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Editorial Reviews
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Radley Metzger had carved out a nice little career for himself importing and dubbing European erotic dramas (such as I, a Woman) when he decided to direct his own. All that Euro-chic elegance comes through in his first film, The Dirty Girls, a handsome little picture short on story and tame by modern standards (there's more tease than striptease) but full of that happily hedonistic continental attitude. Shot on location in Europe, it's an elegant, low-budget picture about two call girls in the most beautiful cities of the world. In Paris, "the City of Love," a lovely streetwalker on the Champs Élysées spends an evening entertaining a series of clients, one of whom enjoys a woman in uniform. In Munich, "the City of Pleasure," a high-class courtesan brings pleasure to a pair of wealthy patrons while awaiting the return of her lover. Metzger and his cinematographer Hans Jura serve up the flirting and foreplay in a cool, chic black-and-white sheen. It's a modest effort but sets the tone for Metzger's future films: despite the title, Metzger treats sex as anything but dirty and maintains an unusual (for 1964) respect for his heroines. Bonus scenes at the end of the film feature slightly more explicit versions of a few scenes shot for the European market. --Sean Axmaker
Product Description
From the tops of their heads to the tips of their toes they were made for love! In Paris, the City of Love, Garance can be found each night on the Champs-Elysees. On this evening, Garance will entertain a shy, young student, a hot-headed sadist, and an older gentleman who likes a good uniform. In Munich, the City of Pleasure, everyone wants Monique, the woman of ten thousand pleasures. She finds herself entertaining an American businessman and a lonely movie star--to the delight of several onlookers!
Radley Metzger had carved out a nice little career for himself importing and dubbing European erotic dramas (such as I, a Woman) when he decided to direct his own. All that Euro-chic elegance comes through in his first film, The Dirty Girls, a handsome little picture short on story and tame by modern standards (there's more tease than striptease) but full of that happily hedonistic continental attitude. Shot on location in Europe, it's an elegant, low-budget picture about two call girls in the most beautiful cities of the world. In Paris, "the City of Love," a lovely streetwalker on the Champs Élysées spends an evening entertaining a series of clients, one of whom enjoys a woman in uniform. In Munich, "the City of Pleasure," a high-class courtesan brings pleasure to a pair of wealthy patrons while awaiting the return of her lover. Metzger and his cinematographer Hans Jura serve up the flirting and foreplay in a cool, chic black-and-white sheen. It's a modest effort but sets the tone for Metzger's future films: despite the title, Metzger treats sex as anything but dirty and maintains an unusual (for 1964) respect for his heroines. Bonus scenes at the end of the film feature slightly more explicit versions of a few scenes shot for the European market. --Sean Axmaker
Product Description
From the tops of their heads to the tips of their toes they were made for love! In Paris, the City of Love, Garance can be found each night on the Champs-Elysees. On this evening, Garance will entertain a shy, young student, a hot-headed sadist, and an older gentleman who likes a good uniform. In Munich, the City of Pleasure, everyone wants Monique, the woman of ten thousand pleasures. She finds herself entertaining an American businessman and a lonely movie star--to the delight of several onlookers!
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