became a must-buy for most middle-class households. At the time, it was adventurous, even daring, if you were'nt already a jazz fan. Today, it's still worth owning and listening to again and again.
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