Product Details

• Actors: Olivier Martinez, Romane Bohringer, Aitana Sánchez-Gijón, Didier Bezace, Aldo Maccione
• Directors: Bigas Luna
• Format: Color, Letterboxed, Subtitled, NTSC
• Language: English, French
• Rating: NR (Not Rated)
• Number of tapes: 1
• Studio: New Yorker Video
• VHS Release Date: October 12, 1999
• Run Time: 96 minutes
• Average Customer Review: 5.0 out of 5 stars See all reviews (6 customer reviews)
• ASIN: B00000JNTO
• Amazon.com Sales Rank: #7,568 in Video (See Bestsellers in Video)

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  #26 in	Video > Art House & International > European Cinema > France > Drama
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Editorial Reviews

From The New Yorker
Horty (Olivier Martinez) earns drinks and tips telling heavy-breathing, erotic stories, mostly fanciful, to his foundry mates in a bar back home in Lorraine. It's April, 1912, and he's just returned from Southampton, England, where he spent one night with Marie (Aitana Sánchez Gijón)-the night before the Titanic sailed. Zeppe (Aldo Maccione), a travelling actor, arrives, sees Horty's potential as a big-time earner on the circuit, and saves the film by liberating Horty (and us) from that dingy bar and its drooling patrons. To our relief, the director Bigas Luna's earnest concentration on sexual obsession and jealousy is replaced by a comical and prescient examination of post-Titanic showbiz. In French. -Ken Marks
Copyright © 2006 The New Yorker

From the Back Cover
In the tradition of Like Water For Chocolate and IL Postino, The Chambermaid On T he Titanic is a mystical and unpredictable fable full of mad passion and unbearable sensual ity. Once again, Horty (Oliver Martinez) is extraordinary: a round-trip ticket to Southampton, England to watch the Titanic leave on its maiden voyage. In his Southampton hotel room Horty is approached by Marie, a stunning chambermaid due to board the Titanic the next day. Believing i n Marie's hard luck story of having no place to spend the night, Horty apprehensively agrees to share his room with the beautiful stranger. Returning home to his wife, Horty's recount of the night he met Marie will change his life forever as the magical tale of his forbidden romance t ransforms all those who hear it.

Customer Reviews

Most Helpful Customer Reviews

31 of 32 people found the following review helpful:

5.0 out of 5 stars Olivier Martinez is one of France's best kept secrets., August 28, 1999

By A Customer

If the name of the great ship sparks your interest, follow the allure of Titanic. If you are an American movie goer who struggles with the idea of foreign film, make an exception for La Femme de chambre du Titanic. If you are bored of insisting upon instant gratification, dare to delve into a sensuous and erotic new world of fantasy ...

Bigas Luna's latest screenplay is not so much a tapestry of Titanic as it is a study of the mythology its legend endures. The filmmakers create an evolution of light and color to tell a story of the bleak realities of the poor working class of rural Europe in the early twentieth century, contrasted by the rich and vivid imagery of fantasy.

In the spring of 1912, Horty (The Horseman on the Roofs' Olivier Martinez) wins, once again, an annual contest of strength at the foundry where he works in northern France. He was heavily favored to win by his colleagues, as well as by the owner of the foundry who had his own reasons to want to see Horty win the first prize of a trip to England for the celebration surrounding Titanic's ill-fated departure ... Horty is forced to travel alone, leaving his wife, Zoe (Savage Nights' Romane Bohringer) behind in France. As Horty settles into his plush hotel room in Southampton, he answers a knock to find a beautiful young woman standing at his door. Marie (A Walk in the Clouds' Aitana Sánchaz Gijón) has been hired as a chambermaid on the Titanic and all the rooms in the hotel are rented. She explains that the hotel desk suggested that Horty might be persuaded to give up his room to a lady in distress. Horty is a little vexed by her request, and upon seeing his hesitation, she quickly apologies and turns to leave. He stops her and suggests that they might work out an acceptable arrangement. Late into the night the beguiling Marie attempts to seduce Horty, but he manages to resist her charms, except in his dreams. In the morning, Horty wakes to find himself alone and is drawn to the dock by the sound of Titanic. From a distance, he recognizes Marie posing for a photographer. As the ship leaves port, Horty buys the photograph as a keepsake.

Things have changed back home and Horty is told he has been promoted to a new job in the foundry. His friends at the local pub make suggestions that Zoe is having an affair with his boss. Horty takes out Marie's photograph to pour over his lost opportunity, but is interrupted by one of his friends demanding to know who this beautiful chambermaid is. He begins with an innocent explanation, but no one wants to believe the truth. Horty, still tormented by Zoe's betrayal, and his own faithfulness, begins to tell an eloquently erotic tale of his night of passion in one of the luxurious rooms on the Titanic. When the news of Titanic's sinking reaches the town and Marie is not among the list of survivors, Horty becomes an instant tragic hero. Each night at the pub, the crowds grow larger and the intensity of Horty's story swells, the whole countryside is enthralled with his power of suggestion.

The Chambermaid on the Titanic is a testament to the lost art of romance, the fine line between fantasy and reality, and the sheer terror of the possibility of the fulfillment of one's fantasies. Regrettably, many of the French delicacies of the storytelling are lost in the English subtitles. That aside, the characters become beautiful in their turn of the century attire. Martinez is brilliant as the evolving actor, if initially a bit subdued. One of the best kept secrets in France, Olivier Martinez has that rare gift of poetic stares and breathtaking body language; subtleties the most devoted of old world romantics will find intoxicating. Romane Bohringer is perfect as Zoe, seduced by the lure of money and repelled by jealously and what it causes her to lose. Aitana Sánchaz Gijón is entrancing as the adored chambermaid. The simplistic style of "The Chambermaid on the Titanic" is commendably refreshing.

23 of 23 people found the following review helpful:

5.0 out of 5 stars The authentic gem of cinematic Titanics, December 17, 1999

By	Hal M. Barger (San Antonio, Texas) - See all my reviews

French films often depict life in far more realistic ways than Hollywood. This gem, which only incidentally deals with the Titanic tragedy, is an artistic and sensual protrayal of how the mind is even stronger than the bodily appetites when it comes to romance, passion, and perception. The film cleverly depicts how human emotions and behaviors are more influenced by imagination than by immediate physical action. Martinez has a gritty, sexuality that is rare in films today. He suggests that men might woo their women more successfully with words rather than more traditional machismo. The photography, screen play, direction, and acting are all first rate. This is one of the finest films to come out of France since Truffaut and Renoir.

4 of 4 people found the following review helpful:

5.0 out of 5 stars MUST SEE, March 29, 2004

By	Lucien66 (Alabama ,United States) - See all my reviews

The subtle passion of this film is remarkable. It is a Martinez tour de force - every movement on screen is full and rich. There are few films that are as romantic as this one. For any one who is a fan of Olivier Martinez this is a MUST SEE movie; For anyone new to Martinez, THIS is the one that shows you he is a true icon of sensuality and the ultimate in French film today.

C'EST tres bon!