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18 of 20 people found the following review helpful:
2.0 out of 5 stars
The concept overhwelms the music, July 18, 2002
By A Customer
This is the debut album by the Tenessee based prog duo of Glass Hammer (well, they were a duo when they did this album at any rate). In case you couldn't tell from the name, this is a concept album based on J.R.R. Tolkien's _The Lord of the Rings_. Specifically, it's a concept album based around the character of Aragorn, who is (as are all things in Tolkien's fiction) known by many names and epithets, one of which is 'the Dunadan'.That's all fine and well, of course. Tolkien's fiction has served other musicians well as a source of inspiration. This is especially true in the realm of prog-rock, as albums like Bo Hansson's _The Lord of the Rings_ and Ilildur's Bane's _Sagan om Ringen_ attest. Moreover, Glass Hammer's attempt to perform a retelling of part of Tolkien's fiction, focussing solely on one character shows a genuinely fresh approach to the subject that had the potentially to produce something genuinely new and exciting. Unfortunately, a lot of that potential goes unfulfilled here-- and instead of a great Tolkien-based prog rock concept album, I think this one is only mediocre. It's a bit hard to put my finger on exactly why that is, but my biggest problem with this CD is that it elevates the 'concept' of the album about the music. In order to keep the story clear in our minds, there is a narrator who frequently fills in background, describes what has happened between tracks, and adds commentary on things. Some folks may like this, I suppose, but I personally find it extremely grating and mars the whole album for me. Another problem I have is that the lyrics and songs with vocals (which is the main means by which the concept gets related) tend to be much weaker (i.e. less original, less interesting, more cliched) than the instrumental parts. This isn't just a criticism of the singers (who are actually fine-- not outstanding, but fine), mind you, but of the songwriting. There are times on this where there are some *great* instrumental moments with nice keyboard lines and cool melodies, etc., and then... all of a sudden, we find ourselves suddenly transformed into a rather unremarkable and straightforward song so that some lyrics can be delivered to help relate the concept. At some moments, these actually get *really* cheesy (like "Something's Coming") and the generic ballad "The Way to Her Heart". If Glass Hammer weren't trying so hard to tell a story here, and instead concentrated on just developing music, I think they would have avoided the worst of these pitfalls-- especially the narrator. But, as it is, I think they let the concept overwhelm the music to the point where the music suffers for it.
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