Product Description
Ravenchild is something of a landmark; not only is it Maddy Prior's thirty-fifth release but its release in 1999 also marked her thirty-fifth year as a singer. It arrived two years after her previous solo album Flesh & Blood and again sees her working with Nick Holland (keyboards & vocals) and Troy Donockley (uilean pipes, whistle, guitar, cittern and vocals). The trio are joined by guests Terl Bryant on percussion and Nick Beggs on chapman stick. In keeping with much of Maddy's previous work, but maybe not many people's preconceptions, Ravenchild delves into the darker, more serious, side of traditional material and the tragedy behind the tales. Throughout her career, Maddy has always striven to introduce her audience to a side of folk music that they perhaps didn't realize was there. "I've never thought of folk music as light, one has been fighting the fact that the genre is considered fol de rol. If people who dismiss traditional music took the time to get their heads round it they might be pleasantly surprised" - Maddy Prior.
The source material for Ravenchild is varied, taking in English tradition (Twanky Dillo, Bold Poachers), Scottish (Great Silkie Of Sules Skerry), history (With Napolean In Russia) and contemporary issues (Rigs Of The Time). At the album's heart is In the Company of Ravens, a major piece dealing with the role of the raven in cultures such as Celtic and native American, its behavior and its relationship with man. "The audience has grown used to this idea that folk music is comfortable and not relevant and I don't believe that - I wouldn't have spent thirty-five years doing something that was totally irrelevant. I want to make the connection between the traditional and the modern, the forward looking." - Maddy Prior, 1999.